NAMUR—JEAN-TALON WEST URBAN DESIGN COMPETITIONSponsor: The City of Montreal Location: Namur – Jean-Talon West sector in the Borough of Côte-des-Neiges – Notre-Dame-de-Grâce. Type: Open, two-stage, Canada-wide ELIGIBILITY Any team may be accepted as a competitor that is made up of at least two principal designers. At least one principal designer per team must have a head office in Quebec at the time of entering. Fee: None Jury: · Martin Brière, architect, Brière, Gilbert + associés (Montréal) · Ken Greenberg, chair of the jury, architect and urban designer, Greenberg Consultants Inc. (Toronto) · Daniel Lafond, Directeur de l’aménagement urbain et des services aux entreprises, Borough of Côte-des-Neiges—Notre-Dame-de-Grâce (Montréal) · Gérald Lajeunesse, former Chief Landscape Architect, National Capital Commission (Ottawa) · Brian Smith, employment consultant and supervisor of the Minorités visibles project, Carrefour jeunesse-emploi de Côte-des-Neiges (Montréal) · Annie Tardivon, landscape architect DPLG, In Situ Paysagistes (Lyon, France) · Geneviève Vachon, architect and full professor of urban design, École d’architecture de l’Université Laval (Québec) PURPOSE OF THE COMPETITION The competition’s objective is to transform some of the area’s road corridors into quality public spaces for community use, give greater prominence to pedestrians, encourage everyone to make the new spaces their own, and make a positive contribution to the district’s new identity. The project is inspired by the principles of transit-oriented development (TOD) and aims to leverage the proximity of two métro stations, an advantageous geographical location within the city, as well as the excellent potential for densification in the area. The competition is aimed at eliciting and evaluating redevelopment and urban design concepts that satisfy or exceed the expectations of the borough with regard to the challenges posed by the project that is the subject of the competition. Subsequently it is aimed at mandating the laureate to draw up plans and specifications for the project to be completed. The competition follows a hybrid formula, being both a “project competition” and an “ideas competition.” The “project” component covers the public areas determined by Paré and Buchan streets and part of Victoria Avenue, the design of redevelopment to be completed in this space, and the installation of 4 pedestrian crossings on Mountain Sights Avenue, normally leading to a project completion mandate. The “ideas” component will be used to propose development plans for the remaining private and public spaces in the sector. REGISTRATION Registration in the competition is mandatory and free of charge. The registration form can be filled out online on the following site: www.letrianglemontreal.com. To register, the completed registration form must be sent by e-mail, no later than 4 p.m. on May 27, 2011, to concours@letrianglemontreal.com. Caroline Dubuc Bureau du design | Ville de Montréal 303, rue Notre-Dame Est, 6e étage, Montréal (Québec) H2Y 3Y8 514.872.1968 | cdubuc@ville.montreal.qc.ca designmontreal.com | mtlunescodesign.com facebook.com/designmontreal twitter.com/designmontreal |
Chungji National Heritage Museum Competition

Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality  by Jean-Pierre Chupin and G. Stanley Collyer published by Potential Architecture Books, Montreal, Canada 2020 271 illustrations in color and black & white Available in PDF and eBook formats ISBN 9781988962047 What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ University of Florida’s College of Design Construction and Planning’s New Addition 
Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
Read more…
Houston Endowment’s New Headquarters on the Bayou  Southwest view Houston Endowment Headquarters – Photo Ivan Baan, courtesy Kevin Daly Following in the footsteps of other major non-profits—The Ford Foundation and LA’s California Endowment Center in particular—the Houston Endowment’s new headquarters, located on a grassy knoll just above the Buffalo Bayou in the city’s outskirts, has also made a strong architectural statement. Similar to the California Endowment, this project was also the result of a design competition, won by the California firm, Kevin Daly Architects. Read more…
The Makasiiniranta South Harbor Competition
Helsinki South Harbour and Tori Quarter Suomen Ilmakuva Helsinki. Image credit/ Tietoa Finland, Janne Hirvonen
As a prelude to a competition for the design of a new Architecture and Design Museum to be located in Helsinki’s South Harbor, the City of Finland staged an open competition to establish a roadmap for the future redevelopment of the Makasiiniranta harbor area, the last old harbor area to be transformed for public use in Helsinki. The competition for the museum is scheduled to take place later this year; but the entire surrounding area has come up with a plan to review improvements for the entire harbor environment.
Read more… Vltava Philharmonic Hall Design Competition  View to Concert Hall from bridge ©BIG Classical music is still part of a vibrant musical scene in Prague, with at least four principal venues hosting concerts, ballet and opera. As a modern European city, the only missing venue from these choices is a state of the art concert hall. Other European neighbors have also recently staged competitions for such projects: Munich, won by Cukrowicz Nachbaur Architekten of Bregenz, Austria; Belgrade, won by AL_A of London; and Vilnius, Lithuania, won by Arquivio Architects of Spain. It should be noted, however, that one of the most important competitions for a concert hall, not only in Europe, but the world, was the 1961 Berlin Philharmonic hall competition, won by Hans Scharoun (below). It was the interior of that building, in particular, that served as a model for many others that followed, one of the first being Los Angeles’ Disney Hall by Frank Gehry. Read more… |