Paradoxes of the Public – Art in Public SpacesResults 355 artists from 20 countries including Australia, the United States, Canada, Singapore, Argentina, Brazil, the Philippines, Morocco, Italy, Spain, Portugal, England, Belgium, France, the Netherlands, Lithuania, Austria, Switzerland, Finland and Croatia, submitted their works to this competition, organized for the first time by the city of Duisburg and the Duisburg Marketing GmbH in co-operation with the Cultural. 1st prize (5,000 euros): Felix Lüdicke and Korbinian Lechner (Vienna/Munich) for their work “Kaiserberg – woher – wohin?” (Kaiserberg – wherefrom? – whereto?) 2nd prize (3,000 euros): the Swiss group île flottante for their work “Expansion sonore” 3 prizes (2,500 euros each): Birte Hennig (Braunschweig) for her photographic work “Was hier wohl mal reinkommt…?” (I wonder what they’ll put in here….?) Heike Mutter and Ulrich Genth (Duisburg/Hamburg) for their installation “Für eine Ökonomie des Tauschens” (For an economy of swapping) at the Duisburg CityPalais Karin Lingnau and Martin Hesselmeier for their work “SARoskop” (SARoscope) ____________ Announcement SPONSOR: Federal Cultural Foundation (Kulturstiftung des Bundes), the Minister President of North Rhine-Westphalia, the North Rhine-Westphalian Initiative UrbanBuildingCulture (Initiative StadtBauKultur NRW); Vodafone TYPE: Open, international, art, RfP LOCATION: City of Duisburg, Germany LANGUAGE: German, English TIMETABLE: 01 Oct 2007 – Registration Deadline 01 Oct 2007 – Submission Deadline ELIGIBILITY: Artists and artists’ groups working in the fields of visual arts, media arts, performance, architecture, urban research / spatial planning JURY: Unknown AWARDS: Total €15,500 It is proposed to realize three of the award-winning works in May 2008 for a limited period of time as part of the festival “Duisburger Akzente – State Cultural Festival of North Rhine-Westphalia.” FEE: None DESIGN CHALLENGE: In order for art to work as a germ cell and laboratory for what is new, one of the most important questions that must be answered is: Where are the public crystallization points emerging today, the points that radiate social dynamics, and where can art help them to take on a face, an image, a form. The goal of this competition, in preparation for 2010, the year of the European Capital of Culture in the Ruhr, is to initiate new art forms adapted to changed public spaces that take into account the perceptions of the users of a city (as drivers, consumers and telecommunications users) and will ideally invite people to participate. The assignment will be to develop artists’ works exploring the aesthetic and social conditions of the following three public spaces: 1. Consumer Spaces: Shopping Malls and Arcades 2. Transitory Spaces: Streets and Motorways 3. Data Spaces: Mobile Technologies ADDITIONAL INFORMATION: Duisburg Marketing GmbH Nina Hülsmeier und Dr. Söke Dinkla Tel: +0049 (0) 203 283 6427 n.huelsmeier@stadt-duisburg.de http://www.duisburger-akzente.de/de/wettbewerb_paradoxien_eng.php |
Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality  by Jean-Pierre Chupin and G. Stanley Collyer published by Potential Architecture Books, Montreal, Canada 2020 271 illustrations in color and black & white Available in PDF and eBook formats ISBN 9781988962047 What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/  Aerial view of site – Courtesy National Finnish Museum When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries. Read more…
The Opening of Taichung’s Central Park by Catherine Mosbach/Philippe Rahm
 View from the south with downtown Taichung in the distance image: ©Mosbach/Rahm
The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
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SMAR’s Winning Entry Gets the Green Light  Image: ©SMAR Architecture The winning competition entry in the 2016 Science Island competition in Kaunas, Lithuania by SMAR Architects may only take five years to realize—from the date of the competition to completion. This is encouraging news, as the duration of such projects resulting from a competition can often take much longer—sometimes up to 8-10 years. Read more…  Night view of the memorial tapestry from Independence Avenue, with Gehry’s sketch of the Normandy cliffs. Explaining the contributions of a World War II hero and later President of the United States on a very modest site on Independence Avenue just off the Washington Mall is tantamount to asking an author to describe the life of this person in no more than one paragraph. But on September 17th, after a long and bumpy journey, lasting almost 20 years and navigating a warren of the DC approval processes and public scrutiny, the Eisenhower Memorial finally was dedicated and opened to the public. Designed by Frank Gehry, it has received mixed reviews, the majority being more positive. But most have pointed out that the memorial is more impressive at night than in full daylight. This is due primarily to the illumination of an almost block-long metallic tapestry—featuring a sketch by Gehry, which depicts his interpretation of the cliffs of the Normandy coastline where the Americans landed on D-Day. Read more…  Professional winner: Brooklyn Bridge Forest (image © Pilot Projects Design Collective) While looking for new adventures on a visit to New York City, friends suggested that I take time to walk across the Brooklyn Bridge—certainly a New York icon. For those intending to undertake this trek across the bridge for the first time, the bridge consists of layers, with a large platform for pedestrians on top of a lower level for cars and the metro system. Traversing this connection for the first time between Manhattan and Brooklyn is not just about getting from one place to another, but experiencing a great scenic view of both boroughs and occasionally interacting with other bridge crossers. As for the latter, they provide a flavor of the city’s demographics, as opposed to similar experiences one might have of the city’s inhabitants when riding the city’s subway system. Read more… |