Reimagining Brooklyn Bridge: The Reinvention of a 19th Century Icon Professional winner: Brooklyn Bridge Forest (image © Pilot Projects Design Collective) While looking for new adventures on a visit to New York City, friends suggested that I take time to walk across the Brooklyn Bridge—certainly a New York icon. For those intending to undertake this trek across the bridge for the first time, the bridge consists of layers, with a large platform for pedestrians on top of a lower level for cars and the metro system. Traversing this connection for the first time between Manhattan and Brooklyn is not just about getting from one place to another, but experiencing a great scenic view of both boroughs and occasionally interacting with other bridge crossers. As for the latter, they provide a flavor of the city’s demographics, as opposed to similar experiences one might have of the city’s inhabitants when riding the city’s subway system. A few years passed from that visit, and while waiting for PS1 to open to see the most recent exhibit a few years ago, I encountered two young Italian architects from Milan, visitors to the city for the first time. After we had spent some time together at PS1, they said they had another free day to explore the city and wondered if I had any suggestions. After mentioning the Brooklyn Bridge, I almost forgot about the whole episode until I received an email from Milan a few days later. The Italians stated that they had taken my advice, and that crossing the bridge turned out to be one of the highlights of their trip to NYC. The Competition With all the bike and pedestrian traffic the bridge has generated over the past few years, congestion during peak hours has become a serious problem. In an effort to address solutions to these conditions, the Van Alen Institute in conjunction with the New York City Council launched the international design competition, Reimagining Brooklyn Bridge. Not only was the intent to focus on the bridge’s infrastructure issues, but serve to use this competition as a “testing ground for designs that serve our communities in need.” The resulting competition was split into two categories: Professional and Young Adults (21 years of age or younger). Three finalists were to be shortlisted from entries in each category and provided with stipends for a second stage where the proposals were to be fine-tuned. Among the criteria considered by a jury representing a wide range of issues were: team composition; accessibility and safety; environmental benefit and security; respect for the bridge’s landmark status; feasibility; and “magic”—i.e. new ideas that surprise, delight, and fascinate. The jury panel consisted of: • Peg Breen, President, New York Landmarks Conservancy • Andrew Brown, Associate Director of Research, Van Alen Institute (non-voting) • Marla Gayle, Managing Director, SOM • Hon. Jonathan Gardenhire, Artist & District Leader, NYS Assembly District 65, Part B • Danny Harris, Executive Director, Transportation Alternatives • Helen Ho, Co-Founder, Biking Public Project • Isabella Joseph, Student, Bernard and Anne Spitzer School of Architecture, City College of New York • Regina Myer. President, Downtown Brooklyn Partnership • Amy Plitt, Writer and Editor The Finalists Most of the finalists in both categories concentrated on the major issues: separation of the cyclists from the pedestrians, reduction in vehicle lanes on the lower level, additional activities for pedestrians at the upper levels, sustainability, and improvement to the areas at either end of the bridge with vegetation, etc. All of the finalists indicated phasing as the modus operandi for completion of their projects The focus of the Professional Winner, Brooklyn Bridge Forest by Pilot Projects Design Collective with Cities4Forests, Wildlife Conservation Society, Grimshaw and Silman, emphasized the use of 20,000 hardwood planks from Guatemala as the primary surface for their boardwalk. Their configuration for the infrastructure traffic plan was logical and probably easy to implement. Attention paid to the areas fanning out from the approaches to both entrances of the bridge were logical and well documented. The use of hardwoods from a forest in Guatemala brings up the question of ecology: how long would it take to replace the trees removed from this forest—even if an effort was undertaken to replant similar hardwood trees The Young Adult Winner, Don Look Down by Shannon Hui Kwans Kim, and Yujin Kim, suggested an upper level of the bridge as glass, whereby pedestrians could catch various events and graphics below in passing. Although quite an imaginative and eye-opening feature, this would probably have been deemed too risky in terms of maintenance for realization. But the team did excel in their lighting treatment of the bridge and in the areas connecting the bridge to the city. An interesting and doable suggestion was the conversion of one of the unused anchorages into a gallery for some public art. Professional Winner: Brooklyn Bridge Forest Pilot Projects Design Collective with Cities4Forests, Wildlife Conservation Society, Grimshaw and Silman Montreal and New York Team Members Scott Francisco; Dr. Sarah Jane Wilson; Christine Facella; Dr. Jeremy Radachowsky; Justin Den Herder, PE; Ben Fryer; Aaron Vaden-Youmans, Noah Garcia, Alexandre Rossignol, Arianne Pizem Images © Pilot Projects Design Collective Finalist: Back to the Future BIG + ARUP New York Images © BIG Finalist: Bridge X ScenesLab + Minzi Long + Andrew Nash New York, Boston, and Vienna Images © ScenesLab, Minzi Long, and Andrew Nash Young Adult Winner: Look Down Shannon Hui, Kwans Kim, and Yujin Kim Hong Kong, Bay Area, CA, and New York Images © Shannon Hui, Kwans Kim, and Yujin Kim Finalist: The Artery Lukas Kugler New Milford, CT Images © Lukas Kugler Finalist: The Cultural Current Aubrey Bader and Maggie Redding Knoxville, TN Image © Aubrey Bader and Maggie Redding |
Completed IMEX by Tuck Hinton Architects. Photo courtesy Anecdote It is not often that we look back to a competition that occurred three decades ago that was also covered in detail by COMPETITIONS (Vol. 4, #4; pp. 14-27). What made the Chattanooga IMAX different back in 1994 was that the article covering that competition was authored by Prof. Marleen Davis, then Dean of the University of Tennessee’s School of Architecture and a member of the jury panel. This was not just a short article, covering the high points of the competition with a few talking points about the winning design. This 4,000+ word document also described in detail the jury’s observations about all the finalists, including the honorable mentions—one of the few times we have gained such a detailed glimpse in this country from the inside of the competition process. Read more… Preparation and Organization of Design Competitions [phase 1] Benjamin Hossbach / Christian Lehmhaus / Christine Eichelmann 210 × 230 mm, 192 pp. over 600 images softcover ISBN 978-3-86922-316-2 (English) ISBN 978-3-86922-240-0 (German) Dom Publishers €48 in EU (For price abroad, see below) Founded in 1998 in Berlin, Phase 1 has been a principal player in the organization and facilitation of design competitions, not only in Germany, but abroad as well. The accomplishments of the firm have been well documented in three volumes—The Architecture of Competitions—beginning in 2i006. Whereas these books mainly focused on the results of the competitions they have administered, the present work, Fundamentals of Competition Management, takes one from the very beginnings of the competition process to its conclusion. The authors envisioned the publication as “three three books in one: one „blue book“ with example projects, one „yellow book“ with statements and the „white book“ with the actual guideline to competition management.” Although there have been a number of handbooks covering the administration of designcompetitions a study covering the entire process in such detail is a welcome addition to the the literature in this field. As a contribution to this important democratic process that has yielded exceptional design for decades, this volume is not only valid for Europe, but a current overview of the process for those globally who wish to raise the level of design by virtue of a design competition. -Ed Foreign institutions wishing to obtain a copy of the book will recieve a discount to cover the cost of foreign shipping. To obtain a copy for that offer, go to: [email protected] Winning entry by Luca Poian Forms Image ©Filippo Bolognese images Good design seldom happens in a vacuum. And so it was with an international competition for a new mosque in Preston, U.K. A mid-sized city of 95,000, and located in Lancashire near the west coast and almost equally distant from London and Glasgow, Preston has a storied past, going all the way back to the Romans and the late Middle Ages, where it was the site of significant battles. During the Industrial Revolution, the city prospered, and it was not until after World War II that Preston experienced the British version of the U.S. Rust Belt. In the meantime, the city has experienced an upswing in economic activity, with an unemployment rate of only 3%. Aside from the appearance of new industries, the city has benefitted from the establishment of Central Lancashire University (CLU), which employs over 3,000 faculty and staff, and, as such, is one of the regions major employers. Any new university requires new facilities, and one of the most outstanding examples of this at CLU was the new Student Centre and Plaza, a result of a 2016 RIBA-sponsored competition won by Hawkins/Brown Read More
Changdong Station winner – image ©D & B Partners Architects
Whereas international competitions for real projects have become a rarity lately, Korea is a welcome exception. Among the plethora of competition announcements we receive almost weekly, several have ended with foreign firms as winners. But the history of welcoming international participants does go back several years. One notable early example was the Incheon Airport competition, won by Fentress Bradburn Architects (1962-70).
Among the more recent successes of foreign firms was the Busan Opera House competition, won by Snøhetta (2013-) and the Sejong Museum Gardens competition, won by Office OU, Toronto (2016-2023).
Read more… 1st Place: Zaha Hadid Architects – night view from river – Render by Negativ Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding. Read more… Helsinki Central Library, by ALA Architects (2012-2018) The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome. Read More… 2023 Teaching and Innovation Farm Lab Graduate Student Honor Award by USC (aerial view) Architecture at Zero competitions, which focus on the theme, Design Competition for Decarbonization, Equity and Resilience in California, have been supported by numerous California utilities such as Southern California Edison, PG&E, SoCAl Gas, etc., who have recognized the need for better climate solutions in that state as well as globally. Until recently, most of these competitions were based on an ideas only format, with few expectations that any of the winning designs would actually be realized. The anticipated realization of the 2022 and 2023 competitions suggests that some clients are taking these ideas seriously enough to go ahead with realization. Read more… |