Hans Christian Andersen House of Fairytales Ideas CompetitionSponsor: Odense City Museums; City of Odense; Realdania Foundation
Location: Odense, Denmark Type: Open, international, ideas
Language: English
Eligiblity: The competition is open to everyone, but is particularly aimed at multidisciplinary teams of architects, exhibition designers, culture mediators, landscape architects, ideas and design professionals, artists and others from similar professions.
Registration Deadline: 12 November 2013
Submission Deadline: 29 November 2013
Awards: The total prize amount that the jury can distribute is EUR 100,000. The jury reserves the right not to distribute the full amount and will award prizes on the basis of the number and quality of the entries submitted. The jury may select up to three equal winners, each of whom will receive at least EUR 20,000. If only one winning entrant is selected, the prize awarded to this entrant will be at least EUR 47,000.
Jury: - Jørgen Clausen, chief executive, City of Odense (chair)
- Mayor, City of Odense
- Deputy Mayor, Department of Culture and Urban Development, City of Odense
- Stefan Birkebjerg Andersen, CEO, City of Odense
- Hans Peter Svendler, executive director, Realdania
- Lars Autrup, project manager, Realdania
- Torben Grøngaard Jeppesen, museum director, Odense City Museums
- Asger Halling Lorentzen, head of communication and strategies, Odense City Museums
- Johannes Nørregaard Frandsen, professor, Univer- sity of Southern Denmark (Hans Christian Andersen Centre / Department for the Study of Culture)
- Christian Have, creative director, Have Kommunika- tion, specialist jury member appointed by Odense City Museums
- Signe Cold, architect MAA, owner of Entasis, design professional appointed by the Danish Architects’ Association
- Hanne Bat, architect MAA MDL, owner of Hanne Bat Landskab, design professional appointed by the Danish Architects’ Association
Design Challenge: Odense City Museums and the City of Odense have launched an open ideas competition to create a unique place where fantasy and reality come together, where the past meets the present, and where the indoors and the outdoors merge into one: a magical house of fairytales and a fairytale garden. The objective of this ideas competition for a new House of Fairytales in Odense is to obtain proposals for an overall intermediary and architectural concept that can serve as a source of inspiration and a basis for further development of the place. The competition site comprises the buildings that currently house the Hans Christian Andersen Museum and the Tinderbox Cultural Centre for Children as well as the adjacent green urban space, Lotze’s Garden. The new House of Fairytales should unite, continue and rethink the experiences currently offered at the museum and the cultural centre for children, but should also add a new layer so that the fairytales become the gateway to the Hans Christian Andersen universe. Furthermore, the ideas competition is expected to show how a unique interplay between existing buildings, new buildings and public urban spaces can create a very special place and a new spatial and experiential whole for the benefit of both local residents and visitors to the House of Fairytales.
For more information, go to: http://houseoffairytales.odense.dk/
|
![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2024/06/08112019/01_ZHA_Ropax-Ferry-Terminal_River-Facade_Render-by-Negativ-1024x512.jpg) 1st Place: Zaha Hadid Architects – night view from river – Render by Negativ Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality ![](https://competitions.org/wp-content/uploads/2024/07/Young-Architects-cover-scaled2.jpg) by Jean-Pierre Chupin and G. Stanley Collyer published by Potential Architecture Books, Montreal, Canada 2020 271 illustrations in color and black & white Available in PDF and eBook formats ISBN 9781988962047 Wwhat do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ ![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2024/01/15131723/Oodi-4-1024x460.jpg) Helsinki Central Library, by ALA Architects (2012-2018) The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome. Read More… ![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2024/04/14085026/USC-1-1024x577.jpg) 2023 Teaching and Innovation Farm Lab Graduate Student Honor Award by USC (aerial view) Architecture at Zero competitions, which focus on the theme, Design Competition for Decarbonization, Equity and Resilience in California, have been supported by numerous California utilities such as Southern California Edison, PG&E, SoCAl Gas, etc., who have recognized the need for better climate solutions in that state as well as globally. Until recently, most of these competitions were based on an ideas only format, with few expectations that any of the winning designs would actually be realized. The anticipated realization of the 2022 and 2023 competitions suggests that some clients are taking these ideas seriously enough to go ahead with realization. Read more… ![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2024/02/06155406/RUR-8-model-1024x680.jpg) RUR model perspective – ©RUR New Kaohsiung Port and Cruise Terminal, Taiwan (2011-2020) Reiser+Umemoto RUR Architecture PC/ Jesse Reiser – U.S.A. with Fei & Cheng Associates/Philip T.C. Fei – R.O.C. (Tendener) This was probably the last international open competition result that was built in Taiwan. A later competition for the Keelung Harbor Service Building Competition, won by Neil Denari of the U.S., the result of a shortlisting procedure, was not built. The fact that the project by RUR was eventually completed—the result of the RUR/Fei & Cheng’s winning entry there—certainly goes back to the collaborative role of those to firms in winning the 2008 Taipei Pop Music Center competition, a collaboration that should not be underestimated in setting the stage for this competition Read more… ![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2023/12/16131404/H-M-1-1024x672.jpg) Winning entry ©Herzog de Meuron In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making. It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
Read more… |