Louisville Children’s Museum Competition: Revitalizing a Downtown EdgeSponsor: AIA, Central Kentucky Chapter; CSI, Louisville Chapter
Competition Manager: The Competition Project
Location: Louisville, Kentucky
Languages: English
Type: Open, international, ideas
Eligiblity: The competition is open to design professionals and students currently registered in accredited schools of architecture programs in their country of residence in the areas of architecture, landscape architecture, engineering and planning. Teams including all or part of the above are welcome. Student teams should included no more than six(6) members. Students are required to validate residence in a institutional program in any of the above upon registration. As jury members are not local, and the process is anonymous, AIA and CSI members belonging to the local chapters may enter.
Registration and Submission Deadline: 10 February 2014
Fee:
Professionals – $75 Student teams – $60 Individual students – $30 Awards: First Prize – $6000 Second Prize – $3000 Third Prize – $1000 Honorable Mentions (3) Jury: - Sylvia Smith, FAIA, Senior Partner, FxFowle Architects, New York office
- Michael Speaks, Dean, School of Architecture, Syracuse University
- Susan Szenasy, Editor, METROPOLIS magazine, New York
- Carol Drucker, Principal, Drucker Zajdel Structural Engineers (DZSE), Naperville, Illinois
- Leigh Breslau, AIA, Partner, Trahan Architects / Chicago Studio
- Marc L’Italien, FAIA, Partner, EHDD, San Francisco
Design Challenge:
Designing a Louisville Children’s Museum, Revitalizing a Downtown Edge, is an international ideas competition sponsored by the local chapters of the Construction Specifications Institute (CSI) and the American Institute of Architects (AIA). Louisville is one of the few cities of its size without a museum dedicated specifically to children between the ages of 2-13, and this museum is to be considered as a model to fill that vacuum.
The choice of this site for the competition is intended to address the following issues:
• Located next to the city’s main public library, the museum could draw on the large numbers of children accompanied by their parents visiting the library.
• Until now, most of the development and investment in the city has been concentrated in the downtown area bordering the Ohio River. More recently, the City of Louisville has begun to target the area at the edge of the downtown core for revitalization, starting with Broadway, and extending south to Old Louisville. Although the area does include some important institutions, such as Spalding University, Bridgehaven Mental Health Services, numerous churches and housing for the elderly, it lacks in density and urban activity. By implementing a strong program at the edge, with the Children’s Museum as an iconic arrival factor, and the addition of important design elements across Second Street to fill two gaps now used as parking lots, this project could be an important building block for neighborhood revitalization, over and beyond the targeted site. Bringing more traffic to the site should eventually result in more retail and commercial ammenties.
The competition, open to both professionals and students, will seek innovative ideas, both in the programmatic organization of the museum itself, as well as in the building’s architectural expression. In addition, circulation throughout the entire site and the museum’s relationship to its neighbor, i.e., the main library and the other designated buildings in the program, is essential.
For more information, go to: http://venturearete.org/LouisvilleChildrensMuseumCompetition/LouisvilleChildrensMuseumCompetition.html |
1st Place: Zaha Hadid Architects – night view from river – Render by Negativ
Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding. Read more… Preparation and Organization of Design Competitions 
[phase 1] Benjamin Hossbach / Christian Lehmhaus / Christine Eichelmann
210 × 230 mm, 192 pp.
over 600 images
softcover
ISBN 978-3-86922-316-2 (English)
ISBN 978-3-86922-240-0 (German)
Dom Publishers
€48 in EU (For price abroad, see below)
Founded in 1998 in Berlin, Phase 1 has been a principal player in the organization and facilitation of design competitions, not only in Germany, but abroad as well. The accomplishments of the firm have been well documented in three volumes—The Architecture of Competitions—beginning in 2i006. Whereas these books mainly focused on the results of the competitions they have administered, the present work, Fundamentals of Competition Management, takes one from the very beginnings of the competition process to its conclusion. The authors envisioned the publication as “three three books in one: one „blue book“ with example projects, one „yellow book“ with statements and the „white book“ with the actual guideline to competition management.”
Although there have been a number of handbooks covering the administration of designcompetitions a study covering the entire process in such detail is a welcome addition to the the literature in this field. As a contribution to this important democratic process that has yielded exceptional design for decades, this volume is not only valid for Europe, but a current overview of the process for those globally who wish to raise the level of design by virtue of a design competition. -Ed Foreign institutions wishing to obtain a copy of the book will recieve a discount to cover the cost of foreign shipping.
To obtain a copy for that offer, go to: accounting@phase1.de 
Helsinki Central Library, by ALA Architects (2012-2018)
The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome. Read More… 
2023 Teaching and Innovation Farm Lab Graduate Student Honor Award by USC (aerial view)
Architecture at Zero competitions, which focus on the theme, Design Competition for Decarbonization, Equity and Resilience in California, have been supported by numerous California utilities such as Southern California Edison, PG&E, SoCAl Gas, etc., who have recognized the need for better climate solutions in that state as well as globally. Until recently, most of these competitions were based on an ideas only format, with few expectations that any of the winning designs would actually be realized. The anticipated realization of the 2022 and 2023 competitions suggests that some clients are taking these ideas seriously enough to go ahead with realization. Read more… 
RUR model perspective – ©RUR
New Kaohsiung Port and Cruise Terminal, Taiwan (2011-2020)
Reiser+Umemoto RUR Architecture PC/ Jesse Reiser – U.S.A.
with
Fei & Cheng Associates/Philip T.C. Fei – R.O.C. (Tendener)
This was probably the last international open competition result that was built in Taiwan. A later competition for the Keelung Harbor Service Building Competition, won by Neil Denari of the U.S., the result of a shortlisting procedure, was not built. The fact that the project by RUR was eventually completed—the result of the RUR/Fei & Cheng’s winning entry there—certainly goes back to the collaborative role of those to firms in winning the 2008 Taipei Pop Music Center competition, a collaboration that should not be underestimated in setting the stage for this competition Read more… 
Winning entry ©Herzog de Meuron
In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making. It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
Read more… |
