Ideal Theater 2009 Competition Ideal: Theater 2009
Sponsors: Serapid, Boldt Construction and HGA Architects and Engineers
Type: Open, international, ideas, two-stage
Eligibility: Open to any registered architecture and theater student (team) enrolled at an accredited college or university.
Awards:
Each of three finalists will receive:
• Cash award of $1,000
• Team travel assistance of $500 to USITT Conference in Cincinnati, Ohio
• Cost of Conference registration for two team members covered
• Additional cash prize of $500 for winner
Timetable:
17 November 2008 – Submit intention to compete by email
– End Question and Answer period
15 January 2009 – Submission deadline
19-21 March 2009 – Final presentation and exhibition at USITT Conference
Jury:
• Architect: John Prokos, FAIA Gund Partnership, Cambridge, MA
• Acoustician: Mark Holden, JaffeHolden Norwalk, CT
• Theatre Consultant: Benton Delinger, Theatre Projects Theatre Consultants, South Norwalk, CT
Design Challenge:
The Architectural and Theatre Students “Ideal Theatre” Design Competition requires teamwork. The competition poses the design question, “What is the Ideal Theatre for teaching professional theatre”? This question is to be explored and answered by a “Team” composed of at least one theatre student currently enrolled in a college or university theatre program and one architectural student enrolled in an accredited architectural college or university program.Teams can be part of a class or be independent students.
Each team member has a defined responsibility. The theatre students will act as the “Client” and the architectural
students as the “Designer”. The “Client” is responsible to teach the “Designer” about the workings and artistry of Theatre! The “Client” will define the detail needs of the theater complex and provide at least one critique of the design produced by the “Designer.” It is desired that the “Client” will remain an active member of the design process. The design solution MUST be the result of a “Conversation” between the “Client” and “Designer”. History proves the most successful theatre design solutions take into account all aspects and needs of theatre production, artist presentation and audience interaction.
The Problem Statement
Your College has been given a gift of $25 million to construct a new Center for the Performing Arts. The new Center must reflect your department’s educational goals and the technological needs for your area of theatre specialty. The audience chamber can be between 400 to 600 seats. The intimacy of the live performance must be
expressed and the layout is to be defined by your University’s performance specialty. Additional front and back of house must be defined by the “Client” to meet the department needs. The Center will be a free standing building on your college campus.
The Art Center Spaces
The program detail, areas, stage type and audience arrangement must be developed by the “Client” to reflect their department needs. The “Client” is to provide a written statement describing their University’s Theatre Department’s educational goals and needs of the teaching program. This can be made up or patterned after a real program.
For information, go to:
Website: www.usitt.org (ref: student architecture awards)
Email: sgeorgeson@hga.com
Submissions should be sent to:
USITT Competition:
Scott F. Georgeson, AIA,
HGA Architects, 333 East Erie Street,
Milwaukee, Wisconsin, 53202
414.278.8200
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Helsinki Central Library, by ALA Architects (2012-2018)
The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome.
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Young Architects in Competitions
When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link:
https://crc.umontreal.ca/en/publications-libre-acces/
RUR model perspective – ©RUR
New Kaohsiung Port and Cruise Terminal, Taiwan (2011-2020)
Reiser+Umemoto RUR Architecture PC/ Jesse Reiser – U.S.A.
with
Fei & Cheng Associates/Philip T.C. Fei –R.O.C. (Tendener)
This was probably the last international open competition result that was built in Taiwan. A later competition for the Keelung Harbor Service Building Competition, won by Neil Denari of the U.S., the result of a shortlisting procedure, was not built. The fact that the project by RUR was eventually completed—the result of the RUR/Fei & Cheng’s winning entry there—certainly goes back to the collaborative role of those to firms in winning the 2008 Taipei Pop Music Center competition, a collaboration that should not be underestimated in setting the stage for this competition.
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Winning entry ©Herzog de Meuron
In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making.
It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
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Belfast Looks Toward an Equitable and Sustainable Housing Model
Birdseye view of Mackie site ©Matthew Lloyd Architects
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Alster Swimming Pool after restoration (2023)
Linking Two Competitions with Three Modernist Projects
Hardly a week goes by without the news of another architectural icon being threatened with demolition. A modernist swimming pool in Hamburg, Germany belonged in this category, even though the concrete shell roof had been placed under landmark status. When the possibility of being replaced by a high-rise building, it came to the notice of architects at von Gerkan Marg Partners (gmp), who in collaboration with schlaich bergermann partner (sbp), developed a feasibility study that became the basis for the decision to retain and refurbish the building.
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