‘Disruption,’ 2021 Steedman Fellowship Sponsor: Sam Fox School of Design, Washington University/AIA St. Louis Type: Open, International,
Eligibility: Young Architects who have received a degree from an accredited institution in architecture within the past eight (8) years
Timetable:
15 November 2021 – Submissions deadline
Prize: $75,000
Submission details:
Application materials will include a portfolio, research proposal, budget and timeframe. Extra consideration will be given to creative proposals that minimize carbon footprint. Fellows must be able to complete their projects within 18 months of receiving the award, and must be available afterward to share their research with the Washington University and St. Louis AIA architectural communities.
Jury:
Mary Ann Lazarus, FAIA, Jury Chair and Theme author
Other jurors include Shantel Blakely, assistant professor of architecture in the Sam Fox School; Billy Fleming, the founding Wilks Family Director of The Ian L. McHarg Center in the Weitzman School of Design at the University of Pennsylvania; Janette Kim, founding principal of All of the Above and assistant professor and director of Urban Works Agency at the California College of the Arts; and Marsha Maytum, founding principal at Leddy Maytum Stacy Architects (LMSA) in San Francisco. Design Challenge:
Climate change, COVID-19, the fight for social justice. In disruptive times, how can architecture help to chart new paths and implement far-reaching solutions?
In a report issued August 5, 2021, the United Nations’ Intergovernmental Panel on Climate Change, found that over the next 20 years, global warming is likely to rise by 1.5 degrees Celsius even with sharp cuts in emissions. To prevent even more catastrophic change, the report continues, nations will need to essentially eliminate all carbon dioxide emissions by 2050.
According to theme author, Lazarus, “Pivoting from current trajectories will require urgent disruption,” Lazarus observed. “Radical solutions are required at all scales and systems. How does architecture — in all its modalities — disrupt and drive change? How can architecture have a measurable impact? What are the disruptions to define the next decade, and how will they redefine design?” Competition website:
https://steedmanfellowship.wustl.edu/?_ga=2.201589909.546703584.1631298343-997990800.1631298343 Media contact: Liam Otten
steedmanfellowship.wustl.edu |
The Makasiiniranta South Harbor Competition
 Helsinki South Harbour and Tori Quarter Suomen Ilmakuva Helsinki. Image credit/ Tietoa Finland, Janne Hirvonen
As a prelude to a competition for the design of a new Architecture and Design Museum to be located in Helsinki’s South Harbor, the City of Finland staged an open competition to establish a roadmap for the future redevelopment of the Makasiiniranta harbor area, the last old harbor area to be transformed for public use in Helsinki. The competition for the museum is scheduled to take place later this year; but the entire surrounding area has come up with a plan to review improvements for the entire harbor environment.
Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Vltava Philharmonic Hall Design Competition 
View to Concert Hall from bridge ©BIG
Classical music is still part of a vibrant musical scene in Prague, with at least four principal venues hosting concerts, ballet and opera. As a modern European city, the only missing venue from these choices is a state of the art concert hall. Other European neighbors have also recently staged competitions for such projects: Munich, won by Cukrowicz Nachbaur Architekten of Bregenz, Austria; Belgrade, won by AL_A of London; and Vilnius, Lithuania, won by Arquivio Architects of Spain. It should be noted, however, that one of the most important competitions for a concert hall, not only in Europe, but the world, was the 1961 Berlin Philharmonic hall competition, won by Hans Scharoun (below). It was the interior of that building, in particular, that served as a model for many others that followed, one of the first being Los Angeles’ Disney Hall by Frank Gehry. Read more… Budapest’s Nyugati Rail Station Competition 
Image courtesy Budapest Development Agency ©Grimshaw
Completed in 1877, Budapest’s Nyugati Railway Station has witnessed many of the twists and turns of Hungarian history: the Austro-Hungarian Empire, revolutions of post-World War I and 1956, and various shades of expansion and shrinkage in their territory. Its important location in Europe’s history as a contested land in southeastern Europe has not only served as a path for armies of conquest, but as a matter of great interest for major powers. Amid all the changes it has experienced, Hungary, and Budapest in particular, has retained a fascination for outsiders, making it one of Europe’s high profile tourist attractions. Read more… A Quest for that Elusive Connective Formula 
First Place: Pedestrian perspective from Parliament – Zeidler Architecture in association with David Chipperfield Architects
How do you find a common thread that can connect an eclectic collection of buildings, visually as well as physically, all located within a one-block site, located just across from Canada’s Parliament building in Ottawa. To identify this common thread that could tie everything together, the client turned to a design competition for answers. With the aid of consultants, [phase eins] from Berlin and experts from Canada’s’ own Université de Montréal’s School of Architecture, the client turned to an invited international format to finally settle on six teams that could rethink the site. Read more… Vilnius Railway Station and Public Square Competition 
Vilnius Station competition Image: ©Zaha Hadid Architects
In European cities, recent history has seen their central railway stations become the subject of upgrades, or totally new projects, many of them springing up in Eastern Europe. In most cases, the focus on this phenomena occurred several decades after earth-shaking political events. In Germany it was the construction of a new main central station (Hauptbahnhof) shortly after the reunification of Germany and Berlin. in Estonia, and now Lithuania, it has occurred after the independence of those countries in conjunction with the dissolution of the Soviet Union. And in Hungary, it was the subject of a recent competition encompassing a large area surrounding the station. Read More… |
