New Mosque near Preston, Lancashire
Type: International, open, anonymous, two-stage
Competition manager: RIBA, U.K.
Eligibility: Open to all registered architects in their countries of origin or in their present location
Registration fee: £35 + VAT
Once your payment has been processed, you will be issued with a Unique Registration Number (URN) and a Declaration of Authorship Form.
Process: Up to five (5) teams will be shortlisted from phase 1 of the competition
Evaluation Panel:
• Fanos Panayides, RIBA competition adviser, John McAslan + Partners
• David Cockrell, Retired architect, Cassidy + Ashton
• Jonathan Carter, Director, Rolfe Judd Architecture
• TBC, Preston City Council representative
• x3, Client Representatives
*Joanne Wallis, RIBA Competitions (observer only)
Timetable:
12 March 2021 – Q&A period ends
22 April 2021 – Deadline for Phase I submissions (digital)
10 May 2021 – Shortlisted winners notified
15 June 2021 – Deadline for phase II submissions
Honoraria
It is intended that five teams will be selected to proceed to the second phase. Each shortlisted team who submits a Phase 2 entry will each receive an honorarium of £4,000 +VAT.
(It is the intention, funding permitting, to commission the author of the winning scheme to develop and implement their winning design, working in association with the client to take the scheme forward and through to completion.)
Submission requirements:
• A maximum of 2x landscape sheets (equivalent to A3 in PDF format only)
• A written design statement (maximum 1000 words)
• A completed declaration form
• One visual image
Design Challenge:
The intention is to produce a strong and bold design that is clearly identifiable as a place of worship but not necessarily to the extent that it is dominated by the traditional Islamic designs. Similarly, it is acceptable to have an element of Islamic flair or features but this is not paramount and if the building has minarets they should be subtle and modern in appearance. The building should have a clear focal point or strong design features which gives character and visibility at some distance. It should not be so institutionalised as to simply have the look of a contemporary office building.
Consideration should be given to the potential for the creation of an external courtyard area or sahn,* which would be part of the public realm and available for informal meetings or relaxation.
*A sahn (Arabic: ṣaḥn), is a courtyard in Islamic architecture, especially the formal courtyard of a mosque. Most traditional mosques have a large central sahn, which is surrounded by a riwaq or arcade on all sides. In traditional Islamic design, residences and neighborhoods can have private sahn courtyards.
To receive further information:
RIBA Competitions
+44 113 203 1490
riba.competitions@riba.org
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Helsinki Central Library, by ALA Architects (2012-2018)
The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome.
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Young Architects in Competitions
When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link:
https://crc.umontreal.ca/en/publications-libre-acces/
RUR model perspective – ©RUR
New Kaohsiung Port and Cruise Terminal, Taiwan (2011-2020)
Reiser+Umemoto RUR Architecture PC/ Jesse Reiser – U.S.A.
with
Fei & Cheng Associates/Philip T.C. Fei –R.O.C. (Tendener)
This was probably the last international open competition result that was built in Taiwan. A later competition for the Keelung Harbor Service Building Competition, won by Neil Denari of the U.S., the result of a shortlisting procedure, was not built. The fact that the project by RUR was eventually completed—the result of the RUR/Fei & Cheng’s winning entry there—certainly goes back to the collaborative role of those to firms in winning the 2008 Taipei Pop Music Center competition, a collaboration that should not be underestimated in setting the stage for this competition.
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Winning entry ©Herzog de Meuron
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It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
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Birdseye view of Mackie site ©Matthew Lloyd Architects
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Linking Two Competitions with Three Modernist Projects
Hardly a week goes by without the news of another architectural icon being threatened with demolition. A modernist swimming pool in Hamburg, Germany belonged in this category, even though the concrete shell roof had been placed under landmark status. When the possibility of being replaced by a high-rise building, it came to the notice of architects at von Gerkan Marg Partners (gmp), who in collaboration with schlaich bergermann partner (sbp), developed a feasibility study that became the basis for the decision to retain and refurbish the building.
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