National Pulse Memorial & Museum International Design Competition Sponsor: onePULSE Foundation Type: open, international, two-phase (RfQ) Location: Orlando, Florida Professional Adviser: Dovetail Design Strategists, LLC www.dovetailstrategists.com Eligibility: Open to architects across the globe. Architects will be required to form and lead a multi-disciplinary team to include urban design, landscape design and exhibition design professionals. The inclusion of an artist is strongly encouraged. Fees: None Language: English and Spanish Timetable: 25 March 2019 – Competition launch 30 April 2019 (15:00 EST) Stage I RFQ submissions due Compensation:
Up to six architect-led design teams will be selected to participate in Stage II of the Design Competition and an honorarium of $50,000 will be paid to each of the shortlisted teams who have met onePULSE’s Stage II requirements, payable upon selection of a winning team. Design Challenge: On June 12, 2016 the largest and deadliest act of violence affecting LGBTQ+ people, and one of the deadliest terrorist attacks by a single gunman in modern American history occurred at the Pulse nightclub in Orlando, Florida. A total of 49 people’s lives were taken that night, 68 others were injured and hundreds were left permanently affected from the trauma. In the aftermath, the Orlando community and the world came together to prove that love will overcome fear and hatred. Under this banner, the onePULSE Foundation, an educational nonprofit, was created to memorialize this tragedy and ensure that Pulse’s legacy of love, acceptance and hope will never be lost. The National Pulse Memorial & Museum International Design Competition challenges architects to create an iconic Memorial & Museum, including a pedestrian pathway called Survivors Walk in Orlando, Florida on the site of the Pulse nightclub and nearby properties. The National Pulse Memorial will be a sanctuary of hope and healing, the Pulse Museum will educate, enlighten, inspire reflection and start conversations that will change mindsets. Survivors Walk will trace the three-block journey many victims and survivors took the night of the tragedy to get to the Orlando Regional Medical Center. Together these three distinct elements will be a tribute to all those affected, will engage and educate visitors from around the world, and will serve as a catalyst for positive change. The Jury includes: - Mayra Alvear, Victim’s Liaison, Mother of Amanda Alvear, Task Force Advisory Council, onePULSE
- Earl Crittenden, Chair, Board of Trustees onePULSE, GrayRobinson, P.A.
- Yolande Daniels, Principal, studioSUMO
- Mayor Jerry Demings, Orange County, Florida
- Mayor Buddy Dyer, Orlando, Florida
- Hilary Lewis, Board of Trustees onePULSE, Chief Curator & Creative Director, The Glass House
- Teresa Jacobs, School Board Chair, Orange County Public Schools, former Orange County Mayor
- George Kalogridis, Vice Chair, Board of Trustees onePULSE, President, Walt Disney World
- Ricardo J. Negron-Almodovar, Survivor, Service Legal Coordinator, Latino Justice Southeast Office
- Barbara Poma, Owner, Pulse Nightclub, Founder & CEO of onePULSE
- Laurinda Spear, Principal, Arquitectonica
- Sarah Whiting, Dean, Rice University School of Architecture, Principal WW Architecture
- Susanna Sirefman, Competition Director and Jury Advisor, President, Dovetail Design Strategists
HOW to SUBMIT: www.onePULSEfoundation.org/international-design-competition/ |
Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor) With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C. Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… 
Courtesy Malcolm Reading Consultants, ©Kengo Kuma & Associates
A UNESCO World Heritage Site Again on the World Stage How does one approach a challenge when creating a design worthy of a park with a history dating back to antiquity? This was what four design teams faced when shortlisted for the design of a Visitor Center for the Butrint National Park in Albania. The park’s history is illuminating in this regard.
Read more…
Chungji National Heritage Museum Competition
Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
Read more… University of Florida’s College of Design Construction and Planning’s New Addition 
Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
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