Hans Christian Andersen House of Fairytales Ideas CompetitionSponsor: Odense City Museums; City of Odense; Realdania Foundation
Location: Odense, Denmark Type: Open, international, ideas
Language: English
Eligiblity: The competition is open to everyone, but is particularly aimed at multidisciplinary teams of architects, exhibition designers, culture mediators, landscape architects, ideas and design professionals, artists and others from similar professions.
Registration Deadline: 12 November 2013
Submission Deadline: 29 November 2013
Awards: The total prize amount that the jury can distribute is EUR 100,000. The jury reserves the right not to distribute the full amount and will award prizes on the basis of the number and quality of the entries submitted.
The jury may select up to three equal winners, each of whom will receive at least EUR 20,000. If only one winning entrant is selected, the prize awarded to this entrant will be at least EUR 47,000.
Jury: - Jørgen Clausen, chief executive, City of Odense (chair)
- Mayor, City of Odense
- Deputy Mayor, Department of Culture and Urban Development, City of Odense
- Stefan Birkebjerg Andersen, CEO, City of Odense
- Hans Peter Svendler, executive director, Realdania
- Lars Autrup, project manager, Realdania
- Torben Grøngaard Jeppesen, museum director, Odense City Museums
- Asger Halling Lorentzen, head of communication and strategies, Odense City Museums
- Johannes Nørregaard Frandsen, professor, Univer- sity of Southern Denmark (Hans Christian Andersen Centre / Department for the Study of Culture)
- Christian Have, creative director, Have Kommunika- tion, specialist jury member appointed by Odense City Museums
- Signe Cold, architect MAA, owner of Entasis, design professional appointed by the Danish Architects’ Association
- Hanne Bat, architect MAA MDL, owner of Hanne Bat Landskab, design professional appointed by the Danish Architects’ Association
Design Challenge: Odense City Museums and the City of Odense have launched an open ideas competition to create a unique place where fantasy and reality come together, where the past meets the present, and where the indoors and the outdoors merge into one: a magical house of fairytales and a fairytale garden. The objective of this ideas competition for a new House of Fairytales in Odense is to obtain proposals for an overall intermediary and architectural concept that can serve as a source of inspiration and a basis for further development of the place. The competition site comprises the buildings that currently house the Hans Christian Andersen Museum and the Tinderbox Cultural Centre for Children as well as the adjacent green urban space, Lotze’s Garden. The new House of Fairytales should unite, continue and rethink the experiences currently offered at the museum and the cultural centre for children, but should also add a new layer so that the fairytales become the gateway to the Hans Christian Andersen universe. Furthermore, the ideas competition is expected to show how a unique interplay between existing buildings, new buildings and public urban spaces can create a very special place and a new spatial and experiential whole for the benefit of both local residents and visitors to the House of Fairytales.
For more information, go to: http://houseoffairytales.odense.dk/
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Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor) With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C. Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… 
Courtesy Malcolm Reading Consultants, ©Kengo Kuma & Associates
A UNESCO World Heritage Site Again on the World Stage How does one approach a challenge when creating a design worthy of a park with a history dating back to antiquity? This was what four design teams faced when shortlisted for the design of a Visitor Center for the Butrint National Park in Albania. The park’s history is illuminating in this regard.
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Chungji National Heritage Museum Competition
Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
Read more… University of Florida’s College of Design Construction and Planning’s New Addition 
Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
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