The Millennium School Design Competition (EXTENDED DEADLINE)The Millennium School Design Competition (EXTENDED DEADLINE) Open, international, RfP Philippines FEBRUARY 29, 2008 – DEADLINE FOR REGISTRATION FEBRUARY 29, 2008 – DEADLINE OF SUBMISSION OF QUESTIONS MARCH 7, 2008 – DEADLINE OF DISPATCH TO ANSWERS APRIL 3, 2008 – DEADLINE OF RECEIPT OF ENTRIES (FOREIGN PARTICIPANTS MUST TAKE NOTE OF LEAD TIME FOR SHIPMENT) SPONSORS: See website TYPE: Open, international, RfP LOCATION: Philippines LANGUAGE: English TIMETABLE: 11 Jan 2008 – Registration Deadline 25 Jan 2008 – Questions Deadline 15 Feb 2008 – Answers Posted 10 Mar 2008 – Submission Deadline Mar-Apr 2008 – Jury Deliberations Apr 2008 – Results Announced ELIGIBILITY: Architects worldwide JURY: Not Announced AWARDS: 1st Prize – US$10,000 2nd Prize – US$5,000 3rd Prize – US$3,000 Special Category Awards – US$2,000 each FEE: None THE COMPETITION: Millennium School is a design competition for school buildings in developing countries located in the tropics. The Millennium School Design Competition is part of the Be Better Build Better Campaign and aims to solicit the best architecture-for-humanity designs from all over the world. Architects shall be brought together in a collective effort to try to find solutions to the problems of school buildings in the developing world, and in particular those that are constantly faced by natural disasters like typhoons, flash floods and earthquakes. The competition will facilitate the emergence of new sustainable design solutions and appropriate technologies that will improve the quality of school buildings in the developing world. The competition will offer a venue for the practice of architecture for a client group that would otherwise have no access to design professionals that can solve their problems. ADDITIONAL INFORMATION: United Architects of the Philippines 53 Scout Rallos St. Diliman, Quezon City, 1103 Philippines Tel: 4126364, 4126374 info@millennium-school.org http://www.millennium-school.org |
Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ 
View from Congress Square of Lever Architecture entry showing new wing on left
A New Wing to Accommodate a Museum’s Burgeoning Holdings, New Programs, and Rise in Attendance The passage of time has seen most art museums adding on new wings, or even deciding on a brand new building. The Portland Museum of Art (PMA) has followed this pattern, having commissioned the new Charles Shipman Payson Building by Harry Cobb of I.M. Pei and Partners in 1981. This building served the community well for decades; but numerous gifts to the museum have necessitated the expansion of exhibition spaces well beyond the limited capacity to be found in the existing building. Adding to this is an evolving mission of the PMA in its interaction with the community. Read more… 
Courtesy Malcolm Reading Consultants, ©Kengo Kuma & Associates
A UNESCO World Heritage Site Again on the World Stage How does one approach a challenge when creating a design worthy of a park with a history dating back to antiquity? This was what four design teams faced when shortlisted for the design of a Visitor Center for the Butrint National Park in Albania. The park’s history is illuminating in this regard.
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Chungji National Heritage Museum Competition
Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
Read more… University of Florida’s College of Design Construction and Planning’s New Addition 
Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
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