LA+ Iconoclast CompetitionSponsor: LA+ Journal; Penn Design
Type: Open, International, Ideas
Location: New York City
Language: English
Eligibility: Open to students and professionals of any discipline. Entries may be made by individuals and teams of up to three (3) people.
Fee: USD $60
Awards:
US $20,000 total prize money
• 5 winners to receive US$4,000, a certificate, and publication in LA+ Journal’s LA+ ICONOCLAST issue
• 10 honorable mentions to receive a certificate and publication in LA+ Journal’s LA+ ICONOCLAST issue
Timeline:
10 October 2018 – Submission Deadline
27 November 2018 – Winners announced Jury:
• Richard Weller – Professor and Chair of Landscape Architecture at the University of Pennsylvania
• Jenny B. Osuldsen – Partner and director of Snøhetta
• Charles Waldheim – John E. Irving Professor and Director, Office for Urbanization at Harvard University Graduate School of Design
• Lola Sheppard – Founding partner of Lateral Office and Associate Professor at the University of Waterloo, Canada
• Geoff Manaugh – Freelance writer, author of the New York Times-bestselling book A Burglar’s Guide to the City (2016), and former director of Studio-X NYC
• Beatrice Galilee – Daniel Brodsky Associate Curator of Architecture and Design at The Metropolitan Museum of Art in New York Design Challenge: LA+ ICONOCLAST asks you to redesign New York’s Central Park, which has been fictionally devastated by eco-terrorists. Central Park is arguably the canonical work of modern landscape architecture. Its aesthetic and socio-political ideals of health, beauty and democracy underpin the profession of landscape architecture, which Olmsted first named, to this day. Writing of the park in 1973, the artist Robert Smithson claimed that Olmsted “combined both art and reclamation in Central Park in a way that is truly in advance of his times.” But what would Olmsted do today? What will you do? This competition asks that you redesign Central Park, starting, as Olmsted and Calvert Vaux did, from scratch. In doing so this competition seeks to explore the following questions: 1) If in parks, no matter how faux or superficial, we manifest a collective aesthetic expression of our relationship with the “natural” world, then what, on the occasion of nature’s disappearance, is the aesthetic of that relationship today? 2) What is the role of a large urban park today? 3) How might issues of aesthetics on the one hand and performance on the other coalesce into what Olmsted described as “a single work of art”? 4) Given the extraordinary history of the Central Park site, the competition asks how the new interprets the old, and how together, the new and the old anticipate the future. In short, the brief is to create the concept for a new, 21st century Central Park. The brief asks for a plan, a short explanatory text, and discretionary supporting imagery. The competition favors conceptual rigor and imagination, and places a premium on engagement with the questions outlined above. Basic issues of feasibility, materiality, circulation, and programming will also be taken into consideration by the jury. |
The Cold War Veterans Memorial Competition 
Rendering: Oyler Wu Collaborative/Courtesy Pritzker Military Museum & Library
The Pritzker family is no stranger to good architecture; so it should come as no surprise that a project launched by the Pritzker Military Archives, including a competition for a Cold War Veterans Memorial in Wisconsin, would embrace this approach. Other major projects focusing on war veterans have also identified architecture as a significant element in the choice of a design—most notably the choice of SHoP architects for the design of Syracuse University’s National Veterans Resource Center (https://competitions.org/2017/03/syracuse-national-veterans-resource-center/). Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ A Quest for that Elusive Connective Formula 
First Place: Pedestrian perspective from Parliament – Zeidler Architecture in association with David Chipperfield Architects
How do you find a common thread that can connect an eclectic collection of buildings, visually as well as physically, all located within a one-block site, located just across from Canada’s Parliament building in Ottawa. To identify this common thread that could tie everything together, the client turned to a design competition for answers. With the aid of consultants, [phase eins] from Berlin and experts from Canada’s’ own Université de Montréal’s School of Architecture, the client turned to an invited international format to finally settle on six teams that could rethink the site. Read more… Vilnius Railway Station and Public Square Competition 
Vilnius Station competition Image: ©Zaha Hadid Architects
How do you find a common thread that can connect an eclectic collection of buildings, visually as well as physically, all located within a one-block site, located just across from Canada’s Parliament building in Ottawa. To identify this common thread that could tie everything together, the client turned to a design competition for answers. With the aid of consultants, [phase eins] from Berlin and experts from Canada’s’ own Université de Montréal’s School of Architecture, the client turned to an invited international format to finally settle on six teams that could rethink the site. Read More… AL_A Prevails over a Star-studded Cast 
After over a year of planning, the choice of a site, and the establishment of criteria for the staging an international competition for a new concert hall, the process recently culminated in the choice of an architect for the design of the new Philharmonic in Belgrade, Serbia. Once a rather drab, nondescript city under the Tito regime, Belgrade has been reimagining itself to take its place as a major European city, including cultural attractions one might attach to such a claim. Read more… 
After narrowing the field to three finalists and reviewing their presentations via ZOOM, the competition jury gave the nod to KUTONOTUK of Charlottesville, VA as the winner. The winning team is led by principals, Leena Cho and Matthew Jull, faculty members at the University of Virginia’s School of Architecture. Second place went to FORMA from New York City, and third place was awarded to Lewis Williams with Hudson Architects from Norwich, England. Presentations of all three finalists can be seen here:
https://competitions.org/2022/03/atlantic-beach-nc-boardwalk-design-competition/ |
