University College Dublin’s Future Campus Competition Finalists Entry by Diller Scofidio + Renfro (© Diller Scofidio + Renfro) Six design teams have been selected as finalists in the Future Campus – University College Dublin International Design Competition. The brief to competitors was to draw up an urban design vision that foregrounds a highly-visible and welcoming entrance precinct, and create a concept design for a charismatic yet integrated new 8,000 sqm building – the Centre for Creative Design – that expresses the University’s creativity. The Future Campus project is intended to create a stronger physical presence and identity for the University within Dublin, and raise the profile of UCD nationally and internationally.
The six teams (lead consultants listed in alphabetical order below with full details in theNotes to Editors) were selected in April by a panel chaired by the competition jury chair Professor Andrew J. Deeks, President of University College Dublin. The shortlist was expanded from the expected five to six in recognition of the outstanding response from the international design community.
- Diller Scofidio + Renfro(US)
- John Ronan Architects(US)
- O’Donnell + Tuomey(Ireland)
- Steven Holl Architects(US)
- Studio Libeskind(US)
- UNStudio(Netherlands)
The first stage of the competition, which sought expressions of interest detailing each competitor’s proposed team and experience, attracted 98 teams from 28 countries. Each finalist team will receive an honorarium of €40,000 for their competition work and international teams were required to team up with a local executive team for the second stage. Known as Ireland’s Global University, University College Dublin is the country’s largest and most internationally-engaged higher education body, the destination of choice for international students coming to Ireland. It is also the most popular choice for Irish students seeking a university place in their home country. Founded as an independent university 160 years ago by the visionary John Henry Newman, UCD has been a vital and influential force in shaping modern Ireland, both politically and culturally. UCD’s ability to foster creativity and expressiveness is reflected by alumni including the 20th century’s outstanding author, James Joyce; film maker Gabriel Byrne; and comedian Dara Ó Briain; as well as many successful architects and designers.
The competition jury will assess the final submissions and interview the teams in July, with the winner announcement anticipated for August. The jury consists of:
- Professor Andrew J. Deeks (Jury Chair), President, University College Dublin
- Sir David Adjaye, Principal, Adjaye Associates
- Ann Beha, Principal, Ann Beha Architects and Member, Harvard University Design Advisory Panel
- Joe Berridge, Partner, Urban Strategies, Inc.
- Professor Hugh Campbell, Professor of Architecture, Head of Subject and Dean, School of Architecture, Planning & Environmental Policy, University College Dublin
- Dermot Desmond, Chairman, International Investment & Underwriting
- Professor Orla Feely, Vice-President for Research, Innovation and Impact and Professor of Electronic Engineering, University College Dublin
- Professor David P. FitzPatrick, Principal, College of Engineering & Architecture and Dean of Engineering, University College Dublin and Provost, Beijing-Dublin International College
- Professor Michael Monaghan, Vice-President for Campus Development, University College Dublin
- Sean Mulryan, Founder, Chairman and CEO, Ballymore
- Dr Paul Thompson, Vice-Chancellor, Royal College of Art, London
The jury’s Administrative Chair is Malcolm Reading, Architect and Competition Director. Finalist Designs
Diller Scofidio + Renfro (US) with Scott Tallon Walker Architects, Sasaki Associates, GROSS. MAX., Arup, Atelier Ten, IN2 Engineering Design Partnership, Linesight, Michael Slattery Associates and i3PT Images © Diller Scofidio + Renfro
John Ronan Architects (US) with RKD Architects, CLUAA, BSM Landscape, Michael Boucher Landscape Architecture, Arup, Transsolar and Pritchard Themis Images © John Ronan Architects
O’Donnell + Tuomey (Ireland) with Allies and Morrison, Arup, Hargreaves Associates, Superposition, Plattenbau Studio, Phil Jones Associates, Max Fordham, MLM Group, Dermot Foley Landscape Architects and Horganlynch Images © O’Donnell + Tuomey
Steven Holl Architects (US) with Kavanagh Tuite Architects, Brightspot Strategy, Arup, HarrisonStevens and Transsolar Images © Steven Holl Architects
Studio Libeskind (US) with BDP, !melk, NRB, Dcon, Arup, Brock McClure Consultants, O’Herlihy Access Consultancy, JGA and i3PT Images © Studio Libeskind
UNStudio (Netherlands) with MOLA Architecture, Arup, REDscape Landscape & Urbanism, fwdesign, Maurice Johnson & Partners and i3PT  
 
Images © UNStudio |
A Church Ruin as Reconciliation Memorial 
View of winning design from south ©Heninghan Peng Architects
For those tourists visiting Berlin today, the sudden approach to the ruins of a 1895 church building located on the city’s downtown Breitscheidplatz would certainly arouse their curiosity. One of the few remaining relics of World War II in the city, the church has now been the subject of a competition: Redesign and renovation of the Old Tower of the Friedrich Wilhelm Memorial Church (Umgestaltung des Alten Turms der Kaiser-Wilhelm-Gedächnis-Kirche). Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Architecture as a Unifying Concept 
1st Place – UNStudio Image: ©Aerial image: ©die developer Projektentwicklung GmbH
As attractive as some of our most famous towers might appear, they do have a serious downside according to some observers: ‘they suck the life out of the street.’ This has not gone unnoticed, as some cities have required setbacks as partial solutions. Two Mies Van Der Rohe projects, New York’s Seagram Building and the Toronto-Dominion Centre are prime examples of this concept. More recently the recognition that landscaping can provide some breathing space has become quite the fashion. Competitions are now replete with competitors who insist that the surrounding green environment does not stop at the front door. One of the most obvious in recent history is Elizabeth de Portzamparc’s competition winning entry for the Taichung Tower 2 competition in Taiwan. Read more… Belfast Looks Toward an Equitable and Sustainable Housing Model 
Birdseye view of Mackie site ©Matthew Lloyd Architects
If one were to look for a theme that is common to most affordable housing models, public access has been based primarily on income, or to be more precise, the very lack of it. Here it is no different, with Belfast’s homeless problem posing a major concern. But the competition also hopes to address another of Belfast’s decades-long issues—its religious divide. There is an underlying assumption here that religion will play no part in a selection process. The competition’s local sponsor was “Take Back the City,” its membership consisting mainly of social advocates. In setting priorities for the housing model, the group interviewed potential future dwellers as well as stakeholders to determine the nature of this model. Among those actions taken was the “photo- mapping of available land in Belfast, which could be used to tackle the housing crisis. Since 2020, (the group) hosted seminars that brought together international experts and homeless people with the goal of finding solutions. Surveys and workshops involving local people, housing associations and council duty-bearers have explored the potential of the Mackie’s site.” This research was the basis for the competition launched in 2022. Read more… 
Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor) With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C. Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… |
Entry by Diller Scofidio + Renfro (© Diller Scofidio + Renfro) 
