William Menking (1947-2020)
Photo courtesy Architects Newspaper
The passing of Bill Menking represents the loss of one of our most important voices in the architecture world of publishing and criticism. Bill was interested in all facets of design, and regarded design competitions as an instrument to push the design envelope. My initial encounter with Bill occurred in the early years of the new Millennium, when he became interested in running competitions as a competition adviser. His most important venture into this field—and what turned out to be a somewhat frustrating one—was as the adviser for the Waterfront Gateway Design Competition in New Rochelle, New York. Although the results of the competition were impressive, local politics saw to it that the winner was discarded in favor of a rather commonplace scheme from an outside architect. Still, Bill and I remained in contact, and I was fortunately enough to visit with him on a sunny day in New York at one of his favorite restaurants. He remained a fan of COMPETITIONS, and we discussed the future of this subject over the last few years of his life. When AN arrived at our office, it was treated as no other publication that came through our door: it was read from start to finish before we turned to the matters of the day. Bill’s standard for the writing we so enjoyed is no doubt his legacy—one we anticipate will continue under the direction of his wife, Diana Darling. Memorial for Bill Menking Join Diana Darling, Architect’s Newspaper and Pratt Institute School of Architecture on Monday, May 4th at 6:30 PM (EST) for an (online) Memorial to celebrate the life and Legacy of WIlliam Menking. The Memorial will be live-streamed via Facebook LIVE on Pratt School of Architecture’s Facebook page.
facebook.com/PrattSchoolofArchitecture Remarks by:
Barry Bergdoll, Jennifer Bolstad, Frances Bronet, Anita Cooney, Dennis Crompton, Diana Darling, Murray Fraser, Nancy Goldring, Thomas Hanrahan, Harriet Harriss, Julie Iovine, Robert Ivy, Joe Kerr, Anthony Lucaccini, Walter Meyer, Kyong Park, Dagmar Richter, Rob Rogers, Joel Sanders, Ken Saylor, Michael Webb, Claire Weisz, James Wines |
Art Gallery of Nova Scotia Competition
Image: ©KPMB Architects
Not to be outdone by other Canadian provincial capitals, Halifax has chosen to make its own ambitious museum statement on the city’s waterfront. New museums in Vancouver, BC, Calgary and Fredericton, New Brunswick, the latter two by KPMB Architects, are either in development or already under construction. Saskatoon’s Remai Modern by KPMB and OMA’s Musée national des beaux-arts du Québec in Montréal were more recently completed, and Vancouver’s new Art Museum by Herzog & de Meuron is still under development. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Urban Adaptation Competition
Image ©Francesco Allaixand Julio Orduña
Recently we are beginning to see a resurgence of wood as a primary building material, not only for detached residential housing, but also for multi-family and commercial urban structures. Masonry, steel, and composite materials are still the bread and butter of the construction industry; but wood may be making serious inroads into the future of commercial buildings. Yes, we have seen the use of wood in interiors of large buildings: one of the more impressive projects being that of the Christ the Light Cathedral by SOM in Oakland, California. Read more…
Aerial view of site – Courtesy National Finnish Museum
When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries. Read more…
The Opening of Taichung’s Central Park by Catherine Mosbach/Philippe Rahm
View from the south with downtown Taichung in the distance image: ©Mosbach/Rahm
The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
Read more…
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