The Future Park Design Ideas Competition: New Public Space for Melbourne
Sponsors: University of Melbourne, in partnership with Australian Institute of Landscape Architects (AILA)
Type: Open, international, ideas
Location: Melbourne, Australia
Eligibility: This competition seeks to enhance the role of landscape architecture and the public realm in Australian cities. However, the competition does not restrict entry to registered landscape architects or those studying within landscape architecture programs. Instead the competition aims to inspire an open and dynamic dialogue between built environment disciplines, the broader community, government and the private sector.
This single stage competition is open to established and emerging designers (tertiary students) of the built and natural environment disciplines (i.e. landscape architecture, architecture, urban design, environmental planning and ecology, environmental engineering).
Victorian high school students studying art, design, environmental studies and associated subjects are also encouraged to submit proposals within the student category.
Awards (categories will likely include):
Professional and tertiary (international) – Up to AUD$20,000 to be allocated as prizes
High school (open to Victorian students only) – Work experience at a landscape architecture office (tbc)
Timeline:
22 March 2019 – Official Competition Launch (Melbourne Design Week, Melbourne School of Design, University of Melbourne)
31 May, 2019 – Entries open
1 August,2019 – Submission Deadline
September 2019 – Shortlisting
Design Challenge:
In 1837 surveyor Hoddle’s plan laid the foundations for the city of Melbourne, transforming the endemic landscape of wetlands, open grasslands and custodial lands of the Kulin nation into a speculative real estate grid surrounded by colonial parkland. Featuring a botanic garden, a Domain, along with other significant garden squares and parks, this generous layer of open space was integral to the development of ‘Marvellous’ Melbourne – a vibrant late nineteenth century city of international prominence.
Fast forward, and Melbourne’s rapid millennium growth has reshaped the city centre and inner suburbs into a dense urbanism, with apartment towers and medium density housing constructed on former industrial sites and lining major transport corridors. Melbourne is now considered the fourth fastest growing city in the OECD, and is expected by 2050 to eclipse Sydney as Australia’s largest city. This population growth and densification raises questions over the capacity of existing parks to meet the needs of the contemporary city.
This idea competition challenges professional and emerging landscape architects, urban designers, architects and planners to speculate on new park possibilities for a future Melbourne. How can parks shape Melbourne’s urban form? Where should this new public open space be located, how should it be configured and what is its role? Is a new signature park in the spirit of Seoul’s Cheonggyecheon Park (2005) or Moscow Zaryadye Park (2018) appropriate, or instead smaller sequences of parks? Should parks be designed at ground level or are other spatial locations possible?
Proposals are asked to address these questions in two ways.
1. Make the Space: Restricted to a 10 km radius of Melbourne’s city centre, designers must present a rationale (speculative or other) for the location and configuration of their proposed public open space/s. Strategies for procuring land such as amalgamation, demolition, repurposing, redefining and re zoning should be considered.
2.Design the Place: What is the role of the park in 2050? Designers must present the aesthetic, civic and ecological attributes of their scheme, and highlight how these attributes respond to the challenges facing Melbourne in the mid twenty first century. Key considerations include climate change, shifting demographics and density of the city, Reconciliation, biodiversity and evolving concepts of publicness and community. For more information, go to: https://msd.unimelb.edu.au/be150/competitions/futurepark
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Completed IMEX by Tuck Hinton Architects. Photo courtesy Anecdote It is not often that we look back to a competition that occurred three decades ago that was also covered in detail by COMPETITIONS (Vol. 4, #4; pp. 14-27). What made the Chattanooga IMAX different back in 1994 was that the article covering that competition was authored by Prof. Marleen Davis, then Dean of the University of Tennessee’s School of Architecture and a member of the jury panel. This was not just a short article, covering the high points of the competition with a few talking points about the winning design. This 4,000+ word document also described in detail the jury’s observations about all the finalists, including the honorable mentions—one of the few times we have gained such a detailed glimpse in this country from the inside of the competition process. Read more… Preparation and Organization of Design Competitions [phase 1] Benjamin Hossbach / Christian Lehmhaus / Christine Eichelmann 210 × 230 mm, 192 pp. over 600 images softcover ISBN 978-3-86922-316-2 (English) ISBN 978-3-86922-240-0 (German) Dom Publishers €48 in EU (For price abroad, see below) Founded in 1998 in Berlin, Phase 1 has been a principal player in the organization and facilitation of design competitions, not only in Germany, but abroad as well. The accomplishments of the firm have been well documented in three volumes—The Architecture of Competitions—beginning in 2i006. Whereas these books mainly focused on the results of the competitions they have administered, the present work, Fundamentals of Competition Management, takes one from the very beginnings of the competition process to its conclusion. The authors envisioned the publication as “three three books in one: one „blue book“ with example projects, one „yellow book“ with statements and the „white book“ with the actual guideline to competition management.” Although there have been a number of handbooks covering the administration of designcompetitions a study covering the entire process in such detail is a welcome addition to the the literature in this field. As a contribution to this important democratic process that has yielded exceptional design for decades, this volume is not only valid for Europe, but a current overview of the process for those globally who wish to raise the level of design by virtue of a design competition. -Ed Foreign institutions wishing to obtain a copy of the book will recieve a discount to cover the cost of foreign shipping. To obtain a copy for that offer, go to: [email protected] Winning entry by Luca Poian Forms Image ©Filippo Bolognese images Good design seldom happens in a vacuum. And so it was with an international competition for a new mosque in Preston, U.K. A mid-sized city of 95,000, and located in Lancashire near the west coast and almost equally distant from London and Glasgow, Preston has a storied past, going all the way back to the Romans and the late Middle Ages, where it was the site of significant battles. During the Industrial Revolution, the city prospered, and it was not until after World War II that Preston experienced the British version of the U.S. Rust Belt. In the meantime, the city has experienced an upswing in economic activity, with an unemployment rate of only 3%. Aside from the appearance of new industries, the city has benefitted from the establishment of Central Lancashire University (CLU), which employs over 3,000 faculty and staff, and, as such, is one of the regions major employers. Any new university requires new facilities, and one of the most outstanding examples of this at CLU was the new Student Centre and Plaza, a result of a 2016 RIBA-sponsored competition won by Hawkins/Brown Read More
Changdong Station winner – image ©D & B Partners Architects
Whereas international competitions for real projects have become a rarity lately, Korea is a welcome exception. Among the plethora of competition announcements we receive almost weekly, several have ended with foreign firms as winners. But the history of welcoming international participants does go back several years. One notable early example was the Incheon Airport competition, won by Fentress Bradburn Architects (1962-70).
Among the more recent successes of foreign firms was the Busan Opera House competition, won by Snøhetta (2013-) and the Sejong Museum Gardens competition, won by Office OU, Toronto (2016-2023).
Read more… 1st Place: Zaha Hadid Architects – night view from river – Render by Negativ Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding. Read more… Helsinki Central Library, by ALA Architects (2012-2018) The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome. Read More… 2023 Teaching and Innovation Farm Lab Graduate Student Honor Award by USC (aerial view) Architecture at Zero competitions, which focus on the theme, Design Competition for Decarbonization, Equity and Resilience in California, have been supported by numerous California utilities such as Southern California Edison, PG&E, SoCAl Gas, etc., who have recognized the need for better climate solutions in that state as well as globally. Until recently, most of these competitions were based on an ideas only format, with few expectations that any of the winning designs would actually be realized. The anticipated realization of the 2022 and 2023 competitions suggests that some clients are taking these ideas seriously enough to go ahead with realization. Read more… |