Houses for ChangeSponsor: IE University
Type: Open, student, ideas
Eligiblity: Open internationally to students or recent graduates with a maximum of 5 years since the date of graduation (graduation in 2009 or later). Individuals and teams of up to 6 welcome.
Registration Deadline: 10 December 2013
Submission Deadline: 16 December 2013
Entrance Fee: None
Awards: The winning project will be granted with a scholarship equivalent of 20.000 € applicable towards the tuition fees of the following programs at IE: – Master in Architectural Management and Design
– Master in Architectural Design
– Master in Workspace Design
– Master in Corporate Communication
– Master in Market Research and Consumer Behaviour
– Master in International Relations
– International LLM
– Master in Management
– International MBA
– Global MBA
– Master in Finance
– Master in Advanced Finance Jury:
Design Challenge:
The purpose of the competition is to consider housing as an urgent and basic component of improving urban environments for the poor and at risk. Architecture students and recent graduates of architecture, along with peers from other fields forming multidisciplinary teams, have a unique role to play in suggesting solutions and approaches in response to the housing crisis facing many cities today.
Buildings and projects are place-specific and must take into account not only physical realities, but also cultural, economic, and the social context. Entries are invited for housing that is appropriate and affordable for a specific place (identified by the participating team). The housing must be for an urban area, and therefore address the needs of many. Schemes or units should be designed so the model can be reproduced/duplicated.
The housing proposed should respond to the needs (geographic, economic possibilities, materials, construction processes, cultural context, etc.) of a specific community or place, selected by the competition entrants. Participants are reminded that the proposal is directed at those in the most fragile economic situations – the poor and disenfranchised- and should selected their community accordingly. The design solution and budget must not assume government subsidies or support.
Teams must submit an architectural concept, as well as a brief business plan justifying the cost, materials proposed, and affordability/viabilityvis a vis the site. Sustainable solutions will be positively rated.
The proposals to be submitted must reflect the economic, social, technological and cultural realities of the specific place.
Proposals will be evaluated based on appropriateness for the specific context (and the justification of this), quality of the design, viability of the proposal, sustainability and innovative approach.
For more information, go to: http://www.housesforchange.net/competition/houses-change
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Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor) With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C. Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… 
Courtesy Malcolm Reading Consultants, ©Kengo Kuma & Associates
A UNESCO World Heritage Site Again on the World Stage How does one approach a challenge when creating a design worthy of a park with a history dating back to antiquity? This was what four design teams faced when shortlisted for the design of a Visitor Center for the Butrint National Park in Albania. The park’s history is illuminating in this regard.
Read more…
Chungji National Heritage Museum Competition
Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
Read more… University of Florida’s College of Design Construction and Planning’s New Addition 
Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
Read more…
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