The Square at Vartov CompetitionSponsor: Kobenhavns Kommune Type: open, international. 1-stage Language: Danish, English Awards:
A total fee amount of up to DKK 725,000 (about EUR 97,400) will be paid out.
An amount of DKK 150,000 (about EUR 20,150) will be paid to up to three winning entrants.
The balance will be distributed at the discretion of the jury, but all prizes and purchases will be awarded a sum of at least DKK 25,000 each (about EUR 3,350). Timetable:
14 September, 2009 – submission deadline
4 January, 2010 – award of contract Jury:
Jan Christiansen, city architect, Urban Design Department, City of Copenhagen
Ulrik Winge, head of department, Urban Design Department, City of Copenhagen
Anne Skovbro, head of planning, Finance Administration, City of Copenhagen Kristian Nabe Nielsen, area manager, Construction and Tenders Department, City of Copenhagen
Brian Hansen, area manager, Traffic Department
Bent Lohman, Copenhagen Inner City Neighbourhood Council Design Challenge:
Competition entries should meet some of the general objectives formulated by the City of Copenhagen regarding the development of urban spaces: Copenhagen should be a sustainable city, a dynamic city and a city for everyone. The future square should feature innovative traffic solutions, with underground bicycle parking in an automated parking facility and room for cycle taxis and city bikes. The traffic solution chosen for the square should be characterised by a high degree of user friendliness, and it should be in harmony with the urban space and the overall infrastructure in the area as described in the general analysis of the Metropolis Zone.
The lighting design must meet the overall objective of the City of Copenhagen of reducing power consumption by 20%. Paving and other materials must have long lifetimes and a low impact on the environment. Submission Requirements:
Each entry must comprise the following materials packed in separate packages wrapped in an opaque material and provided with the five-digit identification number chosen. The packages must contain the following materials: • Envelope with identification sheet
• Panels illustrating the proposed scheme
• Booklets with explanatory text
• Digital material
• Tender including completed tendering list For more information, go to: http://www.kk.dk/sitecore/content/Subsites/Vartov/SubsiteFrontpage/English.aspx |
Art Gallery of Nova Scotia Competition 
Image: ©KPMB Architects
Not to be outdone by other Canadian provincial capitals, Halifax has chosen to make its own ambitious museum statement on the city’s waterfront. New museums in Vancouver, BC, Calgary and Fredericton, New Brunswick, the latter two by KPMB Architects, are either in development or already under construction. Saskatoon’s Remai Modern by KPMB and OMA’s Musée national des beaux-arts du Québec in Montréal were more recently completed, and Vancouver’s new Art Museum by Herzog & de Meuron is still under development. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Urban Adaptation Competition
Image ©Francesco Allaixand Julio Orduña
Recently we are beginning to see a resurgence of wood as a primary building material, not only for detached residential housing, but also for multi-family and commercial urban structures. Masonry, steel, and composite materials are still the bread and butter of the construction industry; but wood may be making serious inroads into the future of commercial buildings. Yes, we have seen the use of wood in interiors of large buildings: one of the more impressive projects being that of the Christ the Light Cathedral by SOM in Oakland, California. Read more…
Aerial view of site – Courtesy National Finnish Museum
When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries. Read more…
The Opening of Taichung’s Central Park by Catherine Mosbach/Philippe Rahm
View from the south with downtown Taichung in the distance image: ©Mosbach/Rahm
The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
Read more…
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