Winter Stations Design CompetitionEligibility: This is an open international competition, welcoming artists, designers, architects and landscape architects. Submission Deadline: 5 December, 2015
Design Challenge: Although the Beaches neighbourhood of Toronto is a summer long festival of colour and pageantry, this is not true of the winter months. This year we begin what we hope will become an expanded annual celebration of Toronto’s winter landscape, focusing on the intersection between land and water. We are beginning with the Kew, Scarborough and Balmy Beaches located in the heart of the Beach community, broadly located south of Queen Street East, between Woodbine and Victoria Park Avenues. Located on the beach between the Leuty Lifeguard Station and the Balmy Beach Club are five evenly spaced metal life guard stands. These utilitarian structures are to be used as the armature or foundation for pieces of public art. The pieces are temporary installations and need to be able to withstand the rigours of Toronto winter weather. They are to be installed February 16, 2015 until March 20, 2015. This is an open international competition, welcoming artists, designers, architects and landscape architects. We have chosen a theme of Warmth this year. Competitors are asked to create installations anchored to the lifeguard stands which can add among other things, colour, movement and humour to the landscape. It is hoped these installations will engage the audience in a dialogue with designers and their intent. There is no limit to the size of the installation, but please note that included in the jurors instructions will be durability and constructability. Winning teams will spend time in Toronto during the last phase of construction and for the activities surrounding the opening. These events include an opening party at the Balmy Beach Club and a speaking engagement at Toronto’s Design Exchange, where the team’s entry and portfolio will be exhibited. This will provide opportunities for citizens of Toronto to engage directly with the designers, as well as to encourage the students of various design schools in the city to meet with them. Members of the design team will be expected to meet with media to explain their designs and ideas. For more information, go to: http://winterstations.com/ |
Art Gallery of Nova Scotia Competition 
Image: ©KPMB Architects
Not to be outdone by other Canadian provincial capitals, Halifax has chosen to make its own ambitious museum statement on the city’s waterfront. New museums in Vancouver, BC, Calgary and Fredericton, New Brunswick, the latter two by KPMB Architects, are either in development or already under construction. Saskatoon’s Remai Modern by KPMB and OMA’s Musée national des beaux-arts du Québec in Montréal were more recently completed, and Vancouver’s new Art Museum by Herzog & de Meuron is still under development. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Urban Adaptation Competition
Image ©Francesco Allaixand Julio Orduña
Recently we are beginning to see a resurgence of wood as a primary building material, not only for detached residential housing, but also for multi-family and commercial urban structures. Masonry, steel, and composite materials are still the bread and butter of the construction industry; but wood may be making serious inroads into the future of commercial buildings. Yes, we have seen the use of wood in interiors of large buildings: one of the more impressive projects being that of the Christ the Light Cathedral by SOM in Oakland, California. Read more…
Aerial view of site – Courtesy National Finnish Museum
When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries. Read more…
The Opening of Taichung’s Central Park by Catherine Mosbach/Philippe Rahm
View from the south with downtown Taichung in the distance image: ©Mosbach/Rahm
The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
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