LAGI 2019 Sponsor: LAGI (Land Art Generator Initiative) Type: Open, one-stage, international Location: Masdar City, Abu Dhabi
The 24th World Energy Congress will be the venue for the awards ceremony and the exhibition of 25 shortlisted projects designed for Masdar City. The 2020 World Future Energy Summit will host a second exhibition and book launch.
Eligibility: Professionals, students Fees: None
Language: English
Timetable:
12 May 2019 – Submission deadline Awards:
First Prize -US$40,000
Second Prize – US$10,000
Design Challenge:
The sponsor seeks an iconic work of art for a landmark site within Masdar City, Abu Dhabi. The artwork will use renewable energy technology as a medium of creative expression and will provide on-site energy production consistent with the master plan of the city. The goal of LAGI 2019 is to bring forward a portfolio of feasible concept designs that push the boundaries of what is possible using today’s renewable energy technologies. To ensure that the proposals are constructible, this will be the first LAGI design competition that will provide a capital cost restriction as a part of the design brief. The cost per watt of installed nameplate capacity is meant to provide guidance and steer proposals towards technologies that are ready for implementation. The limit has been set to coincide with the approximate cost per watt of installed solar photovoltaic panels as it existed in 1992, the year of the first United Nations Framework on Climate Change meeting (the Earth Summit in Rio de Janeiro). Since then, the cost of installed solar has fallen more than 85%. Celebrating this achievement that has placed solar at parity with fossil fueled electricity, you are asked to reinvest this cost margin into the artistic elements of your design. You are free to use any renewable energy technology, as long as your estimated cost per watt installed does not exceed $20 USD.
For more information and to enter: https://landartgenerator.org/competition2019.html |
The Urban Confluence Silicon Valley Competition 
Image ©SMAR Architecture
After several stops and starts, a decision to name the winner of the Urban Confluence Design Competition appears to be nearing its conclusion. In 2017, three founders of a local non-profit established The San Jose Light Tower Corporation (SJLTC). The founders of the non-profit, Restauranteur Steve Borkenhagen, construction company executive, Jon Ball and filmmaker Thomas Wohlmut, saw its primary mission in designing and building a new tower as a San Jose and Silicon Valley landmark. This idea was based on the memory of the original San Jose Electric Light Tower (1881-1915), a 22-story structure, located in downtown San Jose and came down as the victim of a gale, never to be rebuilt. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/
Aerial view of site – Courtesy National Finnish Museum
When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries. Read more…
The Opening of Taichung’s Central Park by Catherine Mosbach/Philippe Rahm
View from the south with downtown Taichung in the distance image: ©Mosbach/Rahm
The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
Read more…
SMAR’s Winning Entry Gets the Green Light
Image: ©SMAR Architecture
The winning competition entry in the 2016 Science Island competition in Kaunas, Lithuania by SMAR Architects may only take five years to realize—from the date of the competition to completion. This is encouraging news, as the duration of such projects resulting from a competition can often take much longer—sometimes up to 8-10 years. Read more…
Night view of the memorial tapestry from Independence Avenue, with Gehry’s sketch of the Normandy cliffs.
Explaining the contributions of a World War II hero and later President of the United States on a very modest site on Independence Avenue just off the Washington Mall is tantamount to asking an author to describe the life of this person in no more than one paragraph. But on September 17th, after a long and bumpy journey, lasting almost 20 years and navigating a warren of the DC approval processes and public scrutiny, the Eisenhower Memorial finally was dedicated and opened to the public. Designed by Frank Gehry, it has received mixed reviews, the majority being more positive. But most have pointed out that the memorial is more impressive at night than in full daylight. This is due primarily to the illumination of an almost block-long metallic tapestry—featuring a sketch by Gehry, which depicts his interpretation of the cliffs of the Normandy coastline where the Americans landed on D-Day. Read more… |
