- Babyn Yar Holocaust Memorial Competition
- A Cultural Cluster as Community Asset in Detroit
- A New City University Takes Shape
- A New “Smart City” as Education Hub
- Transforming Buffalo’s DL & W Rail Corridor
- A Paean to its Founders in Weimar
- Kazan’s New Garden City Competition
- A Museum as Entertainment Landscape
- Resilient by Design: Bay Area Challenge
- The San Francisco Transbay Terminal Competition
- University College Dublin’s Ambitious Plan
- Where Ecology Rules: Hsinta Ecological Power Plant Competition
- Paying Homage to a Storied Parliament Building
- K2K Planning Competition (Kensington / Kingsford)
- Taichung Tower 2 Competition
- Interview: James Mary O’Connor FAIA (Winter 2017)
- Designing Taichung Central Park: Presenting a Holistic Philosophy Structurally
- Designing on a Small Budget: A New Front Yard for the Berkshire Botanical Gardens
- Tallinn Port Masterplan 2030 Competition
- Competitions as Stepping Stones for Young Architects Example: Weiss Manfredi
- Edinburgh’s Ross Pavilion Competition
- SO-IL Re-invents Place Mazas in Paris
- Qatar Art Mill Competition
- Remembrance on the Pacific Rim: The Canterbury Earthquake Memorial Dedication
- TWIN CREEKS: Trail as Experience Maker
- M20 – Museum of 20th Century Extension Competition
- A Symbol of Gratitude: The Tri An Monument Competition
- Mesa’s Answer to Urban Sprawl: The Major Redesign of a City Center
- Vienna School of Economics
- Surfer’s Paradise Goes Cultural: The Gold Coast Precinct Competition
- Re-Thinking the University of Manitoba’s Campus: Visionary (re)Generation International Competition
- Uncovering Hidden Possibilities: Lexington’s Town Branch Competition
- Bringing Life to the Center: The Aberdeen City Garden Competition
- Seeking New Paradigms in Landscape Architecture: The Taichung Gateway Park Competition
- The Eisenhower Memorial: Sending Mixed Messages?
 |
||||
Landscape/Planning Index |
Vilnius Concert Hall Competition
In July 2019 the Vilnius Concert Hall competition jury began its deliberations to identify a suitable design for this major performing arts project. As one might have anticipated, two of the jurors on the seven member panel, Ole Gustavsen (Snohetta) and Andreas Cukrowicz (Nachbaur Architekten) had won high profile competitions for similar music center projects—in Oslo and Munich. The jury was confronted with a formidable task, as the competition, organized according to UIA regulations and anonymous in its format, had attracted 248 entries from around the world. For this one-stage competition, the organizers listed the following evaluation criteria, whereby the order of the criteria was not to reflect any priority: OFFICE 52 at Carnegie Mellon
Form and Dichroic Light
In his introduction to Form and Dichroic LIght, Michael Crosbie never mentions the term, “wild card,” to describe Office 52’s participation in the invited competition for the Carnegie Mellon Engineering Building. The four finalists, picked from a list of 17 firms, also included three household names: ZGF, Wilson, and BCJ (Bohlin Cywinski, Jackson). So what possible chance could a firm, which had just recently opened a small office in Portland, Oregon, have against a competition lineup of this magnitude? But as OFFICE 52 Principal, Isaac Campbell explained, as a small firm, “we were quite nimble,” and the $50,000 stipend the firms all received to produce a design could allow OFFICE 52 more time to undertake the research involved than might be the case with a larger office, where a cost controller is constantly focusing on the operation.
Babyn Yar Holocaust Memorial Competition
Memorials to commemorate atrocities committed by the Nazis during World War II have taken many forms. Holocaust museums such as the United States Holocaust Memorial Museum in Washington, D.C. by Pei Cobb Freed or the Jewish Museum in Berlin by Daniel Libeskind, all endeavor to paint a broad picture, including narratives covering most of the major events and sites. Former concentration camps such as Auschwitz, Dachau, Theresienstadt and Buchenwald have been frequent tour destinations. In the case of Buchenwald, the local city of Weimar has placed pictures of “Witnesses” throughout the downtown area as a reminder of the Nazi legacy.
A Cultural Cluster as Community AssetDIA Plaza: Detroit’s Midtown Cultural Connection Competition
Detroit’s Dia Plaza competition is hardly unique in initiating a search for urbanistic solutions to a cultural cluster. Vienna, Berlin, Mesa, Fort Worth, Chicago’s Millennium Park and Paris’ Parc de la Villette are just a few examples of projects where the focus on spaces between buildings, and arriving at a connective plan to infuse new energy into the site, has been the primary goal of other projects. All of these have been faced with their own challenges: solutions for some have been relatively simple—Vienna’s Museum Quarter and Berlin’s Forum—while others such as Paris’ La Villette and Mesa’s Downtown Plaza represent a more challenging subject spatially. In the case of Detroit, the aim of the competition was clear: “The design competition centers around enhancing and enlivening the DIA’s exterior campus and aims to connect all the institutions with a beautiful series of settings that support all types of programming and public art.”
A New City University Takes ShapeMK:U’s Forward Looking Model Explored in Detail
Milton Keynes, known simply as MK, represented one of the more significant results of the UK’s “new town” programs from the 1950s and 60s. Situated almost equidistant between Oxford and Cambridge, and within easy access from London, the city had everything one might expect from a modern community—except a university. For a city having a population exceeding 250,000, and projected to have 500,000 inhabitants by 2050, that will all change, as a competition supported by the MK Council (MKC) and Cranfield University has resulted in five firms competing for the opportunity to design a higher educational institution to eventually accommodate 15,000 students.
Chicago Disruptive Housing
If cities in the U.S. are anticipating funding from government entities to solve a dire need for affordable housing, they should be prepared for a long wait. The national government, a traditional source of funds for such projects, has shown little if no interest in the issue, and state and local sources are at a minimum. To exacerbate the problem, the construction cost of affordable housing has risen exponentially the the past few decades. Gone are those days when architects such as Oakland-based Michael Pyatok could build affordable housing for $100 a square foot.
|
|||
|
Copyright © 2019 Competitions All Rights Reserved COMPETITIONS, P.O. Box 20445, Louisville, Ky 40250 U.S.A Ph: (502) 451-3623; Fax: (502) 451-3623 Website: https://competitions.org E: scollyer@competitions.org Privacy Policy: CP-Privacy-Policy.pdf IMPORTANT NOTICE : Unless otherwise indicated, photographs of buildings and projects are from professional or institutional archives. All reproduction is prohibited unless authorized by the architects, designers, office managers, consortia or archives centers concerned. The Competition Project, Inc. is not held responsible for any omissions or inaccuracies, but appreciate all comments and pertinent information that will permit necessary modifications during future updates. Powered by WordPress & Atahualpa |
||||
