In Memoriam: Grady Clay ![gradyclay](http://competitions.org/images/stories/competitions/gradyclay.jpg) We are sad to report that longtime board member, mentor and nationally recognized journalist and writer, Grady Clay, passed away on March 17 in Louisville, Kentucky. Grady was instrumental in helping to establish The Competition Project, and, subsequently, COMPETITIONS as a quarterly magazine. It was with his continued support and encouragement that we were able to establish our publication and place in reporting on the national and international state of competitions. Grady made things easy for us from the very beginning, getting an interview with landscape architect, George Hargreaves for our very first issue. Whenever any question arose about an article, or a suitable headline, Grady was always there to pass on his invaluable advice. Clay grew up in Atlanta, earning a bachelor’s degree from Emory University. After gaining his masters in journalism from Columbia University he hitch-hiked to Louisville in 1939 for a job interview with the Louisville Times. His first job as a reporter brought him $25 a week. In 1942, he joined the Army and soon became the distribution officer of the European Edition of Yank Magazine, a job he got because of his rotogravure experience at the Courier-Journal. He received a purple heart at Anzio due to a shell fragment. One of his favorite stories involved his getting into Rome and successfully requisitioning the paper supply of the Vatican. Returning to the Courier, he was the real estate editor and the urban affairs editor until 1966. During this time he was honored by a Neiman Fellowship at Harvard in 1948-49, studying mostly with historians and landscape architects. He became the editor of Landscape Architecture magazine, and continued as an author into his 90s. His sonorous, Georgia-accented voice was known widely from his weekly radio commentary “Crossing the American Grain” on local public radio. Grady authored five books, a stack of articles 30 inches high, and innumerable pieces in the Louisville Times, Courier-Journal and Landscape Architecture. With his combination of vast knowledge and polite persuasion, he was elected the president of the National Association of Real Estate Editors and later the National Association of Planning Officials. The American Society of Landscape Architects awarded him the Olmsted Medal in 1999 and the Bradford Williams Medal (for writing) in 2006. He touched the lives of many Americans by chairing the selection committee for the design of the Vietnam Veterans Memorial, whose powerful statement he vigorously defended in an era of controversy. He also chaired the Kent State Memorial selection committee and was a design juror numerous competitions, including the Olympia Fields Mitchell Park competition, Williamsburg planning competition, and numerous others. Most of Grady’s journals and other papers going back to 1939 are in the archives of the Loeb Library at Harvard, the majority having been digitized. |
![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2024/06/08112019/01_ZHA_Ropax-Ferry-Terminal_River-Facade_Render-by-Negativ-1024x512.jpg) 1st Place: Zaha Hadid Architects – night view from river – Render by Negativ Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality ![](https://competitions.org/wp-content/uploads/2024/07/Young-Architects-cover-scaled2.jpg) by Jean-Pierre Chupin and G. Stanley Collyer published by Potential Architecture Books, Montreal, Canada 2020 271 illustrations in color and black & white Available in PDF and eBook formats ISBN 9781988962047 Wwhat do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ ![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2024/01/15131723/Oodi-4-1024x460.jpg) Helsinki Central Library, by ALA Architects (2012-2018) The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome. Read More… ![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2024/04/14085026/USC-1-1024x577.jpg) 2023 Teaching and Innovation Farm Lab Graduate Student Honor Award by USC (aerial view) Architecture at Zero competitions, which focus on the theme, Design Competition for Decarbonization, Equity and Resilience in California, have been supported by numerous California utilities such as Southern California Edison, PG&E, SoCAl Gas, etc., who have recognized the need for better climate solutions in that state as well as globally. Until recently, most of these competitions were based on an ideas only format, with few expectations that any of the winning designs would actually be realized. The anticipated realization of the 2022 and 2023 competitions suggests that some clients are taking these ideas seriously enough to go ahead with realization. Read more… ![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2024/02/06155406/RUR-8-model-1024x680.jpg) RUR model perspective – ©RUR New Kaohsiung Port and Cruise Terminal, Taiwan (2011-2020) Reiser+Umemoto RUR Architecture PC/ Jesse Reiser – U.S.A. with Fei & Cheng Associates/Philip T.C. Fei – R.O.C. (Tendener) This was probably the last international open competition result that was built in Taiwan. A later competition for the Keelung Harbor Service Building Competition, won by Neil Denari of the U.S., the result of a shortlisting procedure, was not built. The fact that the project by RUR was eventually completed—the result of the RUR/Fei & Cheng’s winning entry there—certainly goes back to the collaborative role of those to firms in winning the 2008 Taipei Pop Music Center competition, a collaboration that should not be underestimated in setting the stage for this competition Read more… ![](https://competitions1.s3.amazonaws.com/wp-content/uploads/2023/12/16131404/H-M-1-1024x672.jpg) Winning entry ©Herzog de Meuron In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making. It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
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