Route de Meyrin – CERN International Competition
Sponsor: Canton of Geneva
Type: Open, single stage
Location: Geneva, Switzerland
Language: French and English Fee: Free Eligibility: The procedure is open to a grouping of representatives combining the skills of a landscape architect, a town planner, a civil engineer and a lighting designer established in Switzerland or in a State that is a signatory of the WTO agreement on government procurement, which offers reciprocity to Swiss representatives. Timetable: June 27, 2011 – Guided tour of site
October 24, 2011 – Registration deadline 2012 – Preliminary study 2013-2014 – Execution Awards: Idea competition: CHF 80,000
Project competition: CHF 120,000
Jury: President: Pierre Feddersen, architect-town planner
Delphine Avocat, Director of Transport, Conseil Général for Ain Pascal Bodin, Public Space Project Director, Canton of Geneva Monique Boget, Mayor of the Commune of Meyrin Olivier Coutau, DSPE, Canton of Geneva and Vice President of the Foundation for the Globe of Science and Innovation Yves Delacrétaz, Director General of Mobility, State of Geneva Francesco Della Casa, Cantonal Architect, Canton of Geneva Rolf Heuer, Director General of CERN, Nathalie Luyet, architect-town planner Olivier Morand, Head of the Urban Development Department, Commune of Meyrin, Commune de Meyrin Guerric Péré, landscape architect Amadeo Perez, Ambassador, Deputy Permanent Representative of Switzerland Thomas Pettersson, Head of General Services at CERN François Reinhard, Director of the Fondation des immeubles pour les organisations internationales Frédéric Rossano, landscape architect Christine Thibaud Zingg, architect-town planner Design Challenge:
The Canton of Geneva is launching an international competition aimed at firms specialising in the design of urban public spaces for the redevelopment of CERN’s main entrance area. The purpose is to design an emblematic reception area for the prestigious international particle physics research organisation, which receives 100,000 visitors annually and 10,000 users daily. Construction of this public area, covering approximately 1 hectare, is scheduled for 2013 and 2014. It will be the first visible component of the future CERN campus project, for which a master plan is being drawn up with the aim, by 2030, of offering scientists a friendly and attractive working environment on a par with the world-class fundamental research performed at the Laboratory. The new reception area is also an integral part of the wider plan for the development of the cross-border region (France – Switzerland) and will be the hub of the 7 development poles of the future “Circle of Innovation”. The budget for this first phase of work is estimated at CHF 5 million (approximately € 3.8 million or USD 5.4 million). Firms from Switzerland and abroad are invited to enter from 16th May 2011 onwards. The competition winner will be announced in December 2011. |
A Church Ruin as Reconciliation Memorial 
View of winning design from south ©Heninghan Peng Architects
For those tourists visiting Berlin today, the sudden approach to the ruins of a 1895 church building located on the city’s downtown Breitscheidplatz would certainly arouse their curiosity. One of the few remaining relics of World War II in the city, the church has now been the subject of a competition: Redesign and renovation of the Old Tower of the Friedrich Wilhelm Memorial Church (Umgestaltung des Alten Turms der Kaiser-Wilhelm-Gedächnis-Kirche). Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Architecture as a Unifying Concept 
1st Place – UNStudio Image: ©Aerial image: ©die developer Projektentwicklung GmbH
As attractive as some of our most famous towers might appear, they do have a serious downside according to some observers: ‘they suck the life out of the street.’ This has not gone unnoticed, as some cities have required setbacks as partial solutions. Two Mies Van Der Rohe projects, New York’s Seagram Building and the Toronto-Dominion Centre are prime examples of this concept. More recently the recognition that landscaping can provide some breathing space has become quite the fashion. Competitions are now replete with competitors who insist that the surrounding green environment does not stop at the front door. One of the most obvious in recent history is Elizabeth de Portzamparc’s competition winning entry for the Taichung Tower 2 competition in Taiwan. Read more… Belfast Looks Toward an Equitable and Sustainable Housing Model 
Birdseye view of Mackie site ©Matthew Lloyd Architects
If one were to look for a theme that is common to most affordable housing models, public access has been based primarily on income, or to be more precise, the very lack of it. Here it is no different, with Belfast’s homeless problem posing a major concern. But the competition also hopes to address another of Belfast’s decades-long issues—its religious divide. There is an underlying assumption here that religion will play no part in a selection process. The competition’s local sponsor was “Take Back the City,” its membership consisting mainly of social advocates. In setting priorities for the housing model, the group interviewed potential future dwellers as well as stakeholders to determine the nature of this model. Among those actions taken was the “photo- mapping of available land in Belfast, which could be used to tackle the housing crisis. Since 2020, (the group) hosted seminars that brought together international experts and homeless people with the goal of finding solutions. Surveys and workshops involving local people, housing associations and council duty-bearers have explored the potential of the Mackie’s site.” This research was the basis for the competition launched in 2022. Read more… 
Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor) With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C. Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… |
