Institutional SubscriptionsThe Competitions Project offers institutional subscriptions. With an institutional subscription, users have full access to the competitions.org website when accessing the site via the institution’s network without needing a login. This service is designed to meet the needs of libraries but is open to other institutions as well. An institutional subscription provides:
- an unsharable administrative login (with user name, email address, and password) and
- a sharable institutional login (with separate user name, email address, and password)
- no-login-needed access to the competitions.org website when accessing the site via the institution’s network using IP address authentication
- login required access to the competitions.org website when accessing the site via the internet
- a small number of additional unsharable logins if requested
- a small additional ezine and newsletter subscriptions if requested
The weekly Competitions newsletters and monthly ezines are delivered to the email address of the institutional account. The sharable institutional user name and password can be used to access the full competitions.org website from computers not on the institution’s network or when IP address authentication is not possible. Subscription renewal and other administrative email are delivered to the email address of the administrative account. The ezine and newsletter can be delivered to the administrative email address if desired by sending a request to scollyer@competitions.org. The administrative user name and password can be used to access the administrative “profile page” [ Profile Page ] which is used to update billing information, IP address block information, and contact information. By default, login user names are the email address of the login but can be changed by request.
FAQ
Q: It’s not working. What do I do?
A: Ask your librarian or other administrator to contact us. If you are the librarian or administrator, please contact us at scollyer@competitions.org with the IP address block with user name and email address for both the administrative and institutional accounts. (See below)
Q: What is a “profile page”?
A: It is the an administrative web page. Once logged in with the administrative user name and password, a librarian or other administrator can update contact, billing, IP address block, and other information. Passwords can also be changed. The profile page is at [ Profile Page ]. Be sure to login with the administrative user name and password. The institutional user name and password can only be used to access the competitions articles, interviews, etc.
Q: What is the IP address block?
A: The no-login-needed feature of an institutional subscription requires that the institution’s network access the competitions.org server from a known set of IP addresses. Your institution’s network administrators choose these addresses and thus have this information. Please keep the number of requested address blocks small. A few large blocks are faster to check and easier to administer on our end.
Q: How can I check what IP address my proxy, etc server is using?
A: That is a matter for network administrators. But the COMPETITIONS server shows that you are currently using IP address: 3.235.137.159
Q: I updated the IP address block and it is correct but no-login-needed is still not working. What is wrong?
A: Updating the IP address block requires a manual OK by the COMPETITIONS website administrator so there is a time delay. But also check your IP address and other information listed at the bottom of this page. If the IP address listed is not in your address block then no-login-needed will not work. It is possible that the IP address information is being lost due to proxy servers or … . Your current IP address as seen by this (the COMPETITIONS) server is
Your current IP address: 3.235.137.159
If your IP address block does not include this address, no-login access will not work.
Q: Help!! I set the IP block addresses in my profile page and …!
A: Please paste the above IP address and your login email address plus contact information and send it to us using the below contact form.
Thanks and our apologies for your difficulties.
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Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Another Competition for Moscow’s Expanding Subway Network
Image © Zaha Hadid Architects
Even under Stalin, Moscow subway stations represented the crown jewels of the city’s projects when it came to design. In more recent years, the emphasis placed on modern design in the city’s expanding metro rail network has resulted in some major new projects, and this year’s competitions for two stations was no exception: the Klenoviy Boulevard Station 2 won by Zaha Hadid Architects (London), and the Prospect Marshala Zhukova station, won by the ASADOV Architectural Bureau (Moscow). Read More… Hangang District Urban Design International Master Competition
1st place entry by Dominique Perrault Architecture (image ©Dominique Perrault Architect)
China’s planning priorities for their urban areas experienced a sharp turn after the post-Mao reforms took place. During the early post-WWII period, when Soviet influence in the early urbanization of China dominated, industrial development took precedence over all other issues, with heritage, conservation, residential planning, and the amenities associated with it, being almost entirely neglected. Read more…
Winning design by ©Moreau Kusunoki /Genton
Although one might normally assume that local firms participating in a competition might have a clear advantage over foreign competitors, this has seldom been the case: just see Sydney’s Opera House, won by a Danish architect, and Toronto’s City Hall, won by a Finn—as evidence that well devised competition briefs as adequate documentation can create a level playing field for potential competitors, regardless of their location.
Read more…
Jensen Architects – Winning entry (Honor Award) Beginning in 2011, Architecture at Zero, a collaboration between the Pacific Gas and Electric Company (PG&E) and the California chapter of the American Institute of Architects (AIACA), was established to investigate the role architecture might play in reducing energy consumption in the built environment. Since then, every year has seen a new site and building type selected as a design challenge in what has become one of the world’s most interesting international competitions.
As a sign of its mounting popularity, the competition received 237 registrations from 49 countries and, according to the professional adviser, about 150 entries— all this during the Covid-19 virus pandemic, when all were compelled to work from home. Read more… An Ideas Competition in Opposition to a Concrete Design
Entry by TheeAe (Image © TheeAe)
In early 2020, a group advocating a new approach to the design of the Los Angeles Museum of Art (LACMA)—The Citizens’ Brigade to Save LACMA—organized a competition to counter an existing design by the Swiss Architect Peter Zumthor. Already commissioned by the LACMA administration, the project is slated to begin almost immediately with the demolition of four LACMA buildings—three existing and one new. Moreover, the existing plan to incorporate all of the existing collections under one roof isn’t covered by the Zumthor plan. This obvious lack of exhibit space was the focus of a query by the Ahmanson Foundation, a major donor of artworks to LACMA in the past. Upon not receiving assurances from LACMA that those donated works would be exhibited, but possibly held in storage and hidden from public view, the Foundation cut all ties with LACMA. Finally, the plan by Zumthor foresees the new structure not only occupying much of the new space created by demolition, but extends part of the new building over Wiltshire Boulevard. As one might anticipate from Zumthor, the construction of the structure is also primarily of concrete, thereby raising the cost per SF. So no matter how highly finished this material turns out to be, it does in essence represent a brutalist structure replacing an eclectic ensemble. Read more… |
