2022 Architectural League Prize for Young Architects + Designers | Grounding Sponsor: Architectural League, New York Type: Open, Portfolio Language: English Fee: $35 13 February 2022 – Portfolios submission deadline CALL FOR ENTRIES Young architects and designers are invited to submit work to the annual Architectural League Prize Competition. Projects of all types, either theoretical or real, and executed in any medium, are welcome. The jury will select work for presentation in lectures, digital media, and an exhibition in June 2022. These events will be either in-person, online, or hybrid, depending on local and national health guidelines this spring. Winners will receive a cash prize of $2,000. Established in 1981 to recognize visionary work by young practitioners, the Architectural League Prize is an annual competition, lecture series, and exhibition organized by The Architectural League and its Young Architects + Designers Committee. Learn more about past winners of The Architectural League Prize ELIGIBILITY The competition is open only to current, full-time residents (who need not be citizens) of the United States, Canada, and Mexico. Entrants must be ten years or less out of a bachelor’s or master’s degree program. Current students are ineligible. Entrants may submit individually or as a group. If the individual(s) is/are the sole principal(s) of a firm, the winning firm name will be listed as well. Entrants must submit work done independently; no work done as an employee of a firm, where the entrant is not a principal or partner, is eligible for submission. No student work completed for any academic program or degree is eligible for submission. Educators may not include work done in their studios or for their teaching. Past League Prize winners are ineligible. If only one partner of a firm is eligible, he, she, or they can enter as a single entrant. He, she, or they must include a signed document from all other partners describing the collaborative nature of the work and the firm will not be listed as a recipient of the Prize. Collaborative work will be considered within the context of an individual’s complete portfolio. Timetable All entries must be submitted through the League’s digital competition portal. JURY Chris T. Cornelius Carla Juaçaba Lola Sheppard Mabel O. Wilson THE YOUNG ARCHITECTS + DESIGNERS COMMITTEE Luis Beltrán del Río García Tei Carpenter Gabriel Cuéllar . THEME: GROUNDING Searching for grounding is a sticky, precarious, and stubborn pursuit of our time. In an unpredictable and hybrid world, more focus is needed on how architecture can respond to this condition and how young architects can situate themselves within it. Through grounding, designers come to terms with complex material realities, sociocultural contingencies, and more fundamental ways of being. Although grounding suggests locality, contemporary environments are invariably embedded in global systems that complicate architecture’s relationship with place. Grounding thus means, on one hand, making vital connections to what is already there—materially, socially, and otherwise—and, on the other, contending with placeless, pervasive processes. Navigating the remote and embodied, the nonlocal and local, architecture requires methods of retooling, reappropriation, and transformation to find its grounding. Engaging with what precedes and underlies, grounding is also about establishing productive contexts for action and bringing design into new orbits of collaboration. Such messy interdependencies pull architecture toward the ground, urging designers to consider contingencies as resources for practice. This year’s Architectural League Prize reflects on the substance of design’s foundations. How do young architects tether their work and practices to the grounds upon which they design? How can designers respond to both the particularities of location and the ubiquity of global forces? What are intentional approaches to and forms of grounding? SUBMISSION REQUIREMENTS A single digital portfolio, which may include several projects, in PDF format, no larger than 35MB and no larger than 11×14”. It may not contain more than 15 spreads (or 30 pages) in total, excluding the cover page. Please note that the jury will review all portfolios digitally, not in print. The competition theme is given as a basis for young architects and designers to reflect upon and reevaluate their work. A written statement not to exceed 250 words is required, which defines and considers the work under the rubric of the competition theme. Significant weight is given to how an applicant’s work addresses the theme. The written statement must be on the first page of the portfolio. Additional texts, such as project descriptions and image captions, are permitted. Competition website: https://archleague.org/competition/league-prize-22-grounding/ |
Completed IMEX by Tuck Hinton Architects. Photo courtesy Anecdote It is not often that we look back to a competition that occurred three decades ago that was also covered in detail by COMPETITIONS (Vol. 4, #4; pp. 14-27). What made the Chattanooga IMAX different back in 1994 was that the article covering that competition was authored by Prof. Marleen Davis, then Dean of the University of Tennessee’s School of Architecture and a member of the jury panel. This was not just a short article, covering the high points of the competition with a few talking points about the winning design. This 4,000+ word document also described in detail the jury’s observations about all the finalists, including the honorable mentions—one of the few times we have gained such a detailed glimpse in this country from the inside of the competition process. Read more… Preparation and Organization of Design Competitions [phase 1] Benjamin Hossbach / Christian Lehmhaus / Christine Eichelmann 210 × 230 mm, 192 pp. over 600 images softcover ISBN 978-3-86922-316-2 (English) ISBN 978-3-86922-240-0 (German) Dom Publishers €48 in EU (For price abroad, see below) Founded in 1998 in Berlin, Phase 1 has been a principal player in the organization and facilitation of design competitions, not only in Germany, but abroad as well. The accomplishments of the firm have been well documented in three volumes—The Architecture of Competitions—beginning in 2i006. Whereas these books mainly focused on the results of the competitions they have administered, the present work, Fundamentals of Competition Management, takes one from the very beginnings of the competition process to its conclusion. The authors envisioned the publication as “three three books in one: one „blue book“ with example projects, one „yellow book“ with statements and the „white book“ with the actual guideline to competition management.” Although there have been a number of handbooks covering the administration of designcompetitions a study covering the entire process in such detail is a welcome addition to the the literature in this field. As a contribution to this important democratic process that has yielded exceptional design for decades, this volume is not only valid for Europe, but a current overview of the process for those globally who wish to raise the level of design by virtue of a design competition. -Ed Foreign institutions wishing to obtain a copy of the book will recieve a discount to cover the cost of foreign shipping. To obtain a copy for that offer, go to: [email protected] Winning entry by Luca Poian Forms Image ©Filippo Bolognese images Good design seldom happens in a vacuum. And so it was with an international competition for a new mosque in Preston, U.K. A mid-sized city of 95,000, and located in Lancashire near the west coast and almost equally distant from London and Glasgow, Preston has a storied past, going all the way back to the Romans and the late Middle Ages, where it was the site of significant battles. During the Industrial Revolution, the city prospered, and it was not until after World War II that Preston experienced the British version of the U.S. Rust Belt. In the meantime, the city has experienced an upswing in economic activity, with an unemployment rate of only 3%. Aside from the appearance of new industries, the city has benefitted from the establishment of Central Lancashire University (CLU), which employs over 3,000 faculty and staff, and, as such, is one of the regions major employers. Any new university requires new facilities, and one of the most outstanding examples of this at CLU was the new Student Centre and Plaza, a result of a 2016 RIBA-sponsored competition won by Hawkins/Brown Read More
Changdong Station winner – image ©D & B Partners Architects
Whereas international competitions for real projects have become a rarity lately, Korea is a welcome exception. Among the plethora of competition announcements we receive almost weekly, several have ended with foreign firms as winners. But the history of welcoming international participants does go back several years. One notable early example was the Incheon Airport competition, won by Fentress Bradburn Architects (1962-70).
Among the more recent successes of foreign firms was the Busan Opera House competition, won by Snøhetta (2013-) and the Sejong Museum Gardens competition, won by Office OU, Toronto (2016-2023).
Read more… 1st Place: Zaha Hadid Architects – night view from river – Render by Negativ Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding. Read more… Helsinki Central Library, by ALA Architects (2012-2018) The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome. Read More… 2023 Teaching and Innovation Farm Lab Graduate Student Honor Award by USC (aerial view) Architecture at Zero competitions, which focus on the theme, Design Competition for Decarbonization, Equity and Resilience in California, have been supported by numerous California utilities such as Southern California Edison, PG&E, SoCAl Gas, etc., who have recognized the need for better climate solutions in that state as well as globally. Until recently, most of these competitions were based on an ideas only format, with few expectations that any of the winning designs would actually be realized. The anticipated realization of the 2022 and 2023 competitions suggests that some clients are taking these ideas seriously enough to go ahead with realization. Read more… |