Tintagel Bridge Castle Competition

An Adventure of the First Order

The Tintagel Castle Bridge Design Competition

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©William Matthews Associates; courtesy MRC

Out-of-the-way places can be serious destinations, especially when they embody an object of historical significance. The medieval Tintagel Castle site is certainly one of these examples, attracting scores of visitors every year. Although only now a ruin, its history, linked to the tales of King Arthur, is certainly the tale which can be of interest to any serious English history buff. But getting to the crest of the hill cliff where it is located is only something for the hardy. The problem has been the steep ascent to the site, which could only be reached via a circuitous winding pathway. To address this issue, a new bridge in a more advantageous location was proposed to replace an existing, somewhat rickety span.
Organized by Malcolm Reading Consultants, this competition's call for expressions of interest drew 137 responses, with six firms being shortlisted for the design competition phase. At the conclusion of the adjudication process, the jury announced the team of Ney & Partners with William Matthews Associates as winners. The other finalists, without ranking, were:

  • Dietmar Feichtinger Architectes with Terrell
  • Marks Barfield Architects with Flint and Neill J&L Gibbons LLP and Mola
  • Niall McLaughlin Architects with Price and Myers
  • RFR and Jean-Francois Blassel Architecte with Engineershrw and WSP
  • WilkinsonEyre with Atelier One

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‘Smart School’ Educational Complex in Irkutsk, Russia

A Holistic Strategy for a Community Learning Environment

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Winning entry by CEBRA (image © CEBRA, courtesy Strelka)

Can it be that pedagogues from all over the world will soon be traveling to the far reaches of Siberia to examine the workings of a school, which not only will be catering to average students, but also feature a live-in community offering an optimal educational environment for disadvantaged children. A competition for this ‘model’ school occurred in 2015, and the winning entry came from a team led by the Danish firm, CEBRA.

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Laval University School of Architecture “Emblematic Addition

Honoring the Old, In with the New

Laval University School of Architecture “Emblematic Addition” Ideas Competition

by Stanley Collyer

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Addressing an addition to a centuries-old seminary building in the heart of historic Québec—designated a UNESCO World Heritage Site— would represent a unique challenge to any architect. To probe the boundaries of this scenario, the Laval University School of Architecture, celebrating the 50th anniversary of its founding, sponsored a one-stage ideas competition, open to professionals and students alike for an “emblematic addition” to the heritage building where it resides.

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Strategizing for Expansion: Mälerdalen University, Eskilstuna, Sweden

by Gretchen Milliken 3XN-1
Winning entry by 3XN (image © 3XN)
The intention of the Mälardalen University competition is to evoke a holistic architectural approach to the design one of Sweden’s largest universities with 12,000 students and over 900 faculty and employees. The University is well known for its strong partnerships with regional businesses and municipalities with a focused curriculum on education, health, technology and economics. Six established research departments further strengthen the University’s program, the flagship being Innovation and Product Development. Read more...

Adding to the Vienna Museum: Foreground or Background Building?

by Stanley Collyer

Stanley Collyer
Winning entry by Winkler + Ruck Architekten
If you were to make the argument that the present Vienna Museum on Karlsplatz presents a commanding presence to the casual viewer, you would find few takers. Not only is it lower by a story or two than its immediate neighbors, the neighboring St. Charles Church (Karlskirche) on the square’s south side immediately draws most of the attention of those entering the square. In other words, the church is a foreground building, and, in its present form, the Museum can only be characterized as a background building. And this all holds true, even though there certainly is no problem with the somewhat understated architecture of the existing building by Austrian architect, Oswald Haerdtl. Read more...

Placemaking to the Forefront: Sydney’s Green Square Library Competition

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Winning entry by Stewart Hollenstein Image©Stewart Hollenstein

 

When reaching a final decision on the winner of a design competition in Sydney, Australia, clients and jurors alike will invariably hark back to the controversy surrounding the Sydney Opera House competition. Because of the large cost overruns associated with that project, it has cast a long shadow over local projects decided by the design competition process. With this in mind, organizers of the more recent Green Square Library competition went to great lengths to address buildability and budget issues associated with the various designs. Their precautionary measures seemed to validate the selection of Stewart Hollenstein as the winner. As unconventional as that entry might have appeared to some, it not only got the green light from a bevy of cost consultants who were brought on board; the feedback from the community turned out to be very positive.

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Taiwan’s Taoyuaong Airport Terminal 3 Competition

 

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If you are flying either into or departing from Taiwan after the year 2020, you may
wish to arrange your flight so that you either arrive or leave in the evening, as it could well be an unforgettable experience. The winning design by Rogers Stirk Harbour of London for the new Terminal 3 promises an illuminating show that can match that of Curt Fentress’s Denver airport.
As an international open competition, and for a project of this magnitude, it was astonishing to find that only four international firms decided to enter this contest. According to one juror, the posting of a $500,000 bond required of serious contenders was probably enough to scare off most firms. This is not to say that the final four lacked expertise in the area. The only firm from Stage 1 not shortlisted, ADPI of Paris, had numerous completed large commissions to its credit. And due to the very extensive experience of the other firms, it could be anticipated that the quality of the entries would be more than adequate. Read more...

Expansion Strategies for a Challenging Campus Site

by Stanley Collyer
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Winning proposal by Office 52 (courtesy ©Office 52)
Already ranked as one of the top engineering programs in the U.S., Pittsburgh’s Carnegie Mellon University (CMU) is hardly resting on its laurels. Scott Hall, anew Nano‐Bio‐Energy Technologies building scheduled for completion in early 2016, will undoubtedly enhance the University’s standing as a cutting edge research institution. Contrary to most curricula in the field of engineering, Nanotechnology is not based on a narrowly defined area of study; rather it is interdisciplinary in nature and can span the sciences and even reach into the arts. As a landlocked campus, a major challenge facing Carnegie Mellon is finding space for the construction of new facilities. The site chosen for Scott Hall in 2011 was at the western edge of the historic campus property, perched at the top of a neighboring ravine, Junction Hollow, and barely separated from three adjacent buildings. Although the campus master plan had already pinpointed a location for the new building, the University conducted a design competition to explore alternative solutions to a challenging site and a demanding interdisciplinary program. Read more...

More Variations on a Theme in Dessau?: Germany’s Third Post-War Competition for a Bauhaus Museum

by Stanley Collyer

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First prize by Young & Ayata with Misako Murata (image courtesy Bauhaus Museum)

Germany is not about to let the world arts community forget about the unique role played by the Bauhaus movement in the evolution of modern art and architecture. There is already a Bauhaus Archive in Berlin, moved there from Darmstadt in 1971, and the building it now resides in was completed in 1979. It is hardly recognizable from Walter Gropius original 1964 intended design, except for the shed roofs. Since the Berlin Archive can only accommodate 35% of the institution’s holdings, a competition was staged there in 2005 to expand the capacity of the site. The invited architects for that competition were Diener & Diener (Basel), Nageli Architekten (Berlin), SANAA (Tokyo), Sauerbruch & Hutton (Berlin) UN Studio (Amsterdam), and Volker Staab (Berlin). SANAA was chosen as the winner, but the City withdrew its support from that project in the wake of the world economic crisis in 2009. In 2012 a Bauhaus Museum competition took place in Weimar, where the Bauhaus was originally founded under Gropius in 1919. That competition was won by the Berlin architect, Heike Hanada, with Benedict Tonon. The new building, which will replace the existing Bauhaus Museum in Weimar, is to be completed by 2018. After the Bauhaus moved from Weimar to Dessau, where the Bauhaus resided until the 1930s when the Nazis came to power and where the main building by Walter Gropius has achieved iconic status, a recent international competition for its own Bauhaus Museum took place. Although one may assume a lot of overlay between these three museums as to exhibits, the plan for the new museum in Dessau could be deemed somewhat of a logical move, as the present school is still located there, setting the tone for the ‘international style’ we now are so familiar with. The Competition Contrary to what one might have anticipated, the Dessau competition did not choose a site for the new museum near the present school, but instead envisioned a downtown location for it in a park-like setting. This was an open, international competition, and the organizers were not disappointed with the size of the interest. What was surprising, was that the top four premiated entries were all from abroad, with the two first place winners from Barcelona and New York. Not surprisingly, with the exception of the one first place winner from the U.S., all of the others were variations on easily recognizable themes out of the Bauhaus annals. Since the Bauhaus was not only about architecture, but also art, one might understand the top, contrasting choices in architectural expression as representations of both disciplines—one having very functional, straightforward lines, the other more whimsical in the manner of an organic biological creation. Jurying a competition with this challenging subject matter could hardly have been easy.

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Reinventing the Rustbelt: UD4U Urban Design Competition

by Stanley Collyer

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1st Place entry "High Res," by Lasha brown, Sandra Arndt, Emilija Kaia Landsbergis, and Robert Hon

As a mid-sized rustbelt city in the Midwest, Kenosha, Wisconsin was especially hard hit by auto plant closings. First it was the American Motors plant in 1988. Then, to compound matters, the Chrysler Engine plant closed in 2010. Such closings not only resulted in the loss of high-paying jobs, but left a desolate void in the urban fabric. Some of these vacant spaces have recently become the object of design competitions, staged with the intention of generating ideas to reinvigorate abandoned areas. One of these was the Redesigning Detroit competition, focused on the previous site of Hudson’s Department Store in the city’s central business district (2013 COMPETITIONS Annual). ÂÂ ÂÂ

More recently, UD4U, a Chicago-based non-profit, staged a planning competition for the abandoned Chrysler engine plant in Kenosha, Wisconsin. The site, located in the city less than a mile from Lake Michigan and would seem to be an ideal location for housing and other similar projects. This was a large, open site—107 acres—surrounded mostly by detached residential housing. The location of eight schools within one-half mile attests to the residential density of the area surrounding the site. Since the plant closing, the structures have been demolished, and only the concrete slab surface remained from what at once was a productive industrial plant.

Chrysler Plant map
Crystler Plant Site

The competition was international and "open to professionals and students of all countries, with the requirement that they either be in, or previously graduated from, a professional/registered university with a degree in one of the following: architecture, urban design, urban planning, landscape architecture, or engineering. Participants of the competition were asked to create their vision of what the site should become. The program was completely open, so the use and function of the structures, open spaces, etc. was completely up to each team. However, every team was asked to address 4 aspects that are vital to the site being a success and beneficial for the community." Those 4 aspects were: • history of the site and city • the site’s surrounding urban fabric • industries of Kenosha • transportation options. The problem with many of these abandoned manufacturing sites is their environmental history. They normally would require a massive cleanup, and, as “hot sites,” may never be regarded as a location for a viable project. In Kenosha, $10M has been set aside for a cleanup of the site, and, at this writing, the remediation process has already begun. As has occurred with other similar sites in Kenosha, it is assumed that local, state, and federal government entitities will contribute additional funds as needed until the cleanup process is complete. All that aside, the very nature of the size and location of the site made it ideal subject matter for an ideas competition. And, although this was just an ideas competition, it provided a number of workable ideas for the site and could give the city fathers some food for thought. The jury was made up of three outside experts and three members of UD4U:

• Andrew Moddrell, Director of PORT
• Christine Carlyle, Urban Planner
• Andrew Vesselinovitch, City Traffic Planner
• Elizabeth Fallon, UD4U, Architect
• Matthew Clapper, Planner, UD4U Principal and Founder
• Kaleb Quirin, UD4U Project Manager

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