NYC Public Space (POPS) Logo Design Sponsors: Advocates for Privately Owned Public Space The New York City Department of City Planning The Municipal Art Society of New York Type: open, two-stage, international Fee: None Eligibility: The Competition is open to any individual, group of individuals, or legal entity worldwide. Timetable: 15 March 2019 – Submission deadline Awards: A payment of $2,000 will be provided to each Awardee. The Awardee that created the logo chosen as the official New York City POPS logo will receive an additional $2,000 payment. Jury: – Jerold S. Kayden, Professor of Urban Planning and Design at the Harvard University Graduate School of Design – Glen Cummings, Creative Director, MTWTF – Katherine Farley, MArch, Harvard GSD – Elizabeth Goldstein, President, Municipal Art Society of New York – Marisa Lago, Director, NYC Department of City Planning – Kim Mathews, FASLA, RLA – Justin Barrett Moore, Executive Director, NYC Public Design Commission Design Challenge: Since 1961, New York City has offered floor area bonuses and other zoning incentives to private developers of office and residential buildings to encourage them to provide the more than 550 POPS that are scattered about the city, especially in the borough of Manhattan and increasingly in Brooklyn and Queens. Combined, the city’s POPS provide nearly 3.8 million square feet of additional public space – equivalent to nine Bryant Parks, 24 Union Squares, or 10% of Central Park. Each POPS has a distinct identity shaped by its design, location, applicable legal requirements, owner and manager, and users. For POPS to be well used by the public, it is imperative that residents, workers, and visitors know which spaces are indeed POPS and what amenities are required. For example, during what hours is a space required to be open? Must it provide amenities such as seating, landscaping, water fountains, bathrooms, or bike racks? If members of the public have a question about the space, whom should they contact? The New York City Zoning Resolution, from 1975 onward, has obliged almost all POPS owners to post signage on-site, identifying the space as a POPS and specifying required hours of access and amenities. Signage must also include information about who owns and manages the space and to whom a complaint may be submitted. For more information: http://popslogo.nyc Contact info: contact@popslogo.nyc |
 ©Bauen+Wohnen An article, Trois tourettes et un jardin (Three Turrets and a Garden) by Swiss landscape architect, Valérie Hoffmeyer, in Werk, Bauen + Wohnen, is another recent example highlighting the value of green space in the design of mid-rise residential buildings. At a time when developers endeavor to maximize their profits by turning to highrise buildings, even when higher density is at stake, referencing the Garden City concept has been turning up as a more frequent theme.
Read more…  Aerial view ©Grimshaw Architects After the conclusion of the second stage of the Nyugati Railway Station Competition, Grimshaw Architects has been declared the winner. This conclusion was reached by a jury after twelve teams had been shortlisted from the initial stage of the competition in an RfQ process. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality  by Jean-Pierre Chupin and G. Stanley Collyer published by Potential Architecture Books, Montreal, Canada 2020 271 illustrations in color and black & white Available in PDF and eBook formats ISBN 9781988962047 What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/  Boardwalk photo: Courtesy Atlantic Beach Boardwalks, especially on oceanfront locations, have a pretty universal look. But how they fit into their local context is another matter. Topography, real estate and commerce all play a role in their function, and to some extent, design. In the case of Miami Beach, it’s primarily a promenade; Brooklyn’s 2.7 mile Coney Island boardwalk stretching all the way to Brighton Beach is a mixture of promenade and commerce, with the latter at both ends. In the case of Atlantic City, it’s mostly about retail.
Read more…  Winning entry – Hyunjoon Min Architects Office National Library of Korea Data Preservation Center Competition Retrofitting existing buildings is nothing new. The abandonment of old factory structures, especially in the northeast of the U.S., has been occurring at a rapid pace ever since those businesses ceased to be profitable in the face of foreign competition. However, in North America, retrofitting those structures has seldom been the subject of a design competition. In Korea, the recent plethora of design competitions for all types of projects has also included several for providing a new life for abandoned buildings. Read more… Countryside Dilemmas – New Rural Planning  1st Place – ©Tianjin University Team Planning used to be at the bottom of Chinese students’ lists of design priorities. One western architect, whose firm was at the forefront in the design and implementation of numerous planning projects in China, surmised that planning was an area that received little attention in the university curricula. So when planning for a major metropolitan area has occurred, the Chinese have almost always turned to outside international firms for ideas and implementation. Read more… The Chicago Architecture Club Shines the Spotlight on Another Endangered Landmark  Public Pool Image: ©Perkins&Will What do Bertrad Goldberg and Helmut Jahn have in common? Besides having high-profile buildings threatened by demolition, both served as subject matter for two competitions sponsored by the Chicago Architecture Club (CAC)—raising public consciousness about their impending fate. They both produced buildings in a city famous for its architecture that have been abandoned: Goldberg’s Future Prentice Women’s Hospital, demolished in 2014 after a valiant effort by preservationists to save it from the wrecking ball; and Jahn’s Thompson Center, now the object of a similar effort by the State of Illinois to sell it to a developer. Read more… |