Sponsor: Great Places Lakes & Dales Partnership Type: Open, international, two-phase Language: English Fee: £50+VAT Timetable: 25 March 2019 – Q&A deadline 14 April 2019 – 1st stage entries deadline Process and Compensation Six proposals will be shortlist, three (3) for each site Each participating team will receive £4,000 to complete their second stage design. Background: Great Place: Lakes & Dales (GPLD), is one of 16 pilot projects funded by Arts Council England (ACE) and the Heritage Lottery Fund (HLF) that aims to enable cultural and heritage organisations to make a step-change, which will result in arts, culture and heritage contributing to wider social and economic objectives.
GPLD is celebrating its distinctive place and skills by utilising arts, culture and heritage, to retain and attract young people who will help develop its sustainability, resilience and economy.
GPLD is a partnership of Craven District Council (lead authority), South Lakeland District Council, Yorkshire Dales National Park Authority, and Lake District National Park Authority, who have all contributed additional funding alongside ACE and HLF.
The GPLD area is a rural area incorporating elements of both the Lake District and Yorkshire Dales National Parks and is primarily based upon the corridor linking Skipton (Craven) in the south and Grasmere (South Lakeland) in the north.
The area includes: • the market towns of Skipton and Kendal; • the area characterised by the Yorkshire Three Peaks; • the Lune Valley; and, • the approaches into the central Lake District.
Design Challenge:
GPLD will use arts, culture and creativity to tackle the outward migration of young people, by focusing on the distinctive place it encapsulates. This Competition will support this ambition by seeking designs for two innovative flexible accommodation developments within the GPLD area, which will house young people that either already live there or wish to move into it.
The competition ties into the specific aim of the GPLD project, i.e. outward migration of young people from the area. As this issue affects rural communities nationally, the competition also offers entrants an opportunity to provide a wider statement/proposition on this issue.
The Rise in the City Housing Competition in the African country of Lesotho presented many similarities with student competitions that have occurred over the past decades, the main link being the presence of mentors as advisers to the team(s) who were designing the entries. One of the most famous examples of this was the winning design for the Vietnam Memorial Competition by Maya Lin, who was enrolled at the time in a studio course at Yale University. In that case it was also a case of students competing against professionals. Lin’s design just happened to find favor with the jury.
Form and Dichroic Light Scott Hall at Carnegie Mellon University Michelle LaFoe and Isaac Campbell OFFICE 52 Architecture Forward by Cesar Pelli, FAIA Introduction by Michael J. Crosbie, FAIA Leete”s Island Books, Maine USA Hard cover; 96 pages in color ISBN 9780918172709
In his introduction to Form and Dichroic LIght, Michael Crosbie never mentions the term, “wild card,” to describe Office 52’s participation in the invited competition for the Carnegie Mellon Engineering Building. The four finalists, picked from a list of 17 firms, also included three household names: ZGF, Wilson, and BCJ (Bohlin Cywinski, Jackson). So what possible chance could a firm, which had just recently opened a small office in Portland, Oregon, have against a competition lineup of this magnitude? But as OFFICE 52 Principal, Isaac Campbell explained, as a small firm, “we were quite nimble,” and the $50,000 stipend the firms all received to produce a design could allow OFFICE 52 more time to undertake the research involved than might be the case with a larger office, where a cost controller is constantly focusing on the operation.
The features of a truly international competition were quite in evidence in Prague's SMÍCHOV School search for an ideal elementary school design: the event attracted 66 entries from around the world, and the winners were a team from Canada and Poland. The sponsors went so far as to even estimate the number of hours spent by all of the architects who submitted entries for the competition (58,800). One can only imagine what that number might have been for the Helsinki Guggenheim competition, which attracted 1,715 entries.
Pelli Clarke Pelli Architects (PCP) in collaboration with China Southwest Architectural Design and Research Institute Corp Ltd. has prevailed over a strong field to win the competition for a Natural History Museum in Chengdu, China. The other finalists included Zaha Hadid Architects, Sutherland Hussey Harris, Nihon Sekkei, Valode & Pistre, and FUKSAS.
Garage Screen, a program of film screenings on contemporary art and culture, was launched in 2012 and introduces viewers to notable examples of Russian and foreign feature films, documentaries, and experimental films. Since its inception, the Garage Museum of Contemporary Art has selected and shown films and videos examining issues of contemporary art and culture in all their manifestations, rare documentary films on the lives and lifestyles of prominent and little-known artists, musicians, architects, and performing artists, as well as films about the creation of exhibitions and works of art.
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