Eligibility:Â The competition is open to all current full-time registered students in an undergraduate architecture degree program or undergraduates majoring in architecture in accredited schools of architecture worldwide. Two students (maximum) who meet the eligibility requirements above may collaborate as authors. An architecture student may team up with another undergraduate in architecture, landscape architecture, urban studies, arts and humanities, the social sciences, or engineering. If two students collaborate, then both names must appear on their essay and if awarded a prize, the prize is to be equally shared.
Language:Â English
Awards:Â There is a total prize of 20,000USD, minimum 5,500USDÂ first prize. Â The remaining purse is to be allocated at the discretion of the Jury.
1 February 2016 – (Stage Two) Essay Semifinalists’ 2,500-word essays due
Process: The Berkeley Undergraduate Prize for Design Excellence endowment was established in the Department of Architecture at the University of California, Berkeley College of Environmental Design to promote the investigation of architecture as a social art. Each year  the PRIZE Committee selects a topic important to the understanding of the interaction of people and the built world that becomes the focus of the Essay Competition. This year the topic is: Sheltering Those in Need: Architects Confront Homelessness.
The Committee poses a Question on this website related to the topic. Students enrolled in any accredited undergraduate architecture program or diploma in architecture program throughout the world are invited to submit a 500-word essay proposal in English responding to the Question.  Undergraduate architecture students may team up with undergraduates from allied arts and social sciences programs.
From the pool of essay proposals received, approximately 25 are selected by the PRIZE Committee as particularly promising. The 25 selected individual students, or student teams, become Semifinalists.
These Semifinalists are invited to submit a 2,500-word essay, again in English, expanding on their proposals. A group of readers, composed of Committee members and invited colleagues, selects five-to-eight of the best essays and sends these Finalist essays to a jury of international academics and architects to select the winners.
At the conclusion of the Essay Competition submittals, all Semifinalists are also invited to submit for one of several BERKELEY PRIZE Travel Fellowships. Details for the Fellowships will be announced in the spring 2017.
2016 Essay Question: Who is doing what in your community to confront the issue of the men, women, young people, and children without any shelter?Â
As both an individual and as a professional, how do you see yourself assisting in providing shelter to those in need?
Following are some guidelines to keep in mind as you write your proposal:
Be sure that you can personally visit those in your community whom you identify.
You must be able to visit at least one of their projects if it is built or being built.
If the project is not yet built or theoretical, you must talk directly with them about it.
When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer published by Potential Architecture Books, Montreal, Canada 2020 271 illustrations in color and black & white Available in PDF and eBook formats ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link:
If one were to search for a railway museum in the U.K., London would seem to be an obvious choice. But, as it happens, its location is in the northeastern city of York, far from the major cultural and economic centers of the country. But despite its distance from the major metropolitan areas to the south and west, York has managed to become the focal point of research into the history of rail in the U.K., supplemented by a major museum. Here we are not just talking about some posters, but sheds replete with a large collection of vintage trains.
Foundation non-profits are no strangers to good architecture. Ford Foundation’s forward-looking headquarters in New York City by Roche Dinkeloo was an early example of a non-profit using architecture as a vehicle for serving to brand it as a progressive institution. In 2001 the California Endowment went one step further, staging an invited competition for their new headquarters in Los Angeles.
Master plans have been around for ages; but master plans for very large cities with all their support systems are relatively new. Milton Keynes (MK), located in Buckinghamshire in southern England, and begun in the late 1960s, is one of the most successful of the new cities, now having a population of almost 250,000. Its success lies mainly on the lessons learned from the establishment of the planning which generated the new towns in the U.K. during the 1940s and 50s, many of which have not fared well in the test of time. MK’s success was based primarily on the careful separation of high density from residential where the influence of the “garden city” could be seen. Here the idea of a live/work environment was even incorporated.
The updating and modernization of Chicago’s O’Hare Airport has been well overdue. Aside from occasional problems caused by Chicago’s winter storms, congestion at the airport has led air travelers to avoid the airport when catching a connecting flight is on the agenda. So Chicago, noted for its modern architecture and the home of several high-profile architecture firms, decided to turn to an invited competition for a solution to these issues.
Competitions in Chicago in the recent past have been anything but encouraging, especially when transparency is an issue. During the competition for the Obama Center on the South Side, the Obama Foundation, which was responsible for the administration of that “competition,” was anything but a model of transparency; and to this day, none of the finalist designs, other than that of the winner, have seen the light of day. In the case of the O’Hare project, videos submitted by the five finalists teams were on public display, and the public was even asked to vote for their favorite.
In these times when political emotions run high and gun violence is the norm, not the exception; and when emotions no longer are held in check, but encouraged by our leaders, minorities become easy targets for those who adhere to ideologies based primarily on exclusivity and hate.
The LGBT community has long been the target of various segments of our society; but the massacre that took place at the Pulse nightclub in Orlando, a favorite hangout for gays, elevated this phenomenon to a new level. After an event that claimed the lives of 49 victims, injured 68 others, and left hundreds permanently traumatized, it should come as no surprise that a memorial to this tragedy has been front and center in the minds of the community ever since. Because the very nature of this event has drawn nationwide attention, the community wanted to get it right. So it was only logical that they would turn to a competition as the most viable vehicle for arriving at a solution for the design of a memorial, as well as a museum. For this, the onePULSE Foundation was formed, to memorialize this tragedy and “ensure that Pulse”s legacy of love, acceptance and hope will never be lost.”
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