Michael Sorkin (1948-2020) Back in 2014 I discovered that Michael Sorkin had been a recent juror on the Surfer’s Paradise Precinct design competition panel in Australia. Having been familiar with Michael’s articles and other writings, I was hoping he would be available for an interview—the exuberant design by ARM Architecture that won certainly had pushed the envelope. Michael did agree to a phone interview, and it turned out to be unusual in one sense. Having done many interviews by phone, I sensed with Michael that he was almost in the same room with me. I didn’t have to see his facial expressions; he described the event with such clarity and insight and drew such a clear picture, that I almost felt as if I had experienced it vicariously. -G. Stanley Collyer, Editor COMPETITIONS Michael Sorkin (comments) The measure of Michael’s worth is being well expressed in the numerous messages and obits being shared by our community of friends, colleagues, and students. As colleagues at CCNY for the past 20+ years I can say his absence here will only be equaled, over time, by the legacy he leaves. Thank you for adding to it. -Lance Lance Jay Brown, FAIA, DPACSA Architecture + Urban Design President, Consortium for Sustainable Urbanization Michael’s wit, penetrating insights, and brilliant writing have impacted generations—my students included. He shall be missed by the many who had the good fortune of knowing him. –Roger Roger Schluntz, FAIA Professor and Dean Emeritus School of Architecture and Planning University of New Mexico Thank you for sharing this recording with us. Listening to Michael’s voice was lovely today And in such a visceral manner made him so present This loss is painful To the Architecture world And to the world of loyal friendships It is a very sad day -Karen Karen Van Lengen, FAIA Kenan Professor of Architecture Dean (1999-2009) University of Virginia It is hard for me to imagine architectural discussion and even more, New York, without Michael. He was a remarkable critic, so full of life and humor and passion for what he believed in. He was a relentless advocate for creativity, with a perpetually rebellious formal sense, and commitment to sustainability and equity. One example, His bold take on zoning in Local Code was extraordinarily original. He tried to write a code that would create a city we actually want to live in, prescient in his ideas for coding performance. This extended to his students and collaborators, some of whom won Van Alen competitions and worked with me there for several years. He inspired people to believe that architecture and urban design were meaningful after 9/11 in ways few imagined, and he believed in design studios as purposeful even in places of conflict. He couldn’t imagine being afraid of conflict, saw its creative side, and knew that sometimes you have to fight for what you believe in. A loss for all of us. -Ray Raymond Gastil, AICP, Director Remaking Cities Institute Carnegie Mellon University Pittsburgh, Pennsylvania We were shocked to hear about losing such a clear, constant voice of conscience when Michael Sorkin left us. We can speak more about his legacy to our architectural world, students and faculties at universities and our urban community, all searching for definition, solutions and humanity. Let’s speak soon after this crisis subsides or passes and hope we do not lose another friend. -Ted Theodore Liebman, FAIA Principal, Perkins Eastman New York, NY Thank you so much for sharing! He will be surely missed. -Michel Michel Mounayar, R.A. Professor of Architecture Ball State University Muncie, Indiana |
Completed IMEX by Tuck Hinton Architects. Photo courtesy Anecdote It is not often that we look back to a competition that occurred three decades ago that was also covered in detail by COMPETITIONS (Vol. 4, #4; pp. 14-27). What made the Chattanooga IMAX different back in 1994 was that the article covering that competition was authored by Prof. Marleen Davis, then Dean of the University of Tennessee’s School of Architecture and a member of the jury panel. This was not just a short article, covering the high points of the competition with a few talking points about the winning design. This 4,000+ word document also described in detail the jury’s observations about all the finalists, including the honorable mentions—one of the few times we have gained such a detailed glimpse in this country from the inside of the competition process. Read more… Preparation and Organization of Design Competitions [phase 1] Benjamin Hossbach / Christian Lehmhaus / Christine Eichelmann 210 × 230 mm, 192 pp. over 600 images softcover ISBN 978-3-86922-316-2 (English) ISBN 978-3-86922-240-0 (German) Dom Publishers €48 in EU (For price abroad, see below) Founded in 1998 in Berlin, Phase 1 has been a principal player in the organization and facilitation of design competitions, not only in Germany, but abroad as well. The accomplishments of the firm have been well documented in three volumes—The Architecture of Competitions—beginning in 2i006. Whereas these books mainly focused on the results of the competitions they have administered, the present work, Fundamentals of Competition Management, takes one from the very beginnings of the competition process to its conclusion. The authors envisioned the publication as “three three books in one: one „blue book“ with example projects, one „yellow book“ with statements and the „white book“ with the actual guideline to competition management.” Although there have been a number of handbooks covering the administration of designcompetitions a study covering the entire process in such detail is a welcome addition to the the literature in this field. As a contribution to this important democratic process that has yielded exceptional design for decades, this volume is not only valid for Europe, but a current overview of the process for those globally who wish to raise the level of design by virtue of a design competition. -Ed Foreign institutions wishing to obtain a copy of the book will recieve a discount to cover the cost of foreign shipping. To obtain a copy for that offer, go to: [email protected] Winning entry by Luca Poian Forms Image ©Filippo Bolognese images Good design seldom happens in a vacuum. And so it was with an international competition for a new mosque in Preston, U.K. A mid-sized city of 95,000, and located in Lancashire near the west coast and almost equally distant from London and Glasgow, Preston has a storied past, going all the way back to the Romans and the late Middle Ages, where it was the site of significant battles. During the Industrial Revolution, the city prospered, and it was not until after World War II that Preston experienced the British version of the U.S. Rust Belt. In the meantime, the city has experienced an upswing in economic activity, with an unemployment rate of only 3%. Aside from the appearance of new industries, the city has benefitted from the establishment of Central Lancashire University (CLU), which employs over 3,000 faculty and staff, and, as such, is one of the regions major employers. Any new university requires new facilities, and one of the most outstanding examples of this at CLU was the new Student Centre and Plaza, a result of a 2016 RIBA-sponsored competition won by Hawkins/Brown Read More
Changdong Station winner – image ©D & B Partners Architects
Whereas international competitions for real projects have become a rarity lately, Korea is a welcome exception. Among the plethora of competition announcements we receive almost weekly, several have ended with foreign firms as winners. But the history of welcoming international participants does go back several years. One notable early example was the Incheon Airport competition, won by Fentress Bradburn Architects (1962-70).
Among the more recent successes of foreign firms was the Busan Opera House competition, won by Snøhetta (2013-) and the Sejong Museum Gardens competition, won by Office OU, Toronto (2016-2023).
Read more… 1st Place: Zaha Hadid Architects – night view from river – Render by Negativ Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding. Read more… Helsinki Central Library, by ALA Architects (2012-2018) The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome. Read More… 2023 Teaching and Innovation Farm Lab Graduate Student Honor Award by USC (aerial view) Architecture at Zero competitions, which focus on the theme, Design Competition for Decarbonization, Equity and Resilience in California, have been supported by numerous California utilities such as Southern California Edison, PG&E, SoCAl Gas, etc., who have recognized the need for better climate solutions in that state as well as globally. Until recently, most of these competitions were based on an ideas only format, with few expectations that any of the winning designs would actually be realized. The anticipated realization of the 2022 and 2023 competitions suggests that some clients are taking these ideas seriously enough to go ahead with realization. Read more… |