LAGI 2019 Sponsor: LAGI (Land Art Generator Initiative) Type: Open, one-stage, international Location: Masdar City, Abu Dhabi
The 24th World Energy Congress will be the venue for the awards ceremony and the exhibition of 25 shortlisted projects designed for Masdar City. The 2020 World Future Energy Summit will host a second exhibition and book launch.
Eligibility: Professionals, students Fees: None
Language: English
Timetable:
12 May 2019 – Submission deadline Awards:
First Prize -US$40,000
Second Prize – US$10,000
Design Challenge:
The sponsor seeks an iconic work of art for a landmark site within Masdar City, Abu Dhabi. The artwork will use renewable energy technology as a medium of creative expression and will provide on-site energy production consistent with the master plan of the city. The goal of LAGI 2019 is to bring forward a portfolio of feasible concept designs that push the boundaries of what is possible using today’s renewable energy technologies. To ensure that the proposals are constructible, this will be the first LAGI design competition that will provide a capital cost restriction as a part of the design brief. The cost per watt of installed nameplate capacity is meant to provide guidance and steer proposals towards technologies that are ready for implementation. The limit has been set to coincide with the approximate cost per watt of installed solar photovoltaic panels as it existed in 1992, the year of the first United Nations Framework on Climate Change meeting (the Earth Summit in Rio de Janeiro). Since then, the cost of installed solar has fallen more than 85%. Celebrating this achievement that has placed solar at parity with fossil fueled electricity, you are asked to reinvest this cost margin into the artistic elements of your design. You are free to use any renewable energy technology, as long as your estimated cost per watt installed does not exceed $20 USD.
For more information and to enter: https://landartgenerator.org/competition2019.html |
Pedestrian perspective
The result of an effort from a professor at the TUM (Technische Universität München) to restore the Budludzha Monument in Bulgaria, located in a remote location on a mountain top in that country, we discovered that it originally was the result of a 1959 design competition won by the young Bulgarian architect, Georgi Stoilov. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ A Flawed Plan Leads to Budget Issues
Competition rendering of project looking south to Mies museum ©Herzog de Meuron
Once considered on the forefront of modern architecture in post-WWII Europe, Berlin has had its share of questionable decisions concerning important urban projects in recent history. Beginning with the rebirth of the Berlin Palace (Humboldt Forum) on the Spree by Italian architect, Franco Stella, and now followed by Herzog de Meuron’s controversial addition to Mies’s 20th Century Art Museum, the times when one could look to Berlin as a signpost of architectural innovation can only be viewed in the rear view mirror.
Read more… Art Gallery of Nova Scotia Competition
Image: ©KPMB Architects
Not to be outdone by other Canadian provincial capitals, Halifax has chosen to make its own ambitious museum statement on the city’s waterfront. New museums in Vancouver, BC, Calgary and Fredericton, New Brunswick, the latter two by KPMB Architects, are either in development or already under construction. Saskatoon’s Remai Modern by KPMB and OMA’s Musée national des beaux-arts du Québec in Montréal were more recently completed, and Vancouver’s new Art Museum by Herzog & de Meuron is still under development. Read more… Urban Adaptation Competition
Image ©Francesco Allaixand Julio Orduña
Recently we are beginning to see a resurgence of wood as a primary building material, not only for detached residential housing, but also for multi-family and commercial urban structures. Masonry, steel, and composite materials are still the bread and butter of the construction industry; but wood may be making serious inroads into the future of commercial buildings. Yes, we have seen the use of wood in interiors of large buildings: one of the more impressive projects being that of the Christ the Light Cathedral by SOM in Oakland, California. Read more… |
