The Future Park Design Ideas Competition: New Public Space for Melbourne
Sponsors: University of Melbourne, in partnership with Australian Institute of Landscape Architects (AILA)
Type: Open, international, ideas
Location: Melbourne, Australia
Eligibility: This competition seeks to enhance the role of landscape architecture and the public realm in Australian cities. However, the competition does not restrict entry to registered landscape architects or those studying within landscape architecture programs. Instead the competition aims to inspire an open and dynamic dialogue between built environment disciplines, the broader community, government and the private sector.
This single stage competition is open to established and emerging designers (tertiary students) of the built and natural environment disciplines (i.e. landscape architecture, architecture, urban design, environmental planning and ecology, environmental engineering).
Victorian high school students studying art, design, environmental studies and associated subjects are also encouraged to submit proposals within the student category.
Awards (categories will likely include):
Professional and tertiary (international) – Up to AUD$20,000 to be allocated as prizes
High school (open to Victorian students only) – Work experience at a landscape architecture office (tbc)
Timeline:
22 March 2019 – Official Competition Launch (Melbourne Design Week, Melbourne School of Design, University of Melbourne)
31 May, 2019 – Entries open
1 August,2019 – Submission Deadline
September 2019 – Shortlisting
Design Challenge:
In 1837 surveyor Hoddle’s plan laid the foundations for the city of Melbourne, transforming the endemic landscape of wetlands, open grasslands and custodial lands of the Kulin nation into a speculative real estate grid surrounded by colonial parkland. Featuring a botanic garden, a Domain, along with other significant garden squares and parks, this generous layer of open space was integral to the development of ‘Marvellous’ Melbourne – a vibrant late nineteenth century city of international prominence.
Fast forward, and Melbourne’s rapid millennium growth has reshaped the city centre and inner suburbs into a dense urbanism, with apartment towers and medium density housing constructed on former industrial sites and lining major transport corridors. Melbourne is now considered the fourth fastest growing city in the OECD, and is expected by 2050 to eclipse Sydney as Australia’s largest city. This population growth and densification raises questions over the capacity of existing parks to meet the needs of the contemporary city.
This idea competition challenges professional and emerging landscape architects, urban designers, architects and planners to speculate on new park possibilities for a future Melbourne. How can parks shape Melbourne’s urban form? Where should this new public open space be located, how should it be configured and what is its role? Is a new signature park in the spirit of Seoul’s Cheonggyecheon Park (2005) or Moscow Zaryadye Park (2018) appropriate, or instead smaller sequences of parks? Should parks be designed at ground level or are other spatial locations possible?
Proposals are asked to address these questions in two ways.
1. Make the Space: Restricted to a 10 km radius of Melbourne’s city centre, designers must present a rationale (speculative or other) for the location and configuration of their proposed public open space/s. Strategies for procuring land such as amalgamation, demolition, repurposing, redefining and re zoning should be considered.
2.Design the Place: What is the role of the park in 2050? Designers must present the aesthetic, civic and ecological attributes of their scheme, and highlight how these attributes respond to the challenges facing Melbourne in the mid twenty first century. Key considerations include climate change, shifting demographics and density of the city, Reconciliation, biodiversity and evolving concepts of publicness and community. For more information, go to: https://msd.unimelb.edu.au/be150/competitions/futurepark
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Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Hangang District Urban Design International Master Competition
1st place entry by Dominique Perrault Architecture (image ©Dominique Perrault Architect)
China’s planning priorities for their urban areas experienced a sharp turn after the post-Mao reforms took place. During the early post-WWII period, when Soviet influence in the early urbanization of China dominated, industrial development took precedence over all other issues, with heritage, conservation, residential planning, and the amenities associated with it, being almost entirely neglected. Read more…
Winning design by ©Moreau Kusunoki /Genton
Although one might normally assume that local firms participating in a competition might have a clear advantage over foreign competitors, this has seldom been the case: just see Sydney’s Opera House, won by a Danish architect, and Toronto’s City Hall, won by a Finn—as evidence that well devised competition briefs as adequate documentation can create a level playing field for potential competitors, regardless of their location.
Read more…
Jensen Architects – Winning entry (Honor Award) Beginning in 2011, Architecture at Zero, a collaboration between the Pacific Gas and Electric Company (PG&E) and the California chapter of the American Institute of Architects (AIACA), was established to investigate the role architecture might play in reducing energy consumption in the built environment. Since then, every year has seen a new site and building type selected as a design challenge in what has become one of the world’s most interesting international competitions.
As a sign of its mounting popularity, the competition received 237 registrations from 49 countries and, according to the professional adviser, about 150 entries— all this during the Covid-19 virus pandemic, when all were compelled to work from home. Read more… An Ideas Competition in Opposition to a Concrete Design
Entry by TheeAe (Image © TheeAe)
In early 2020, a group advocating a new approach to the design of the Los Angeles Museum of Art (LACMA)—The Citizens’ Brigade to Save LACMA—organized a competition to counter an existing design by the Swiss Architect Peter Zumthor. Already commissioned by the LACMA administration, the project is slated to begin almost immediately with the demolition of four LACMA buildings—three existing and one new. Moreover, the existing plan to incorporate all of the existing collections under one roof isn’t covered by the Zumthor plan. This obvious lack of exhibit space was the focus of a query by the Ahmanson Foundation, a major donor of artworks to LACMA in the past. Upon not receiving assurances from LACMA that those donated works would be exhibited, but possibly held in storage and hidden from public view, the Foundation cut all ties with LACMA. Finally, the plan by Zumthor foresees the new structure not only occupying much of the new space created by demolition, but extends part of the new building over Wiltshire Boulevard. As one might anticipate from Zumthor, the construction of the structure is also primarily of concrete, thereby raising the cost per SF. So no matter how highly finished this material turns out to be, it does in essence represent a brutalist structure replacing an eclectic ensemble. Read more… National Railway Museum Central Hall (U.K.)
Winning entry by Feilden Fowles (image © Fielden Fowles)
If one were to search for a railway museum in the U.K., London would seem to be an obvious choice. But, as it happens, its location is in the northeastern city of York, far from the major cultural and economic centers of the country. But despite its distance from the major metropolitan areas to the south and west, York has managed to become the focal point of research into the history of rail in the U.K., supplemented by a major museum. Here we are not just talking about some posters, but sheds replete with a large collection of vintage trains. Read more… |
