Pelli Clarke Pelli Architects (PCP) in collaboration with China Southwest Architectural Design and Research Institute Corp Ltd. has prevailed over a strong field to win the competition for a Natural History Museum in Chengdu, China. The other finalists included Zaha Hadid Architects, Sutherland Hussey Harris, Nihon Sekkei, Valode & Pistre, and FUKSAS.
Although the project’s location of this project is in Chengdu, in a central region of China far from the coastal cities where we are used to seeing competitions for prestigious projects, it is no small community, having upwards of 10 million inhabitants and serving as the urban capital of Sichuan province. Moreover, the competition has brought our attention to the fact that not all hi-tech research is taking place in Shanghai, Beijing or Shenzhen—all located on or near the Pacific Ocean—but in this far-flung city in the interior. In light of this, the interest of Fortune 500 companies in Chengdu as a prime location could only lead to the next step for the community—raising its cultural profile.
PCP’s winning concept was based at least partially on the geography of the region. Of the design elements in the PCP presentation, the fascinating model really tells us much about the approach and intent of the team. It was inspired by the natural geological features found in the Sichuan Basin, going back to the shifting tectonic plates resulting from volcanic activity. Also, the triangular site next to a body of water undoubtedly present the designers with certain limitations. From that we encounter a design, which suggests dislocation, but is still connected logically via a series of pathways. Museumgoers who often experience an overload effect in some museums will not encounter that here. Although probably not in the minds of the designers in this case, the somewhat fragmented nature of the complex can at least provide some respite visually from the need to do it all at once. And, for visitors, the building’s architectural expression and interior organization with its exceptional vistas should at the same time act as a motivation to ‘see more.’
For many who never gave Chengdu a second thought about placing it on their itinerary, other than for business purposes, it may soon be time to reconsider. Completion is scheduled for 2021.
The Rise in the City Housing Competition in the African country of Lesotho presented many similarities with student competitions that have occurred over the past decades, the main link being the presence of mentors as advisers to the team(s) who were designing the entries. One of the most famous examples of this was the winning design for the Vietnam Memorial Competition by Maya Lin, who was enrolled at the time in a studio course at Yale University. In that case it was also a case of students competing against professionals. Lin’s design just happened to find favor with the jury.
Form and Dichroic Light Scott Hall at Carnegie Mellon University Michelle LaFoe and Isaac Campbell OFFICE 52 Architecture Forward by Cesar Pelli, FAIA Introduction by Michael J. Crosbie, FAIA Leete”s Island Books, Maine USA Hard cover; 96 pages in color ISBN 9780918172709
In his introduction to Form and Dichroic LIght, Michael Crosbie never mentions the term, “wild card,” to describe Office 52’s participation in the invited competition for the Carnegie Mellon Engineering Building. The four finalists, picked from a list of 17 firms, also included three household names: ZGF, Wilson, and BCJ (Bohlin Cywinski, Jackson). So what possible chance could a firm, which had just recently opened a small office in Portland, Oregon, have against a competition lineup of this magnitude? But as OFFICE 52 Principal, Isaac Campbell explained, as a small firm, “we were quite nimble,” and the $50,000 stipend the firms all received to produce a design could allow OFFICE 52 more time to undertake the research involved than might be the case with a larger office, where a cost controller is constantly focusing on the operation.
The features of a truly international competition were quite in evidence in Prague's SMÍCHOV School search for an ideal elementary school design: the event attracted 66 entries from around the world, and the winners were a team from Canada and Poland. The sponsors went so far as to even estimate the number of hours spent by all of the architects who submitted entries for the competition (58,800). One can only imagine what that number might have been for the Helsinki Guggenheim competition, which attracted 1,715 entries.
Pelli Clarke Pelli Architects (PCP) in collaboration with China Southwest Architectural Design and Research Institute Corp Ltd. has prevailed over a strong field to win the competition for a Natural History Museum in Chengdu, China. The other finalists included Zaha Hadid Architects, Sutherland Hussey Harris, Nihon Sekkei, Valode & Pistre, and FUKSAS.
Garage Screen, a program of film screenings on contemporary art and culture, was launched in 2012 and introduces viewers to notable examples of Russian and foreign feature films, documentaries, and experimental films. Since its inception, the Garage Museum of Contemporary Art has selected and shown films and videos examining issues of contemporary art and culture in all their manifestations, rare documentary films on the lives and lifestyles of prominent and little-known artists, musicians, architects, and performing artists, as well as films about the creation of exhibitions and works of art.
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