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1st Place – gmp Architekten Photo: ©Hans-Joachim Wuthenow, Berlin
As part of a policy to relocate archives of local interest outside of major Bavarian cities, a competition was staged for the design of a new archive in Kitzingen, 12 miles from the provincial capital city of Würzburg, Germany. The competition was
Southern Branch of the National Central Library and National Repository Library, Taiwan
Image: courtesy Taiwan National Central Library ©BAF
The primary reason for establishing a “Southern Branch” of Taiwan’s National Central Library And National Repository Library was logical: the main National Central Library was running out of space to
Located in the Zhongzheng Arts District of Taoyuan, the new city public library, to be situated next door to the Taoyuan Arts Center, is the newest building block in what is intended to become a cultural center in the city. No longer just a book repository, libraries have embraced the digital age and are now providing additional activities for the community such as lectures, occupational therapy (OT) projects, theme restaurants, etc. In the case of the Taoyuan City Library, a cinema is also to be added.
The competition for this US$60 million project was organized as an invited, one-stage competition—not counting the initial short-listing phase—which concluded with the selection of 10 firms. In the first, “tender” phase, a local Taiwanese firm could, but was not required to, team up with a foreign architecture firm. In any case, the “Representative Tenderer had to be a registered architect in Taiwan, but were encouraged to invited international architects to join with them. Thus, foreign firms, not registered in Taiwan, were not allowed to enter without teaming up with a domestic firm.
The ten local “tenderers” were:
Although we do not know who the five local unranked firms teamed up with during the final adjudication process, three of the five finalists teams did include outside participation, including that of the winner.
■ First place – T.C.K. Architect Engineer Planner + Azusa Sekkei (Japan) ■ Second place – Ricky Liu & Associates (Taiwan) ■ Third place – Habitech Architects + Tange Associates (Japan) ■ Fourth place – Bio-Architecture Formosana + MVRDV (Netherlands) ■ Fifth place – Q-LAB (Taiwan)
Although one outside structural engineer, Abolhassan Astaneh-Asl, a professor at Berkeley, was originally scheduled to participate on the jury, the catastrophic collapse of a highrise in Teheran caused by a fire, resulted in his call to investigate the disaster. Still, one should note that five of the eight panelists were architects from Taiwan.
Winning entry by Stewart Hollenstein Image©Stewart Hollenstein
When reaching a final decision on the winner of a design competition in Sydney, Australia, clients and jurors alike will invariably hark back to the controversy surrounding the Sydney Opera House competition. Because of the large cost overruns associated with that project, it has cast a long shadow over local projects decided by the design competition process. With this in mind, organizers of the more recent Green Square Library competition went to great lengths to address buildability and budget issues associated with the various designs. Their precautionary measures seemed to validate the selection of Stewart Hollenstein as the winner. As unconventional as that entry might have appeared to some, it not only got the green light from a bevy of cost consultants who were brought on board; the feedback from the community turned out to be very positive.
 Winning entry by Zhu Wenyi, Fu Junsheng, and Liang Yiang (all images courtesy of the CAC) During the 2008 presidential campaign, there was the perception that a Barack Obama presidency would usher in an era of new ideas. Years later, there has been some isolated progress, but partisan politics has limited any wiggle room an Obama presidency might have enjoyed. Still, there is a hope for a final decision by this president that could set a precedent for the foreseeable future: a design competition for a presidential library. A successful national competition for such a project could set an example to be emulated many times over at state and municipal levels by a tested democratic process.
Although the site of a Barack Obama Presidential Library has not yet been determined, the list has been whittled down to three possibilities: Chicago, New York and Hawaii. Although Hawaii is the President’s birthplace, and New York would have a large number of visitors, Chicago would seem to be the logical favorite, as it is the place where Obama’s political future began in its meteoric rise, culminating in his election to the nation’s highest office.
A lot has happened in Chicago as both government and the University of Chicago have taken steps to prepare for the city’s bid. A recent article has described aggressive real estate purchases by the University starting in 2008, including an entire block along Martin Luther King Jr. Drive. These could well be attributed to future expansion plans by the University into an adjoining neighborhood, near Washington Park. But many see these real estate acquisitions as part of a strategy to assure the library’s location near the university, where Obama briefly taught in the Law School before going to Washington. In any case, the City also regards the Washington Park and Jackson Park locations on the South Side as the most logical sites for the library. With the prospect of a presidential library in Chicago, the Chicago Architecture Club (CAC) could not resist staging an ideas competition with the design of an Obama library as the design challenge. As the 2014 Chicago Architecture Prize, this has become an annual event for the CAC, and this time they picked an obvious subject as a winner. Aside from a designated site on the Chicago River, the program was flexible, and participants were asked to fill in the blanks themselves. Although the prize money was relatively modest, the subject matter had to be tantalizing for potential participants. The jury was local, consisting of architects from several of the city’s major firms: • Andy Metter (Epstein) • Brian Lee (SOM) • Dan Wheeler (Wheeler Kearns Architects) • Elva Rubio (Rubio Studio) • Geoffrey Goldberg (G. Goldberg + Associates) • Stanley Tigerman (Tigerman McCurry Architects) ÂÂÂÂÂÂÂ The results of the competition revealed that the competition was highly successful, in that it elicited a range of ideas, which were not only at the highest creative level, but quite doable. The two winning entries were by: • Zhu Wenyi, Fu Junsheng, and Liang Yiang, Beijing, China • Aras Burak Sen, Los Angeles/UAE (OMA) Honorable Mentions Dániel Palotai, Budapest, Hungary Drew Cowdrey and Trey Kirk, Boston (Harvard GSD) Ann Lui and Craig Reschke, Boston (Harvard GSD)
An Academic Cluster Pointing to the Future The Vienna School of Economics Campus Plan By Stanley Collyer  School of Economics Library by Zaha Hadid (all photos by Stanley Collyer) At the turn of the 21st Century, the Vienna School of Economics (Wirtschaftsuniversität Wien), the largest of its kind in Europe, was bursting at the seams. Over 23,000 students were scattered throughout different locatons in the city. When it became obvious that it would be necessary to consolidate the programs at a central location, the decision was made to select an area near the Prater for the new campus—the site of the World Exhibition Area and Fairgrounds. The building program was ambitious, with a number of facilities planned to accommodate all the programs, and the strategy was typically European, as student dormitories were not envisaged as an integral part of the overall campus plan. To begin with, a local Viennese firm, BUSarchitektur, was engaged to complete a masterplan for the site, and a number of renowned architects were then commissioned to design the various facilities: No.MAD Arquitectos, CRABstudio Architects, Estudio Carme Pinós, Atelier Hitoshi Abe, and BUSarchitektur, the latter local firm being the author of the masterplan.
The site of Calgary’s new public library will occupy part of a city block, directly across from the City Hall. One might assume that a project of this size would have deserved a more spacious, flexible site. However, the location the library here was regarded as an important urban statement, not just for downtown Calgary, but also for the East Village neighborhood. That the intended site was also home to a trolley line was not enough to cause the City to abandon this strategy. According to the client, “The location of the new library, adjacent to City Hall, will strengthen the fabric of community life by weaving East Village, the original heart of Calgary, back into the story of Centre City. From this prime location, the library will not only serve Calgary’s growing population but also the 140,000+ workers and students who travel downtown every day.” Locating a main library in the center of a metropolitan area, regardless of the density issue, is a logical solution. The location of the new Grande Bibliothèque by Patkau Architects in Montreal’s downtown is a great example of what a major public institution can do for a neighborhood. In that case, a nearby Metro line has made the library easily accessible to most of the city’s inhabitants. It can be assumed that the same will hold true for Calgary.
 Aerial view of competition site (image courtesy Calgary Public Library) Background and Process Due to the oil bonanza in Alberta, Calgary has become one of North America’s fastest growing cities. As a result, the city’s present public library, even after a major expansion, has outlived its usefulness after 50 years. It was time to rethink the institution’s priorities, with the principal idea being the establishment of a new home. Part and parcel of this strategy was the decision to stage a design competition for the new building. In a run-up to this project, a six-month “engagement process” with the public took place, whereby more than 16,500 Calgarians shared their aspirations, hopes and ideas, both online and in person at over 150 events and public forum opportunities. And, if that didn’t result in enough ideas, a new library CEO arrived on the scene with new ideas— in the middle of the process. After the City entrusted the Calgary Municipal Land Corporation (CMLC) to coordinate and organize the competition, an RfQ was issued as part of a two-stage process that resulted in a response from 38 international firms. From those, four firms were short-listed to proceed to the second, competition stage. They were: • 3XN and AECOM (Denmark and Calgary) • KPMB and BKDI (Toronto and Calgary) • REX and Group2 (New York and Calgary) • Snøhetta and Dialog (Oslo/New York and Calgary) During the final presentations, much effort was made to allow each competitor to present their working methodology, more than design an entry. According to juror Ian Chodikoff, “Each finalist was asked some very pragmatic and high-level questions. It was ery revealing and very competitive as a result.” Kate Thompson of the CMLC, said “they were not searching for someone who specifically had experience in library design, but for a firm that could present a team that could communicate well with the client.” So the choice of Snøhetta, for instance, was not based solely on their broad experience in library design—the firm was formed after winning the 1989 Alexandria Library Competition in Egypt—but on other factors. In the end, it came down to a decision between the two schemes that provided a an opening through the middle of the structure as a connecting visual link between City Hall and the opposite side of the library—Snøhetta and KPMB. According to juror Chodikoff, the KPMB scheme contained a certain amount of risk, for it would have required an additional amount of marketing and fundraising to accommodate a change in the rail grade. Besides, there was a concern as to how much buy-in there would be with the Calgary Transit Authority. Snøhetta solved the rail transit issue by simply placing a deck on top of the trolley line, thus staying within budget. KPMB’s scheme, as well as it dealt with the site, stumbled on that old bugaboo, budget. Both REX and 3XN evidently did not consider a view through the site as a deal breaker. Accordingly, their schemes both represented a “barricade” in the minds of the selection committee. In its final development scheme, Snøhetta’s sculptural image promises to deliver not only a fine library, but something truly iconic for the city to enjoy. Aside from the features of the Snøhetta design, which gave it an edge over the other finalists, there can be little doubt that the client felt a degree of comfort with their commitment to the project. According to Chodikoff, Craig Dykers had been to Calgary several times to lecture and had gained an understanding of the local culture. It was apparent, “if there were going to be hiccups along the road, he was there to go the distance.” This was not the case with all the competitors. Most of the finalists came in with teams, while one team came with a sole presenter. In one case, one of the team members was even seen checking his/her Blackberry while the proposal was under discussion.
A Library as Ultimate Building Block The Helsinki Library Competition by William Morgan  Winning entry by ALA 2017 will mark one hundred years of Finland’s independence from Russia. It says much about the culture of this small but vibrant Nordic country that its official centennial project is not a trade center, a conventional hall, an arena, or a war memorial, but a library. Even better, this most architecturally astute nation has chosen the designers of this new library from an international open competition. Slovenian Architects Dominate the International Ljubljana Library Competition by Stanley Collyer  Winning entry by Bevk Perović Arhitekti d.o.o. Locating the new National and University Library NUKI II in the heart of historic downtown Ljubljana on a highly visible corner site was itself a major challenge for architects entering this competition. Of the 120 entries from throughout the world received, 116 were admitted for adjudication. Almost half of the designs submitted were of Slovenian origin, with foreign submissions heavily represented by entries from other European countries. One might have assumed that such a high profile international competition would have attracted even more entries. However, the stipulation that a physical model be part of the package must have given many architects pause. Such a requirement may not have been viewed as a serious obstacle for architects residing in the European Community. But, for those living outside of the EU, mailing costs and concerns about getting such a package through Slovenian customs on time undoubtedly reduced participation.  Salt Lake City Library Competition (volume 10, number 2 — Summer 2000)
click here to view larger image Winning Entry Moshe Safdie and Associates with Valentiner Crane Brunjes Onyon Architects Somerville, Massachusetts/ Salt Lake City click here to view larger image Finalist Moore Ruble Yudell with Gruen Associates Eaton |
Investigating Chicago’s Most Complex Infrastructure IssueThe O’Hare International Airport Competition
Winning entry – Studio-ORD
The updating and modernization of Chicago’s O’Hare Airport has been well overdue. Aside from occasional problems caused by Chicago’s winter storms, congestion at the airport has led air travelers to avoid the airport when catching a connecting flight is on the agenda. So Chicago, noted for its modern architecture and the home of several high-profile architecture firms, decided to turn to an invited competition for a solution to these issues.
Competitions in Chicago in the recent past have been anything but encouraging, especially when transparency is an issue. During the competition for the Obama Center on the South Side, the Obama Foundation, which was responsible for the administration of that “competition,” was anything but a model of transparency; and to this day, none of the finalist designs, other than that of the winner, have seen the light of day. In the case of the O’Hare project, videos submitted by the five finalists teams were on public display, and the public was even asked to vote for their favorite.
OFFICE 52 at Carnegie Mellon
Form and Dichroic Light
In his introduction to Form and Dichroic LIght, Michael Crosbie never mentions the term, “wild card,” to describe Office 52’s participation in the invited competition for the Carnegie Mellon Engineering Building. The four finalists, picked from a list of 17 firms, also included three household names: ZGF, Wilson, and BCJ (Bohlin Cywinski, Jackson). So what possible chance could a firm, which had just recently opened a small office in Portland, Oregon, have against a competition lineup of this magnitude? But as OFFICE 52 Principal, Isaac Campbell explained, as a small firm, “we were quite nimble,” and the $50,000 stipend the firms all received to produce a design could allow OFFICE 52 more time to undertake the research involved than might be the case with a larger office, where a cost controller is constantly focusing on the operation.
A Quest to Memorialize a Serious Hate Crime: The Pulse Memorial Competition
In these times when political emotions run high and gun violence is the norm, not the exception; and when emotions no longer are held in check, but encouraged by our leaders, minorities become easy targets for those who adhere to ideologies based primarily on exclusivity and hate.
The LGBT community has long been the target of various segments of our society; but the massacre that took place at the Pulse nightclub in Orlando, a favorite hangout for gays, elevated this phenomenon to a new level. After an event that claimed the lives of 49 victims, injured 68 others, and left hundreds permanently traumatized, it should come as no surprise that a memorial to this tragedy has been front and center in the minds of the community ever since. Because the very nature of this event has drawn nationwide attention, the community wanted to get it right. So it was only logical that they would turn to a competition as the most viable vehicle for arriving at a solution for the design of a memorial, as well as a museum. For this, the onePULSE Foundation was formed, to memorialize this tragedy and “ensure that Pulse”s legacy of love, acceptance and hope will never be lost.”
A New State Archive in Kitzingen, Germany
As part of a policy to relocate archives of local interest outside of major Bavarian cities, a competition was staged for the design of a new archive in Kitzingen, 12 miles from the provincial capital city of Würzburg, Germany. The competition was open to qualified teams in the EU, with 25 firms identified to take part in a competition. Since five firms were preinvited, 20 openings were available for the 79 applicants that vied for participation in the competition. In the end, 23 firms submitted designs for the final adjudication process.
Vilnius Concert Hall Competition
In July 2019 the Vilnius Concert Hall competition jury began its deliberations to identify a suitable design for this major performing arts project. As one might have anticipated, two of the jurors on the seven member panel, Ole Gustavsen (Snohetta) and Andreas Cukrowicz (Nachbaur Architekten) had won high profile competitions for similar music center projects—in Oslo and Munich. The jury was confronted with a formidable task, as the competition, organized according to UIA regulations and anonymous in its format, had attracted 248 entries from around the world. For this one-stage competition, the organizers listed the following evaluation criteria, whereby the order of the criteria was not to reflect any priority: Babyn Yar Holocaust Memorial Competition
Memorials to commemorate atrocities committed by the Nazis during World War II have taken many forms. Holocaust museums such as the United States Holocaust Memorial Museum in Washington, D.C. by Pei Cobb Freed or the Jewish Museum in Berlin by Daniel Libeskind, all endeavor to paint a broad picture, including narratives covering most of the major events and sites. Former concentration camps such as Auschwitz, Dachau, Theresienstadt and Buchenwald have been frequent tour destinations. In the case of Buchenwald, the local city of Weimar has placed pictures of “Witnesses” throughout the downtown area as a reminder of the Nazi legacy.
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