A Quest to Memorialize a Serious Hate Crime: The Pulse Memorial Competition

Winning entry by Coldefy & Associés (image © Coldefy & Associés)

 

In these times when political emotions run high and gun violence is the norm, not the exception; and when emotions no longer are held in check, but encouraged by our leaders, minorities become easy targets for those who adhere to ideologies based

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Babyn Yar Ukrainian Memorial Competition


1st Prize Entry by querkraft architekten (Image © querkraft architekten)

 

 

Memorials to commemorate atrocities committed by the Nazis during World War II have taken many forms. Holocaust museums such as the United States Holocaust Memorial Museum in Washington, D.C. by Pei Cobb Freed or the Jewish Museum in Berlin by Daniel Libeskind, all endeavor to paint a broad picture, including narratives covering most of the major events and sites. Former concentration camps such as Auschwitz, Dachau, Theresienstadt and Buchenwald have been frequent tour destinations. In the case of Buchenwald, the local city of Weimar has placed pictures of “Witnesses” throughout the downtown area as a reminder of the Nazi legacy.

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A Paean to its Founders in Weimar

 

New Bauhaus Museum Commemorates an Anniversary

 

2012 COMPETITIONS Annual with Weimar Bauhaus Competition WInner Design Image: ©Heike Hanada

As projected, the Weimar Bauhaus Museum, one of two new Bauhaus museums scheduled to commemorate the 100-year anniversary of the founding of the Bauhaus in Germany, has opened its doors

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Chengdu’s Natural History Museum Competition

Winning design courtesy Pelli Clarke Pelli Architects (All images © Steelblue)

 

 

Pelli Clarke Pelli Architects (PCP) in collaboration with China Southwest Architectural Design and Research Institute Corp Ltd. has prevailed over a strong field to win the competition for a Natural History Museum in Chengdu, China. The other finalists included Zaha

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A Museum as Entertainment Landscape

 

The Taoyuan Museum of Arts Competition

 

Courtesy: TMOA ©Joe Shih. Architects + Riken Yamamoto and Field Shop

 

The competition for the Taoyuan Museum of Arts is similar to now what has become the typical invited format for major projects in Taiwan. In this case, 14 architectural teams submitted their qualifications, and

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Architecture as Political Statement in the Ukraine

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Adelaide Contemporary Art Museum Winner Announced

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The Aalto Connection

A Famous Name Attracts 674 Entries

Winning entry by Sini Rahikainen, Hannele Cederström, Inka Norros, Kirsti Paloheimo, Maria Kleimola Images courtesy ©Alvar Aalto Foundation

 

 

Extensions to buildings are normally regarded as significant projects by most architects, whereas linking two existing structures might appear as a lesser priority. On rare occasion of

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WHY ANOTHER BUILDING?

 

SMAR Architecture Prevails in Final Round in Lithuania

 

Image: ©SMAR Architecture Studio

 

After several near misses in some recent high profile competitions, Aalto Museum, Guggenheim Museum, Lima Museum of Contemporary Art, SMAR Architecture Studio (Madrid/Western Australia) was rewarded with the commission for the Science Island project in Kuanas, Lithuania. Against

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Addition to Kansas City’s Nelson Atkins Museum of Art Competition (1999)

 

The Museum as Sculpture Park

 

by Scott Cantrell, Kansas City Star Architecture Critic

 

[caption id="attachment_18206" align="alignnone" width="600"] View of Steven Holl’s completed Museum addition from Museum garden – Photo: ©Stanley Collyer (2007)[/caption]

 

Fresh from his much-admired contemporary art museum Kiasma in Helsinki, Steven Holl has landed yet another important museum commission: an $80 million enlargemennt and renovation of the Nelson-Atkins Museum of Art in Kansas City, Missouri. The New York-based architect, whose choice was announced in July (1999), was one of six high-profile finalists picked to participate in a sketchbook competition. The others were Tadao Ando Architects and Associates, Annette Gigon/Mike Guyer, Carlos Jimenez Studio, Machado and Silvetti Associates, Inc., and Atelier Christian de Portzamparc.

 


Nelson-Atkins Museum of Art – Architect: Wight & Wight (1933) Photo: ©E.G. Schempf

 

The Nelson-Atkins museum is known especially for it collection of Asian art and furnishings. It also is developing an increasingly important collection of 20th-century, including a large group of Henry Moore’s and four large “Shuttlecocks” by Claes Oldenburg and Coosje van Bruggen. The building program calls for a roughly 55 percent addition to the roughly 234,000 GSF of the museum’s 66-year-old existing structure, a stern neoclassical monolith designed by the Kansas City firm of Wight & Wight. (Other Wight & Wight landmarks in Kansas City include the deco-neoclassical City Hall and Jackson County Court House downtown.)

 

In a way, Holl’s design—with underground galleries topped by a series of seven free-form, translucent glass “lenses”—is the most conservative (entry) in that it presents the least obstruction to the 1933 building. Holl’s plan calls for a new main entrance lobby off the northeast corner of the present building, to be accessible from either ground level or a new underground parking garage. New galleries will be arrayed in an underground procession down the sloping east side of the Museum’s grounds. The above-ground lenses will house the entrance lobby, a cafe, an educational facility and library.

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