Lanzarote Dynamic Square Competition Sponsor: reTHINKING Competitions
Type: Open, international
Location: Lanzarote, Canary Islands (Spain)
Eligibility: All students and architects or related professions anywhere in the world can participate in the contest. Participation can be individual or in groups of up to 8 members. Team members can be from all disciplines (artists, philosophers, photographers, etc.), being mandatory, the presence of an architect. This competition is a pre-phase for the recruiting of the winner team for the realization of the project, therefore is IT IS INDISPENSABLE to have a qualified architect in the team. The architect must be Spanish or at least to be compromised to associate with a Spanish architect for the construction of the project.
Awards:
First prize € 6,000 + construction
Second prize € 4,000
Third prize € 2,000
Timeline:
8 February 2018 – Early Registration Deadline
1 March 2018 – Regular Registration Deadline
23 March 2018 – Late Registration Deadline
23 March 2018 – Submission Deadline
Fees:
Early Registration – 40 € + IVA
Regular Registration – 70 € + IVA
Late Registration – 90 € + IVA
(IVA: 21%)
Design Challenge:
The Cabildo of Lanzarote has been trying since 1989 to reactivate and enhance the cultural attractiveness of Arrecife. The main objective of this project is to convert the El Almacén plaza (Arrecife) into an urban point of culture and social meeting. And with this contest it is intended to take an important step for it since the proposal will be built. Objectives:
• Sustainability and energy efficiency. The square with an area of more than 1000 m² can be a source of solar use either for the activities that are going to be developed as a possible source of power for the El Almacen building.
• Environmental Protection. The intervention must be respectful with the Environment, proposing a sustainable use.
• Treatment of facades of the surrounding buildings. The dividing wall of the adjacent building will be used as a white screen of Video Mapping that of a changing aspect to the square.
• Shadow: Elements will be available to hang different elements that shade the square. In addition to the need to include vegetation.
• Accessibility: it must be accessible to all people with reduced mobility.
• Tours. Access must be provided for vehicles for loading and unloading at specific times. The rest of the time will be a pedestrian square (and environment).
• Polyvalence: the mixture and the different uses should be encouraged. The Cabildo of Lanzarote has a Budget for the execution of the same of 350,000 Euros For more information, go to:
http://rethinkingcompetitions.com/ |
1st Place: Zaha Hadid Architects – night view from river – Render by Negativ
Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
Wwhat do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ 
Helsinki Central Library, by ALA Architects (2012-2018)
The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome. Read More… 
2023 Teaching and Innovation Farm Lab Graduate Student Honor Award by USC (aerial view)
Architecture at Zero competitions, which focus on the theme, Design Competition for Decarbonization, Equity and Resilience in California, have been supported by numerous California utilities such as Southern California Edison, PG&E, SoCAl Gas, etc., who have recognized the need for better climate solutions in that state as well as globally. Until recently, most of these competitions were based on an ideas only format, with few expectations that any of the winning designs would actually be realized. The anticipated realization of the 2022 and 2023 competitions suggests that some clients are taking these ideas seriously enough to go ahead with realization. Read more… 
RUR model perspective – ©RUR
New Kaohsiung Port and Cruise Terminal, Taiwan (2011-2020)
Reiser+Umemoto RUR Architecture PC/ Jesse Reiser – U.S.A.
with
Fei & Cheng Associates/Philip T.C. Fei – R.O.C. (Tendener)
This was probably the last international open competition result that was built in Taiwan. A later competition for the Keelung Harbor Service Building Competition, won by Neil Denari of the U.S., the result of a shortlisting procedure, was not built. The fact that the project by RUR was eventually completed—the result of the RUR/Fei & Cheng’s winning entry there—certainly goes back to the collaborative role of those to firms in winning the 2008 Taipei Pop Music Center competition, a collaboration that should not be underestimated in setting the stage for this competition Read more… 
Winning entry ©Herzog de Meuron
In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making. It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
Read more… |
