Place des Montréalaises Landscape CompetitionSponsor: Ville de Montréal, Canada Type: open, international, 2-stage (stage 1 anonymous) Process: Stage 2 will include 5 finalists from Stage 1 Eligibility: Architects/Landscape architects must have at least 5 years experience (see web announcement) Organizer: Bureau du design, Direction entrepreneuriat | Service du développement économique, Ville de Montréal Languages: French, English Fee: none Timetable: 26 September 2017 – Deadline for stage 1 submissions 6 February 2018 – Deadline for stage 2 submissions Awards/Compensation (Canadian $) • Each Finalist who presents a service offering deemed to meet the competition rules will receive a lump sum of $86,975, plus taxes. • The maximum budget for the winner’s professional fees is $5,790,000, plus taxes Jury (both sessions) - Chantal Aylwin, engineer, Director, Direction des infrastructures, de la voirie et des transports, Ville de Montréal
- Jérome Barth, Vice-President, Finance and Administration, Times Square Alliance; Founder and Principal, Town Square Consulting
- Marie-Éve Beaupré, Curator of the Collection, Musée d’art contemporain de Montréal
- Monica Bittencourt, Landscape Architect and Spatial Planner, Direction de l’aménagement et de l’architecture, Commission de la capitale nationale du Québec
- Lyndsay Daudier, graduate in urban planning, law and project management, Director, Strategic Development and Partnerships, Maison de l’innovation sociale
- Sylvia-Anne Duplantie, Urban Planner, Director, Direction de l’aménagement des parcs et espaces publics, Service des grands parcs, du verdissement et du Mont-Royal, Ville de Montréal
- Luc Gagnon, graduate in urban planning, Director, Service de la mise en valeur du territoire, Ville de Montréal
- Josiane Maheu, geographer, Member of Conseil des Montréalaises
- Manon Otto, Urban designer, Director of Landscape Design, BIG NYC
- Raquel Peñalosa, Landscape Architect, IFLA AMERICAS President, International Federation of Landscape Architects (IFLA), Americas Region
Marie Pimmel, Architect, Renzo Piano Building Workshop, Paris Challenge: The project that is the subject of this competition consists in designing Place des Montréalaises, a new public space adjacent to Champ-de-Mars métro station, including a pedestrian overpass leading to Champ-de-Mars. The Ville de Montréal has determined that a priority urban project would be the repurposing of the areas bordering the Ville-Marie Expressway, grouping a number of works under the term “Projet Secteur Champ-de-Mars.” This project aims to define an attractive, high-quality urban frame that repairs the cut made to the area by the construction of the Ville-Marie Expressway trench in the 1970s. In so doing, the Ville de Montréal aims to restore ties between the historic city and its former faubourgs and to enhance the high-quality network of public spaces from Square Victoria to Square Viger. For information, go to: https://designmontreal.com/en/competitions/place-des-montrealaises To download documents: http://www.seao.ca/OpportunityPublication/ConsulterAvis/Recherche?ItemId=464893e2-3de0-42ae-a139-edc25010f436&callingPage=2&searchId=6a45190d-6d82-4008-ad16-a7a000f829e9&VPos=0 |
A Church Ruin as Reconciliation Memorial  View of winning design from south ©Heninghan Peng Architects For those tourists visiting Berlin today, the sudden approach to the ruins of a 1895 church building located on the city’s downtown Breitscheidplatz would certainly arouse their curiosity. One of the few remaining relics of World War II in the city, the church has now been the subject of a competition: Redesign and renovation of the Old Tower of the Friedrich Wilhelm Memorial Church (Umgestaltung des Alten Turms der Kaiser-Wilhelm-Gedächnis-Kirche). Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality  by Jean-Pierre Chupin and G. Stanley Collyer published by Potential Architecture Books, Montreal, Canada 2020 271 illustrations in color and black & white Available in PDF and eBook formats ISBN 9781988962047 What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Architecture as a Unifying Concept  1st Place – UNStudio Image: ©Aerial image: ©die developer Projektentwicklung GmbH As attractive as some of our most famous towers might appear, they do have a serious downside according to some observers: ‘they suck the life out of the street.’ This has not gone unnoticed, as some cities have required setbacks as partial solutions. Two Mies Van Der Rohe projects, New York’s Seagram Building and the Toronto-Dominion Centre are prime examples of this concept. More recently the recognition that landscaping can provide some breathing space has become quite the fashion. Competitions are now replete with competitors who insist that the surrounding green environment does not stop at the front door. One of the most obvious in recent history is Elizabeth de Portzamparc’s competition winning entry for the Taichung Tower 2 competition in Taiwan. Read more… Belfast Looks Toward an Equitable and Sustainable Housing Model  Birdseye view of Mackie site ©Matthew Lloyd Architects If one were to look for a theme that is common to most affordable housing models, public access has been based primarily on income, or to be more precise, the very lack of it. Here it is no different, with Belfast’s homeless problem posing a major concern. But the competition also hopes to address another of Belfast’s decades-long issues—its religious divide. There is an underlying assumption here that religion will play no part in a selection process. The competition’s local sponsor was “Take Back the City,” its membership consisting mainly of social advocates. In setting priorities for the housing model, the group interviewed potential future dwellers as well as stakeholders to determine the nature of this model. Among those actions taken was the “photo- mapping of available land in Belfast, which could be used to tackle the housing crisis. Since 2020, (the group) hosted seminars that brought together international experts and homeless people with the goal of finding solutions. Surveys and workshops involving local people, housing associations and council duty-bearers have explored the potential of the Mackie’s site.” This research was the basis for the competition launched in 2022. Read more…  Perkins & Will Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were Bjarke Ingels Group (BIG) Copenhagen/ New York Gehry Partners (Los Angeles) DLR Group (Columbus, OH) Perkins&Will (Chicago) Winner! Quinn Evans (Ann Arbor) With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C. Six Firms Competed to Rethink the Future of a Major Museum  Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants) The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… |