DESIGNING THE FUTURE: Prefabricated Wooden HomesSponsor: Association of Architects of Bergamo, Italy
Type: Open, International, one-stage, not anonymous
Language: English
Eligibility: Design professionals and graduate students
Fee: None
Timetable:
31 August 2014 – Submission deadline 22 July 2014 – Q & A deadline 30 Sept 2014 – Winners announced Awards:
First place 5.600,00 euros
Second place 2.800,00 euros
Third place 1.400,00 euros
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Jury:
• Arch. Gianmatteo Romegialli , founder of the studio Act_Romegialli Morbegno (president);
• Arch. Giancarlo Paganino , associate professor of the Polytechnic of Milan, Department ABC former Best
• Ing. Angelo Luigi Marchetti , Marlegno.
• Arch Corrado Negrini , representative of the Architects of Bergamo (Secretary of the panel judging without voting rights)
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Design Challenge:
The design of a Single Family Wooden Home must optimize prefabrication and standardization in order to obtain different architectural solutions, starting from a few basic elements/modules. The units shall have a total area of approximately 100 square meters, which can be also developed on one or more levels.
Participants must design the house considering the landscape, climate and culture to the country they represent.
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For more information and to register, go to:
http://www.marlegno.it/en/designing-the-future/ |
SWA/Balsley Wins Paveletskaya Plaza Landscape Competition 
Aerial view at night – courtesy SWA/Balsley 5+ Design
Of the nine railway stations in Moscow, Paveletskaya is the largest and one of the last of those that opened around the turn of the century. Compared to other Moscow stations, Paveletskaya, designed by Alexander Krasovsky and opened in 1900, represented a lower-key presence in its sprawling configuration, similar to palaces such as a Sans Souci without the ornamentation. The original site for the recent competition included a small park facing the station, bordered on one side by the Ring Road. Post WWII, the site was bifurcated by a road, thus separating the front entrance of the station from the grassy area facing it. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/
Image Courtesy Network Rail
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Urban Confluence Silicon Valley winner: ©SMAR Architecture Studio
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Pedestrian perspective
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Competition rendering of project looking south to Mies museum ©Herzog de Meuron
Once considered on the forefront of modern architecture in post-WWII Europe, Berlin has had its share of questionable decisions concerning important urban projects in recent history. Beginning with the rebirth of the Berlin Palace (Humboldt Forum) on the Spree by Italian architect, Franco Stella, and now followed by Herzog de Meuron’s controversial addition to Mies’s 20th Century Art Museum, the times when one could look to Berlin as a signpost of architectural innovation can only be viewed in the rear view mirror.
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