The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
The Taichung Gateway Park Competition (now Taichung Central Park), won by Catherine Mosbach and Philippe Rahm with Ricky Liu and Associates, has been completed after a two-stage international competition and an intensive development phase. Also the site of a previous city airport, this was an ambitious project, covering a 168-acre parcel of land. The original competition participants were faced with a large, comprehensive program, not only incorporating a number of significant features, but doing so sustainably. When we reported on the results of that competition in 2012, author Dan Madryga summed up the challenge presented to the designers as follows:
Serving as the central backbone of the new community, Gateway Park will help set the standard for Gateway City’s subsequent development. The open, two-stage competition challenged architects, planners, and landscape architects to develop a meandering 168-acre parcel of land into a functionally complex recreational park running north to south through the new city, linking its various functional zones. The competition organizers sought a park that combined “tranquility, ecology, landscaping, disaster mitigation, carbon reduction and recreation.” Various recreational and cultural facilities had to be skillfully integrated into the park’s fabric, including a Cultural Center, Movie City, and the aforementioned Taiwan Tower. With a preliminary construction budget set at approximately US$85,000,000, the park is certainly a large-scale, high stakes endeavor with great potential.*

Middle leisure land Image with pavilion: ©Mosbach/Rahm
In the meantime the development phase saw the Mosbach/Rahm team settle on an interesting idea, placing structures along the breath of the site, representing “senses” according to the Rudolph Steiner method. For some, this may hark back to Bernard Tschumi’s “follies”, which were an essential element of his winning design for Parc de la Villette in Paris. In this case, it can be seen in its value not only for its educational/discovery features, but rather as a visual site-integration strategy with thematic connecting links.
The park is to be dedicated on December 6th in Taichung. With its multiple attractions, it promises to be a most important addition to the life and the well-being of the residents of the city and beyond.
*For the original competition Mosbach/Rahm entry: https://competitions.org/2012/01/taichung-gateway-park/
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Finalist and Winning entry: ©SMAR Architecture Studio
Until the breakup of the Soviet Union in 1989, the occupied Baltic countries were known for their hi-tech contributions to the Soviet economy. As a carryover from that period, the Baltic nations still emphasize technology as a major factor in their economies. Thus, the establishment of a new Science ... Read more...
SMAR’s Winning Entry Gets the Green Light
Image: ©SMAR Architecture
The winning competition entry in the 2016 Science Island competition in Kaunas, Lithuania by SMAR Architects may only take five years to realize—from the date of the competition to completion. This is encouraging news, as the duration of such projects resulting from a competition can often take ... Read more...The Eisenhower Memorial: Sending Mixed Messages? by Stanley Collyer
 Preface Since this article was written, several events have occurred which have changed our perception of the final design process. Frank Gehry went back to the drawing board and has modified his memorial design, eliminating some of the columns which we objected to at the edge of the site (January 2011, see above). One may only hope that the tapastry design element, which the Arts Commission still has some reservations about, can be resolved successfully. More recently, a group called the National Civic Art Society in Washington has issued a call for another Eisenhower Memorial competition for the same site. Apparently stuck on the idea that everything in Washington near the Mall should be in the Beaux Arts traditional style, they take offense that the Gehry design does not meet their standards of what a memorial to Ike should look like. Although probably well-meaning, this group evidently would like to turn back the clock on progress in this field. They would like to erase from memory all the advancements in new materials and ideas which have surfaced and been implemented over the past century. Is it then surprising that not one architect on their board is a national name (Most of their members are laypersons). Although their competition will undoubtedly draw some entries, it should hardly be taken seriously, much less receive any attention from the press. What they are doing is adding nothing to a positive dialogue about architecture in this country—only attempting to set it back by decades. -Ed Frank Gehry's preferred idea for the Eisenhower Memorial was one of three proposals which the firm presented in March 2010 to the Eisenhower Memorial Commission after prevailing in the earlier selection process. Although not touted as a pure competition by the Memorial Commission, the original selection process in 2009 was typical of the General Services Administration’s Excellence in Architecture program, often used to adjudicate the design process for government projects such as federal courthouses. Read more...
Night view of the memorial tapestry from Independence Avenue, with Gehry’s sketch of the Normandy cliffs.
Explaining the contributions of a World War II hero and later President of the United States on a very modest site on Independence Avenue just off the Washington Mall is tantamount to asking an author to describe the life of ... Read more...
Professional winner: Brooklyn Bridge Forest (image © Pilot Projects Design Collective)
While looking for new adventures on a visit to New York City, friends suggested that I take time to walk across the Brooklyn Bridge—certainly a New York icon. For those intending to undertake this trek across the bridge for the first time, the bridge consists ... Read more...
Image © Zaha Hadid Architects
Even under Stalin, Moscow subway stations represented the crown jewels of the city’s projects when it came to design. In more recent years, the emphasis placed on modern design in the city’s expanding metro rail network has resulted in some major new projects, and this year’s competitions for two stations was ... Read more...
1st place entry by Dominique Perrault Architecture (image © ©Dominique Perrault Architect/Adagp
China’s planning priorities for their urban areas experienced a sharp turn after the post-Mao reforms took place. During the early post-WWII period, when Soviet influence in the early urbanization of China dominated, industrial development took precedence over all other issues, with heritage, conservation, residential ... Read more...
Although one might normally assume that local firms participating in a competition might have a clear advantage over foreign competitors, this has seldom been the case: just see Sydney’s Opera House, won by a Danish architect, and Toronto’s City Hall, won by a Finn—as evidence that well devised competition briefs as adequate documentation can create ... Read more...
Jensen Architects – Winning entry (Honor Award)
Beginning in 2011, Architecture at Zero, a collaboration between the Pacific Gas and Electric Company (PG&E) and the California chapter of the American Institute of Architects (AIACA), was established to investigate the role architecture might play in reducing energy consumption in the built environment. Since then, every year has ... Read more...
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Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor)
With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C.
Young Architects in Competitions
When Competitions and a New Generation of Ideas Elevate Architectural Quality

by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link:
https://crc.umontreal.ca/en/publications-libre-acces/
Six Firms Competed to Rethink the Future of a Major Museum

Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant.
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Courtesy Malcolm Reading Consultants, ©Kengo Kuma & Associates
A UNESCO World Heritage Site Again on the World Stage
How does one approach a challenge when creating a design worthy of a park with a history dating back to antiquity? This was what four design teams faced when shortlisted for the design of a Visitor Center for the Butrint National Park in Albania. The park’s history is illuminating in this regard.
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Chungji National Heritage Museum Competition

Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
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University of Florida’s College of Design Construction and Planning’s New Addition

Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
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