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If there was ever one to see the brighter side of life, it was Jeffrey Ollswang, architect, teacher and a glowing light in our firmament, who passed away last week at the age of 80. His personality can be summed up in a quote from the book he authored, together with his
Submission extended to 1 July 2020 because of the COVID-19 Pandemic https://www.urbanconfluencesiliconvalley.org Photo courtesy Architects Newspaper
The passing of Bill Menking represents the loss of one of our most important voices in the architecture world of publishing and criticism. Bill was interested in all facets of design, and regarded design competitions as an instrument to push the design envelope. My initial encounter with Bill occurred In light of current circumstances the registration and submission deadlines for this year’s competition are being extended. The new Deadline is Wednesday, May 20th at 6:00pm pacific. The 2020 Architecture at Zero competition challenge is to create a zero net energy library for the San Benito County Free Library in Hollister, CA. Full details
Back in 2014 I discovered that Michael Sorkin had been a recent juror on the Surfer’s Paradise Precinct design competition panel in Australia. Having been familiar with Michael’s articles and other writings, I was hoping he would be available for an interview—the exuberant design by ARM Architecture that won certainly had pushed Sponsors: San José Light Tower Corporation Type: open, two-stage Eligibility: no restrictions Language: English Location: San José, California Fees: none Jury: TBD (11 members) Compensation: Three (3) finalists will each receive a sum of US$150,000 to complete their designs. Timetable: 15 January 2020 – Registration/Submission deadline Zaha Hadid Architects Wins UAE Masterplan Competition
Following the international competition, ARADA has appointed Zaha Hadid Architects (ZHA) to design the Central Hub, the centerpiece of Aljada, the developer’s masterplan in Sharjah, UAE. The other competitors in the invited competition were HOK (U.S.) and RMJM (London).
Developed with environmental considerations integrated
UAB Paleko Archstudija and UAB Baltic Engineers; Feilden Clegg Bradley Studios; and Adam Khan Architects announced as the finalists of the Kaunas M.K. Čiurlionis Concert Centre International Design Contest
• 117 teams entered the contest from 36 countries • All concept designs for the Centre were judged anonymously • New M.K. Finalists • Zaha Hadid Architects, London (winner) • Alejandro Zaera-Polo Maider Llaguno Architecture, Spain / Kavakava, Tallinn • Andres Alver, Tallinn It’s seldom that one finds a separate section in an obituary dedicated to architecture competitions. We shouldn’t have been surprised to find this in the case of Bill Bricken, a frequent participant in design competitions and one of our long-time subscribers. It was also a case where we had published articles on competitions |
A Flawed Plan Leads to Budget Issues
Once considered on the forefront of modern architecture in post-WWII Europe, Berlin has had its share of questionable decisions concerning important urban projects in recent history. Beginning with the rebirth of the Berlin Palace (Humboldt Forum) on the Spree by Italian architect, Franco Stella, and now followed by Herzog de Meuron’s controversial addition to Mies’s 20th Century Art Museum, the times when one could look to Berlin as a signpost of architectural innovation can only be viewed in the rear view mirror.
Young Architects in CompetitionsWhen Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link: From Anthropology to ArchitectureArt Gallery of Nova Scotia Competition
Not to be outdone by other Canadian provincial capitals, Halifax has chosen to make its own ambitious museum statement on the city’s waterfront. New museums in Vancouver, BC, Calgary and Fredericton, New Brunswick, the latter two by KPMB Architects, are either in development or already under construction. Saskatoon’s Remai Modern by KPMB and OMA’s Musée national des beaux-arts du Québec in Montréal were more recently completed, and Vancouver’s new Art Museum by Herzog & de Meuron is still under development.
Modular Wood Construction in the SpotlightUrban Adaptation Competition
Recently we are beginning to see a resurgence of wood as a primary building material, not only for detached residential housing, but also for multi-family and commercial urban structures. Masonry, steel, and composite materials are still the bread and butter of the construction industry; but wood may be making serious inroads into the future of commercial buildings. Yes, we have seen the use of wood in interiors of large buildings: one of the more impressive projects being that of the Christ the Light Cathedral by SOM in Oakland, California.
Uusi Kansallinen – National Finnish Museum Competition: Following a Time Honored Paradigm
When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries.
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