“RULMENTUL, BRAȘOV” International Design Competition
Sponsor: Municipality of Brașov
Type: open, International, one-stage
Competition management: Romanian Order of Architects (OAR),
Eligibility: Architects, Landscape architects, planners
Languages: English and Romanian
Fee: none
Timetable:
4 October 2024 – Submission deadline for documents
The Site:
The former Rulmentul Industrial Site is one of the most important real estate reserves of the city, with an area comparable to that of the Old Citadel of Brașov – approximately 52 hectares. Through the successive transformations to which it was subjected throughout the 20th century, the site is a direct witness of the significant moments that mark the industrial past of the city, thereby becoming an , identifying, emotional and historical landmark for the generations that have witnessed the industrial site during its operation. However, the site is not really present in the daily life of the citizens of Brașov today, given the complete decommissioning of the production activity in 2007. Since then, in the absence of actual regenerationinitiatives, the platform is in an accelerated process of degradation which leads to significant losses, some irreversible.
Awards:
1st Prize: the estimated value of the design services contract – 2.274.000 EUR without VAT (11.324.520,00 RON* without VAT)
2nd Prize: 42.016 EUR without VAT (209.000,00 RON* without VAT)
3rd Prize: 25.142 EUR without VAT (125.210,09 RON* without VAT)
3 x Hon. Mentions: 8.403 EUR without VAT (41.848,74 RON* without VAT)
Jury:
landscape arch. Iris Dupper
landscape arch. Dominika Tihanyi
arch. Oana Țiganea
urb. Marcello Modica
arch. Christoph Jantos
arch. Dragoș Oprea – Reprezentative of the AC
arch. urb. Rudolf Gräf
arch. Ilinca Păun Constantinescu
urb. Raluca Baco – Reprezentative of the AC
Design Challenge:
The purpose of this competition is to select the best solution for the urban regeneration of the former Rulmentul Industrial Site, in order to commission the design services contract. Urban regeneration is a large-scale and long-lasting process that requires an integrated, multidisciplinary and phased approach.
For more information and to enter:
https://oar.archi/en/concursuri/oar/rulmentul-brasov/
Note: Participation is restricted to design professionals residing in the following countries:
Albania, Andorra, Armenia, Austria, Belarus, Belgium, Bosnia and Herzegovina, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Faroe Islands, Finland, France, Georgia, Germany, Gibraltar, Greece, Holy See (Vatican City State), Hungary, Iceland, Ireland, Italy, Latvia, Lithuania, Luxembourg, Macedonia, Malta, Monaco, The Netherlands, Norway, Poland, Portugal, Romania, San Marino, Slovakia, Slovenia, Spain, Sweden, Switzerland, United Kingdom, Kosovo
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Young Architects in Competitions
When Competitions and a New Generation of Ideas Elevate Architectural Quality
![](https://competitions.org/wp-content/uploads/2020/04/Young-Architects-cover-828x1024.jpg)
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link:
https://crc.umontreal.ca/en/publications-libre-acces/
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Helsinki Central Library, by ALA Architects (2012-2018)
The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome.
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In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making.
It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
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The guidelines for the administration a design competition are not a closely held state secret. Still, leading up to the announcement of a design competition for the World War II Memorial, some in the military seemed to think otherwise. In early 1993, an AIA staff person, Frimmel Smith, was appointed to serve as a source of information on the subject. Shortly after President Clinton signed a bill in 1993 authorizing the establishment of a memorial, several military officers appeared in Frimmel Smith’s office at the AIA headquarters, announcing they would like to learn about competitions. Were they asleep during the exemplary administration of the Vietnam Memorial competition, which had resulted in an highly acclaimed product? Or, with another war memorial in the offing, did they not want to be caught off guard this time and again be bystanders as was the case when an enlisted man, Jan Scruggs, was the initiator of the Vietnam Memorial?
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