 |
||||
|
Theme: Resilient Design Sponsors: ACSA and Portland Cement Association Type: open, student Language: English Eligibility: Students enrolled in an accredited architecture program Timetable: 3 April 2019 – Registration deadline 22 May 2019 – Submission deadline Awards: A total of $10,000 in cash awards and $27,000 in product awards for students, faculty and institutions Design
Sponsor: New South Wales Government, Australia Type: International, RfQ, invited via shortlist Language: English Jury: Independent international jury Competiiton adviser: Malcolm Reading Consultants Timetable: December 2018 – Competition opens For notification of competition launch, go to: https://competitions.malcolmreading.co.uk/maasparramatta/
Sponsor: Volume Zero Type: Open, international, ideas Eligibility: Open to all students and professionals, individually or in team of up to three. Awards: $4000 USD total Timetable: 25 January, 2019 – Submission Deadline 25 March, 2019 – Announcement of results Design Challenge: The world is growing at a break-neck speed today and International Competition for Conceptual Planning & Design of Jizhou High-speed Railway Station Area
Sponsors: People’s Government of Jizhou District; Jizhou District Planning Bureau; Tianjin Jizhou Newtown Construction Investment Co.,Ltd Organizers: CBC (China Building Centre); Urban Environment Design (UED) Magazine Type: Open, International Location: Jizhou, China Languages: Chinese, English Prequalification Requirements: The Competition is open to planning/design institutions and industry planning institutions around the world. The institutions
Type: open international, student Location: Nanjing, China Fee: None Eligibility: Open to those majoring in urban planning, architecture design, landscape design, and art design who are under 40. Timetable: 15 November 2018 – Registration deadline 1 December 2018 – Submission deadline Awards: First Prize (1 team): Honor certificate + Bonus 100,000RMB (before tax, around
Sponsors: ACSA, American Institute of Steel Construction (AISC) Type: Open, two-stage Fee: None Eligibility: Open to designers practicing in the U.S. and Canada. Team leader should be an emerging professional in the process of licensure or within 10-years of licensure. Challenge: Proposals for visionary design that embrace steel as the primary structural component. Projects Sponsor: UC Berkeley Type: Open, international, essay, multi-stage Fee: none Language: English Awards: Fellowship 1 November 2018 – (Stage One) 500-word essay proposal due 1 February 2019 – (Stage Two) Essay Semifinalists’ 2,500-word essays due Process: The Berkeley Undergraduate Prize for Design Excellence endowment was established in the Department of Architecture at the University of Sponsors: City of Poznan, Poland Type: International, open, two-stage Fee: none Language: Polish Eligibility: Architects (Teams to be composed of an architect, acoustician and stage technologist Process: The competition consists of two stages. The participants shall submit the application for participation in the competition along with their portfolio. In the first stage they submit Sponsor: LA+ Journal; Penn Design Type: Open, International, Ideas Location: New York City Language: English Eligibility: Open to students and professionals of any discipline. Entries may be made by individuals and teams of up to three (3) people. Fee: USD $60 Awards: US $20,000 total prize money • 5 winners to receive US$4,000, a certificate, Sponsors: Pacific Gas & Electric Co.; AIA California Location: California State University, Monteray Bay, CA Language: English Fees: $275 – Architects, Engineers, Designers No entrance fee for Students! Timetable: 10 January 2019 – Registration deadline 28 January 2019 – Submission deadline Awards: $25,000 has been set aside for both professionals and students Jury • |
Three Finalists: Kaunas M.K. Čiurlionis Concert Centre
Location: Kaunas, Lithuania Type: Open, international
The three finalists were:
The six practices given honorable mentions were:
OFFICE 52 at Carnegie Mellon
Form and Dichroic Light
In his introduction to Form and Dichroic LIght, Michael Crosbie never mentions the term, “wild card,” to describe Office 52’s participation in the invited competition for the Carnegie Mellon Engineering Building. The four finalists, picked from a list of 17 firms, also included three household names: ZGF, Wilson, and BCJ (Bohlin Cywinski, Jackson). So what possible chance could a firm, which had just recently opened a small office in Portland, Oregon, have against a competition lineup of this magnitude? But as OFFICE 52 Principal, Isaac Campbell explained, as a small firm, “we were quite nimble,” and the $50,000 stipend the firms all received to produce a design could allow OFFICE 52 more time to undertake the research involved than might be the case with a larger office, where a cost controller is constantly focusing on the operation.
A Museum as Entertainment LandscapeThe Taoyuan Museum of Arts Competition
The competition for the Taoyuan Museum of Arts is similar to now what has become the typical invited format for major projects in Taiwan. In this case, 14 architectural teams submitted their qualifications, and four qualified for the second competition stage. They were Q-LAB + menacoo architecten, Joe Shih. Architects + Riken Yamamoto and Field Shop, Ricky Liu & Associates, and JJPan and Partners, Architects and Planners + MVRDV.
|
|||
|
Copyright © 2019 Competitions All Rights Reserved COMPETITIONS, P.O. Box 20445, Louisville, Ky 40250 U.S.A Ph: (502) 451-3623; Fax: (502) 451-3623 Website: https://competitions.org E: scollyer@competitions.org Privacy Policy: CP-Privacy-Policy.pdf IMPORTANT NOTICE : Unless otherwise indicated, photographs of buildings and projects are from professional or institutional archives. All reproduction is prohibited unless authorized by the architects, designers, office managers, consortia or archives centers concerned. The Competition Project, Inc. is not held responsible for any omissions or inaccuracies, but appreciate all comments and pertinent information that will permit necessary modifications during future updates. Powered by WordPress & Atahualpa |
||||
