Place des Montréalaises Landscape CompetitionSponsor: Ville de Montréal, Canada
Type: open, international, 2-stage (stage 1 anonymous)
Process: Stage 2 will include 5 finalists from Stage 1
Eligibility: Architects/Landscape architects must have at least 5 years experience (see web announcement)
Organizer: Bureau du design, Direction entrepreneuriat | Service du développement économique, Ville de Montréal
Languages: French, English
Fee: none
Timetable:
26 September 2017 – Deadline for stage 1 submissions
6 February 2018 – Deadline for stage 2 submissions
Awards/Compensation (Canadian $)
• Each Finalist who presents a service offering deemed to meet the competition rules will receive a lump sum of $86,975, plus taxes.
• The maximum budget for the winner’s professional fees is $5,790,000, plus taxes
Jury (both sessions) - Chantal Aylwin, engineer, Director, Direction des infrastructures, de la voirie et des transports, Ville de Montréal
- Jérome Barth, Vice-President, Finance and Administration, Times Square Alliance; Founder and Principal, Town Square Consulting
- Marie-Éve Beaupré, Curator of the Collection, Musée d’art contemporain de Montréal
- Monica Bittencourt, Landscape Architect and Spatial Planner, Direction de l’aménagement et de l’architecture, Commission de la capitale nationale du Québec
- Lyndsay Daudier, graduate in urban planning, law and project management, Director, Strategic Development and Partnerships, Maison de l’innovation sociale
- Sylvia-Anne Duplantie, Urban Planner, Director, Direction de l’aménagement des parcs et espaces publics, Service des grands parcs, du verdissement et du Mont-Royal, Ville de Montréal
- Luc Gagnon, graduate in urban planning, Director, Service de la mise en valeur du territoire, Ville de Montréal
- Josiane Maheu, geographer, Member of Conseil des Montréalaises
- Manon Otto, Urban designer, Director of Landscape Design, BIG NYC
- Raquel Peñalosa, Landscape Architect, IFLA AMERICAS President, International Federation of Landscape Architects (IFLA), Americas Region
Marie Pimmel, Architect, Renzo Piano Building Workshop, Paris
Challenge:
The project that is the subject of this competition consists in designing Place des Montréalaises, a new public space adjacent to Champ-de-Mars métro station, including a pedestrian overpass leading to Champ-de-Mars. The Ville de Montréal has determined that a priority urban project would be the repurposing of the areas bordering the Ville-Marie Expressway, grouping a number of works under the term “Projet Secteur Champ-de-Mars.” This project aims to define an attractive, high-quality urban frame that repairs the cut made to the area by the construction of the Ville-Marie Expressway trench in the 1970s. In so doing, the Ville de Montréal aims to restore ties between the historic city and its former faubourgs and to enhance the high-quality network of public spaces from Square Victoria to Square Viger.
For information, go to:
https://designmontreal.com/en/competitions/place-des-montrealaises
To download documents:
http://www.seao.ca/OpportunityPublication/ConsulterAvis/Recherche?ItemId=464893e2-3de0-42ae-a139-edc25010f436&callingPage=2&searchId=6a45190d-6d82-4008-ad16-a7a000f829e9&VPos=0 |
A Church Ruin as Reconciliation Memorial 
View of winning design from south ©Heninghan Peng Architects
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by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Architecture as a Unifying Concept 
1st Place – UNStudio Image: ©Aerial image: ©die developer Projektentwicklung GmbH
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Birdseye view of Mackie site ©Matthew Lloyd Architects
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Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
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The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… |
