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Blending Technology with Aesthetics
On May 8th of this year, the world lost one of its foremost architects in Helmut Jahn, 81, who died in St. Charles, a suburb of Chicago, his adopted home in America. Born and educated in Germany, Helmut arrived in America two years after receiving his degree in architecture
If there was ever one to see the brighter side of life, it was Jeffrey Ollswang, architect, teacher and a glowing light in our firmament, who passed away last week at the age of 80. His personality can be summed up in a quote from the book he authored, together with his
Submission extended to 1 July 2020 because of the COVID-19 Pandemic https://www.urbanconfluencesiliconvalley.org Photo courtesy Architects Newspaper
The passing of Bill Menking represents the loss of one of our most important voices in the architecture world of publishing and criticism. Bill was interested in all facets of design, and regarded design competitions as an instrument to push the design envelope. My initial encounter with Bill occurred In light of current circumstances the registration and submission deadlines for this year’s competition are being extended. The new Deadline is Wednesday, May 20th at 6:00pm pacific. The 2020 Architecture at Zero competition challenge is to create a zero net energy library for the San Benito County Free Library in Hollister, CA. Full details
Back in 2014 I discovered that Michael Sorkin had been a recent juror on the Surfer’s Paradise Precinct design competition panel in Australia. Having been familiar with Michael’s articles and other writings, I was hoping he would be available for an interview—the exuberant design by ARM Architecture that won certainly had pushed Sponsors: San José Light Tower Corporation Type: open, two-stage Eligibility: no restrictions Language: English Location: San José, California Fees: none Jury: TBD (11 members) Compensation: Three (3) finalists will each receive a sum of US$150,000 to complete their designs. Timetable: 15 January 2020 – Registration/Submission deadline Zaha Hadid Architects Wins UAE Masterplan Competition
Following the international competition, ARADA has appointed Zaha Hadid Architects (ZHA) to design the Central Hub, the centerpiece of Aljada, the developer’s masterplan in Sharjah, UAE. The other competitors in the invited competition were HOK (U.S.) and RMJM (London).
Developed with environmental considerations integrated
UAB Paleko Archstudija and UAB Baltic Engineers; Feilden Clegg Bradley Studios; and Adam Khan Architects announced as the finalists of the Kaunas M.K. Čiurlionis Concert Centre International Design Contest
• 117 teams entered the contest from 36 countries • All concept designs for the Centre were judged anonymously • New M.K. Finalists • Zaha Hadid Architects, London (winner) • Alejandro Zaera-Polo Maider Llaguno Architecture, Spain / Kavakava, Tallinn • Andres Alver, Tallinn |
One Design to Fit All
From Grand Central Station to King’s Cross in London, railway stations have often represented some of the major architectural accomplishments of our times. But those edifices have been primarily located in great cities. In the U.K. there are over 2,000 stations located in medium-sized, small, and rural communities. Most of those are ‘quick stop’ locations, and not the destination terminals where space requirements often result in state of the art design.
In July of last year, U.K.’s Network Rail, in collaboration with the Royal Institute of British Architects (RIBA) launched a competition to identify a concept for a design that would be suitable for the medium to small-sized rail stations, at the same time updating the program to fit the modern needs of such a facility. The competition was open internationally and received 213 entries from 34 countries last September.
Young Architects in CompetitionsWhen Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link: An Urban Icon Emerges
The Urban Confluence Silicon Valley Competition
After several stops and starts over an extended period of time, the winner of the Urban Confluence Design Competition was named in early March, 2021. SMAR Architecture Studio’s The Breeze of Innovation, which prevailed over two other shortlisted finalists from the original 963 entries, won with a novel tower-like structure consisting primarily of hundreds of rods, generating energy while swaying in the wind.
The Budludzha Monument Project
The result of an effort from a professor at the TUM (Technische Universität München) to restore the Budludzha Monument in Bulgaria, located in a remote location on a mountain top in that country, we discovered that it originally was the result of a 1959 design competition won by the young Bulgarian architect, Georgi Stoilov.
A Flawed Plan Leads to Budget Issues
Once considered on the forefront of modern architecture in post-WWII Europe, Berlin has had its share of questionable decisions concerning important urban projects in recent history. Beginning with the rebirth of the Berlin Palace (Humboldt Forum) on the Spree by Italian architect, Franco Stella, and now followed by Herzog de Meuron’s controversial addition to Mies’s 20th Century Art Museum, the times when one could look to Berlin as a signpost of architectural innovation can only be viewed in the rear view mirror.
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