Sverdlovsk Philharmonic Concert Hall Competition
Image courtesy Ministry of Construction and Infrastructure ©Zaha Hadid Architects
Zaha Hadid Architects prevailed over the entries of 47 other firms to win the Sverdlovsk Concert Hall Competition in Yekaterinburg, Russia. Staging this competition in the Urals, in a remote location in European Russia from the centers of power, is testimony that culture can thrive in regions outside of Moscow and St. Petersburg. Considered the capital of the Urals, the city of Yekaterinburg is Russia’s third largest economy. Its population has increased by over 10% in the past decade to 1.5 million and continues to grow as the primary hub and meeting point connecting east and west, Europe and Asia; attracting the many cultures, talents and industries from across Eurasia. Organized by the Ministry of Construction and Infrastructure with the support of a charitable foundation for the support of the Ural Philharmonic Orchestra, the competition adjudication process narrowed the number of finalist firms down to three: - Zaha Hadid Architects, London (Winner)
- Alvisi Kirimoto Partners Srl, Rome, Italy (2nd Place)
- Robert Gutowski Architects, Budapest, Hungary (3rd Place)
The dimensions of the site and its location in a space between buildings prioritized the entrance experience to the concert hall. The Zaha Hadid and Robert Gotowski teams approached this in a somewhat similar fashion. Whereas the Zaha Hadid design suggested an almost open stage with setback as the arrival feature, Gotowski went even farther, imagining a curtain-like, concave structure as a prelude to the concert inside. Alvisi Kirimoto was more conventional, using an extension of the roof toward the street as shelter theme. The Hadid designers also extended the roof over the entire program at one level, suggesting an archeological theme. Solving this program, which included two music performance venues, posed a real challenge to the architects. All three proposals could be understood as valid performance venues, and assuming the Zaha Hadid design is realized as proposed, we might see a few pilgrimages to Yekaterinburg in the coming years. First Place Zaha Hadid Architects (London)
Local Architect: SPEECH (Moscow)
Landscape design: ARTEZA (Moscow)
 
Images courtesy Ministry of Construction and Infrastructure ©Zaha Hadid Architects
Second Place Alvisi Kirimoto Partners Srl
Rome, Italy 
 
Images courtesy Ministry of Construction and Infrastructure ©Alvisi Kirimoto Partners
Third Place Robert Gutowski Architects
Budapest, Hungary 
 
Images courtesy Ministry of Construction and Infrastructure ©Robert Gutowski Architects
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The Cold War Veterans Memorial Competition 
Rendering: Oyler Wu Collaborative/Courtesy Pritzker Military Museum & Library
The Pritzker family is no stranger to good architecture; so it should come as no surprise that a project launched by the Pritzker Military Archives, including a competition for a Cold War Veterans Memorial in Wisconsin, would embrace this approach. Other major projects focusing on war veterans have also identified architecture as a significant element in the choice of a design—most notably the choice of SHoP architects for the design of Syracuse University’s National Veterans Resource Center (https://competitions.org/2017/03/syracuse-national-veterans-resource-center/). Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ A Quest for that Elusive Connective Formula 
First Place: Pedestrian perspective from Parliament – Zeidler Architecture in association with David Chipperfield Architects
How do you find a common thread that can connect an eclectic collection of buildings, visually as well as physically, all located within a one-block site, located just across from Canada’s Parliament building in Ottawa. To identify this common thread that could tie everything together, the client turned to a design competition for answers. With the aid of consultants, [phase eins] from Berlin and experts from Canada’s’ own Université de Montréal’s School of Architecture, the client turned to an invited international format to finally settle on six teams that could rethink the site. Read more… Vilnius Railway Station and Public Square Competition 
Vilnius Station competition Image: ©Zaha Hadid Architects
How do you find a common thread that can connect an eclectic collection of buildings, visually as well as physically, all located within a one-block site, located just across from Canada’s Parliament building in Ottawa. To identify this common thread that could tie everything together, the client turned to a design competition for answers. With the aid of consultants, [phase eins] from Berlin and experts from Canada’s’ own Université de Montréal’s School of Architecture, the client turned to an invited international format to finally settle on six teams that could rethink the site. Read More… AL_A Prevails over a Star-studded Cast 
After over a year of planning, the choice of a site, and the establishment of criteria for the staging an international competition for a new concert hall, the process recently culminated in the choice of an architect for the design of the new Philharmonic in Belgrade, Serbia. Once a rather drab, nondescript city under the Tito regime, Belgrade has been reimagining itself to take its place as a major European city, including cultural attractions one might attach to such a claim. Read more… 
After narrowing the field to three finalists and reviewing their presentations via ZOOM, the competition jury gave the nod to KUTONOTUK of Charlottesville, VA as the winner. The winning team is led by principals, Leena Cho and Matthew Jull, faculty members at the University of Virginia’s School of Architecture. Second place went to FORMA from New York City, and third place was awarded to Lewis Williams with Hudson Architects from Norwich, England. Presentations of all three finalists can be seen here:
https://competitions.org/2022/03/atlantic-beach-nc-boardwalk-design-competition/ |
