Reimagining Brooklyn Bridge
Photo: Cameron Blaylock
Sponsor: Van Alen Institute Type: open, ideas, two-stage Language: English Fees: None Eligibility:
The competition has two categories: “Professionals,” for teams 22 years of age and above, and “Young Adults,” for teams 21 years of age and under. Three finalists from each category will be selected by an interdisciplinary jury representing a wide-ranging set of perspectives on the Brooklyn Bridge.
Timetable April 5, 2020: Proposals due by 11:59 pm ET Early May 2020: Finalists announced Mid-May 2020: Finalists kick-off event May–July 2020: Proposal development Mid-July 2020: Public jury session Late July 2020: Winners announced Process and Awards:
All finalists will have two months to refine their design based on feedback from the competition’s jury. In recognition of their work, finalists in the “Professionals” category will receive $13,000 and finalists in the “Young Adults” category will receive $3,000. Jury members include: - Peg Breen;President, New York Landmarks Conservancy
- Andrew Brown;Associate Director of Research, Van Alen Institute
- Marla Gayle;Managing Director, SOM
- Jonathan Gardenhire;Artist and Former VP, Alfred E. Smith Resident Association Executive Board
- Danny Harris;Executive Director, Transportation Alternatives
- Helen Ho;Principal, Karp Strategies
- Isabella Joseph;Student, Bernard and Anne Spitzer School of Architecture, City College of New York
- Regina Myer;President, Downtown Brooklyn Partnership
- Amy Plitt;Editor, Curbed NY
Design Challenge: “The Brooklyn Bridge has been perhaps New York City’s most iconic structure for 137 years. Not only is it a must-see tourist attraction, this beautiful bridge is relied upon by thousands of New Yorkers who cross between Brooklyn and Manhattan each day—many of them by foot or bike,” said NYC DOT Chief Operations Officer Margaret Forgione. “As we undertake our own engineering inspection this year to help assess the capacity for changes to the promenade, we welcome new and innovative ideas on how to reimagine the Brooklyn Bridge Promenade to create more space for pedestrians and cyclists.” Arguably New York’s most recognizable landmark, the Brooklyn Bridge holds a special place in our collective imagination. But that iconic status comes at a cost. At peak hours, the promenade is crammed, uncomfortable, and sometimes unsafe. Thousands of pedestrians and cyclists cross the bridge every day. With New York’s growing numbers of cyclists and pedestrians, it is imperative to provide modern infrastructure that allows them to move comfortably and safely around the city. And in recent years, city officials have responded, adding protected bike lanes, widening sidewalks, building pedestrian plazas, and providing new bike and pedestrian space on some bridges around the city. But the Brooklyn Bridge, perhaps the city’s most crucial interborough connection for pedestrians and cyclists, remains woefully incapable of accommodating the demands of its users. Reimagining Brooklyn Bridge aims to inspire the public to envision the infrastructure that will shape New York City’s future, support the transit needs of a 21st century city, and set a new standard for how we think about aging transportation infrastructure across the city. For the complete design brief, visit Contact: https://www.vanalen.org Alisha Kim Levin, Director of Communications, Van Alen Institute press@vanalen.org |
Art Gallery of Nova Scotia Competition
Image: ©KPMB Architects
Not to be outdone by other Canadian provincial capitals, Halifax has chosen to make its own ambitious museum statement on the city’s waterfront. New museums in Vancouver, BC, Calgary and Fredericton, New Brunswick, the latter two by KPMB Architects, are either in development or already under construction. Saskatoon’s Remai Modern by KPMB and OMA’s Musée national des beaux-arts du Québec in Montréal were more recently completed, and Vancouver’s new Art Museum by Herzog & de Meuron is still under development. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Urban Adaptation Competition
Image ©Francesco Allaixand Julio Orduña
Recently we are beginning to see a resurgence of wood as a primary building material, not only for detached residential housing, but also for multi-family and commercial urban structures. Masonry, steel, and composite materials are still the bread and butter of the construction industry; but wood may be making serious inroads into the future of commercial buildings. Yes, we have seen the use of wood in interiors of large buildings: one of the more impressive projects being that of the Christ the Light Cathedral by SOM in Oakland, California. Read more…
Aerial view of site – Courtesy National Finnish Museum
When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries. Read more…
The Opening of Taichung’s Central Park by Catherine Mosbach/Philippe Rahm
View from the south with downtown Taichung in the distance image: ©Mosbach/Rahm
The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
Read more…
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