Shortlist announced for MK:U International Design Competition
MK:U is a new model university and one of the flagship projects of the MK Futures 2050 program, which supports MKC’s ambition to create a city of opportunity for all. The new university is intended to create a new higher education exemplar that is open, accessible, dynamic, technologically-focused, innovative, diverse, business-oriented and entrepreneurial.
In the initial first, RfQ stage, collaboration between established and emerging talent, and between UK and international talent, was encouraged for MK:U. Stage one criteria included a demonstration of qualifications: company information; details of the proposed team; and examples of relevant experience.
Five teams chosen to create masterplan and concept designs for prominent 10-hectare site
Shortlist includes both UK and international teams
Full jury announced, including Nathan Bostock, CEO, Santander UK plc; acclaimed urban planner Joe Berridge; Phil Smith, Former Chairman, Cisco UK & Ireland; Professor Dame Madeleine Atkins, President, Lucy Cavendish College, Cambridge; Paul Williams OBE, Principal Director, Stanton Williams Architects; and Sir Peter Bazalgette, Non-Executive Chairman, ITV
Competition attracts Expressions of Interest from 53 teams in 14 countries
The first stage of the competition, which launched in January 2019, attracted 53 team submissions comprising 257 individual firms from across the globe.
The five finalist teams are:
Co:MK:U –WilkinsonEyre and AECOM with Spaces that Work, Mecanoo, dRMM, Publica and Contemporary Art Society
Hawkins\Brownwith KCAP, Grant Associates, BuroHappold Engineering and Sam Jacob Studio
Hopkins Architectswith Prior+Partners, Expedition Engineering, Atelier Ten and GROSS. MAX.
OMAwith BuroHappold Engineering, Planit-IE, Nicholas Hare Architects, Carmody Groarke and Galmstrup
From the teams who made the shortlist, it is clear that almost all of the teams included names of firms with international credentials: WilkinsonEyre, Mecanoo, Hopkins, Henning Larsen, OMA, etc.
The reunification of Germany in 1989 not only had a great impact on the lives of many Germans, especially those living in the former DDR,but together with the decision to move the nation’s capital from Bonn to Berlin resulted in two major international design competitions in 1992: the first was to convert the existing Reichstag building into a home for the German parliament, the second being the Spreebogen planning competition, which included a chancellery for the head of state as well as needed buildings nearby for the Federal government.
Form and Dichroic Light Scott Hall at Carnegie Mellon University Michelle LaFoe and Isaac Campbell OFFICE 52 Architecture Forward by Cesar Pelli, FAIA Introduction by Michael J. Crosbie, FAIA Leete”s Island Books, Maine USA Hard cover; 96 pages in color ISBN 9780918172709
In his introduction to Form and Dichroic LIght, Michael Crosbie never mentions the term, “wild card,” to describe Office 52’s participation in the invited competition for the Carnegie Mellon Engineering Building. The four finalists, picked from a list of 17 firms, also included three household names: ZGF, Wilson, and BCJ (Bohlin Cywinski, Jackson). So what possible chance could a firm, which had just recently opened a small office in Portland, Oregon, have against a competition lineup of this magnitude? But as OFFICE 52 Principal, Isaac Campbell explained, as a small firm, “we were quite nimble,” and the $50,000 stipend the firms all received to produce a design could allow OFFICE 52 more time to undertake the research involved than might be the case with a larger office, where a cost controller is constantly focusing on the operation.
The renovation of Miremont-le-Cret n 2012 was unusual in that the project was the subject of a competition. This building had long been landmarked as one of Geneva’s most significant modern accomplishments, designed in 1953 by a local architect, Marc-Joseph Saugey. The building’s design is remarkable in how it fits into a somewhat narrow, elongated site, but solving the issue of monotony that could naturally arise, had the facades not consisted of a simple elevation with no protruding edges. Instead Saugey came up with the idea of a faceted treatment of the facade on both sides of the structure, thus eliminating any notion of boredom on the part of a casual visitor.
The Rise in the City Housing Competition in the African country of Lesotho presented many similarities with student competitions that have occurred over the past decades, the main link being the presence of mentors as advisers to the team(s) who were designing the entries. One of the most famous examples of this was the winning design for the Vietnam Memorial Competition by Maya Lin, who was enrolled at the time in a studio course at Yale University. In that case it was also a case of students competing against professionals. Lin’s design just happened to find favor with the jury.
The features of a truly international competition were quite in evidence in Prague’s SMÍCHOV School search for an ideal elementary school design: the event attracted 66 entries from around the world, and the winners were a team from Canada and Poland. The sponsors went so far as to even estimate the number of hours spent by all of the architects who submitted entries for the competition (58,800). One can only imagine what that number might have been for the Helsinki Guggenheim competition, which attracted 1,715 entries.
IMPORTANT NOTICE : Unless otherwise indicated, photographs of buildings and
projects are from professional or institutional archives. All reproduction is prohibited
unless authorized by the architects, designers, office managers, consortia or archives
centers concerned. The Competition Project, Inc. is not held responsible for any
omissions or inaccuracies, but appreciate all comments and pertinent information that
will permit necessary modifications during future updates.
