Lighthouse Interior CompetitionSponsor: Competitions for Designers
Type: open, international, ideas
Language: English
Timetable:
27 March 2017 – Deadline for early registration (€50)
25 April 2017 – Deadline for standard registration (€75)
24 May 2017 – Deadline for late registration (€100)
31 May 2017 – Deadline for submissions
Awards:
1st prize €5,000
2nd prize €2,000
3rd prize €1,000
4 Gold mentions €500
Challenge:
Gruppo Romani, which has led the industry of top-quality ceramics production for decades, has launched Lighthouse Interior, a competition for the creation of a new collection of furnishing accessories and pottery, drawing inspiration from the myth of lighthouses and coastal towers to create new products of exquisite elegance, conceived for this new network of accommodation facilities, as well as for seaside tourism in general. The new collection will be an extension of Cerasarda Atelier, a brand established in the 1960s at the dawn of the myth of the Costa Smeralda, and now open to the latest trend of seaside and niche tourism: lighthouses. The competition will create a new line of products which will contribute to memorable holidays enjoyed in unspoiled nature and in the shadow of of the old signal towers. The collection that Gruppo Romani aims to create for Cerasarda Atelier will have to be evocative of relax, of holidays at the end of the world, lulled by the roar of the waves and the cries of the seagulls. It will have to tell a story of holidays in a timeless dimension, blue skies and windy shores, deep silence and solitary towers.
For more information, go to: http://www.competitionsfordesigners.com/competition/lighthouse-interior |
Pedestrian perspective
The result of an effort from a professor at the TUM (Technische Universität München) to restore the Budludzha Monument in Bulgaria, located in a remote location on a mountain top in that country, we discovered that it originally was the result of a 1959 design competition won by the young Bulgarian architect, Georgi Stoilov. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ A Flawed Plan Leads to Budget Issues
Competition rendering of project looking south to Mies museum ©Herzog de Meuron
Once considered on the forefront of modern architecture in post-WWII Europe, Berlin has had its share of questionable decisions concerning important urban projects in recent history. Beginning with the rebirth of the Berlin Palace (Humboldt Forum) on the Spree by Italian architect, Franco Stella, and now followed by Herzog de Meuron’s controversial addition to Mies’s 20th Century Art Museum, the times when one could look to Berlin as a signpost of architectural innovation can only be viewed in the rear view mirror.
Read more… Art Gallery of Nova Scotia Competition
Image: ©KPMB Architects
Not to be outdone by other Canadian provincial capitals, Halifax has chosen to make its own ambitious museum statement on the city’s waterfront. New museums in Vancouver, BC, Calgary and Fredericton, New Brunswick, the latter two by KPMB Architects, are either in development or already under construction. Saskatoon’s Remai Modern by KPMB and OMA’s Musée national des beaux-arts du Québec in Montréal were more recently completed, and Vancouver’s new Art Museum by Herzog & de Meuron is still under development. Read more… Urban Adaptation Competition
Image ©Francesco Allaixand Julio Orduña
Recently we are beginning to see a resurgence of wood as a primary building material, not only for detached residential housing, but also for multi-family and commercial urban structures. Masonry, steel, and composite materials are still the bread and butter of the construction industry; but wood may be making serious inroads into the future of commercial buildings. Yes, we have seen the use of wood in interiors of large buildings: one of the more impressive projects being that of the Christ the Light Cathedral by SOM in Oakland, California. Read more… |
