Portland Museum of Art Campus Unification + Expansion Building a Landmark for the Future  Sponsor: The Portland Museum of Art Type: open, international, two-stage RfQ Location: Portland, Maine Organizers: Dovetail Design Strategists, LLC www.dovetailstrategists.com Eligibility: Open to architects around the world. Architects will be required to form and lead a multi-disciplinary team to include accessibility, inclusivity and sustainability experts, landscape architects, and graphic designers Fees: None Language: English Timetable: June 1, 2022 – Competition Launch July 1, 2022 (3pm EST) – Stage I RFQ submissions due August 2022 – Shortlist announced 28 October 2022 – Stage ll submissions due December 2022 – Winner announced Compensation: Up to four architect-led design teams will be selected to participate in Stage II of the Design Competition and an honorarium of $50,000 will be paid to each of the shortlisted teams who have met the Portland Museum of Art’s Stage II requirements, payable upon selection of a winning team. Anticipaed budget: The PMA anticipates the total hard construction cost for the new facilities and surrounding landscape design will be approximately USD45M Project sizeL 60,000 net square feet plus outdoor public gathering space. Design Challenge: The Portland Museum of Art (the PMA), founded in 1882, is Maine’s largest and most visited art institution, and among the oldest museums in America. Located in the heart of downtown Portland, one of the country’s most beloved cities, the museum encompasses a full city block of historically and architecturally significant buildings. The PMA’s world-class collection includes more than 18,000 objects, including 19th-and-20th century American and European art, modern and contemporary art, and iconic works from Maine that highlight the rich artistic traditions of the state and its artists. The museum has outgrown its current campus due to increased visitation and several major gifts to its collection. The broadening and diversification of the artwork, record attendance prior to the pandemic and community feedback have underlined the need for more space. The PMA sees this as an opportunity to discover the impact a museum can have when it is built through an inclusive lens. By creating a community hub with myriad collaborative spaces, and focusing on groundbreaking approaches to art, the PMA believes it can become a place where all people feel they belong. More than just a new building, the PMA’s campus unification and expansion is a value proposition, envisioning the monumental positive impact museums can have on their communities. The institution’s progressive and inclusive outlook on curation, education, and engagement will be reflected through innovative and future-forward architecture. This will ensure the PMA and the region’s future is rooted in diversity, equity, accessibility, inclusivity, and sustainability. And as a result, the PMA will transform the very nature of what a museum can be. The PMA’s new museum wing will anchor and integrate the entire campus and double the institution’s existing size. It will be an environmentally and ecologically responsible expansion that will accommodate new collections and major exhibitions, host community events, programs, and performance space for the seeing and making of art, and will consolidate all staff offices. The museum’s bold and ambitious agenda will physically harness the PMA’s commitments and deep values through an architecture that will renew, revitalize and redefine a museum’s role in society. The PMA is courageous, forward-looking and intent on creating a paradigm shift for museums around the globe. The Portland Museum of Art Campus Unification + Expansion International Design Competition challenges architects to form a multi-disciplinary team with accessibility, inclusivity and sustainability experts, landscape architects and graphic designers to create an inclusive place that champions open expression and makes art accessible to all, a place that delivers on the promise of the PMA’s mission, Art for All. The PMA imagines an inclusive and iconic Landmark for the Future. Jury: Kyo Bannai, Board of Trustees Mark H.C. Bessire, Judy and Leonard Lauder Director Milton Curry, Della & Harry MacDonald Dean of the University of Southern California School of Architecture, Principal, Milton Curry ProjectStudio Eileen Gillespie, Vice President, Board of Trustees, Visual Artist Cyrus Hagge, President, Board of Trustees, Owner, Project Management, Inc. Jocelyn Handy, Board of Trustees Elizabeth Jabar, Board of Trustees, Lawry Family Director of Civic Engagement and Partnerships, Colby College Bob Ludwig, President and Chief Mastering Engineer, Gateway Mastering Studios Marcia Minter, Board of Trustees, Co-Founder and Executive Director, Indigo Arts Alliance Theresa Secord, Board of Trustees, Executive Director at Maine Indian Basketmakers Alliance Jack Soley, Board of Trustees, Partner, East Brown Cow Monica von Schmalensee, Partner, White Arkitekter Sara Zewde, Founding Principal, Studio Zewde, Assistant Professor, Harvard Graduate School of Design Susanna Sirefman, Competition Director and Jury Advisor, President, Dovetail Design Strategists HOW to SUBMIT: https://www.portlandmuseum.org/competition  |
Vilnius Railway Station and Public Square Competition  Vilnius Station competition Image: ©Zaha Hadid Architects How do you find a common thread that can connect an eclectic collection of buildings, visually as well as physically, all located within a one-block site, located just across from Canada’s Parliament building in Ottawa. To identify this common thread that could tie everything together, the client turned to a design competition for answers. With the aid of consultants, [phase eins] from Berlin and experts from Canada’s’ own Université de Montréal’s School of Architecture, the client turned to an invited international format to finally settle on six teams that could rethink the site. Read More… Ottawa Parliamentary Precinct Renewal Competition  Culminating in a year’s long process, the winner of the Ottawa Parliamentary Precinct was David Chipperfield Architects, one of the six shortlisted firms designated to participate in the competition. An April 10th viewing of the public presentation of the six finalists was viewed by scores on Facebook. From the impressions gained from that event, it was apparent that Chipperfield and Behnisch were the probable frontrunners. Chipperfield’s presentation emphasized the materiality of their design as a design strategy intended to embrace the architectural context of the precinct. Together with a very straightforward circulation plan, in the end, this had to be a major factor in the jury’s decision. Read more…  After narrowing the field to three finalists and reviewing their presentations via ZOOM, the competition jury gave the nod to KUTONOTUK of Charlottesville, VA as the winner. The winning team is led by principals, Leena Cho and Matthew Jull, faculty members at the University of Virginia’s School of Architecture. Second place went to FORMA from New York City, and third place was awarded to Lewis Williams with Hudson Architects from Norwich, England. Presentations of all three finalists can be seen here: https://competitions.org/2022/03/atlantic-beach-nc-boardwalk-design-competition/ Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality  by Jean-Pierre Chupin and G. Stanley Collyer published by Potential Architecture Books, Montreal, Canada 2020 271 illustrations in color and black & white Available in PDF and eBook formats ISBN 9781988962047 What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ AL_A Prevails over a Star-studded Cast  After over a year of planning, the choice of a site, and the establishment of criteria for the staging an international competition for a new concert hall, the process recently culminated in the choice of an architect for the design of the new Philharmonic in Belgrade, Serbia. Once a rather drab, nondescript city under the Tito regime, Belgrade has been reimagining itself to take its place as a major European city, including cultural attractions one might attach to such a claim. Read more…  Boardwalk photo: Courtesy Atlantic Beach Boardwalks, especially on oceanfront locations, have a pretty universal look. But how they fit into their local context is another matter. Topography, real estate and commerce all play a role in their function, and to some extent, design. In the case of Miami Beach, it’s primarily a promenade; Brooklyn’s 2.7 mile Coney Island boardwalk stretching all the way to Brighton Beach is a mixture of promenade and commerce, with the latter at both ends. In the case of Atlantic City, it’s mostly about retail.
Read more…  Winning entry – Hyunjoon Min Architects Office National Library of Korea Data Preservation Center Competition Retrofitting existing buildings is nothing new. The abandonment of old factory structures, especially in the northeast of the U.S., has been occurring at a rapid pace ever since those businesses ceased to be profitable in the face of foreign competition. However, in North America, retrofitting those structures has seldom been the subject of a design competition. In Korea, the recent plethora of design competitions for all types of projects has also included several for providing a new life for abandoned buildings. Read more… Countryside Dilemmas – New Rural Planning  1st Place – ©Tianjin University Team Planning used to be at the bottom of Chinese students’ lists of design priorities. One western architect, whose firm was at the forefront in the design and implementation of numerous planning projects in China, surmised that planning was an area that received little attention in the university curricula. So when planning for a major metropolitan area has occurred, the Chinese have almost always turned to outside international firms for ideas and implementation. Read more… |