2016 Berkeley PrizeEligibility:Â The competition is open to all current full-time registered students in an undergraduate architecture degree program or undergraduates majoring in architecture in accredited schools of architecture worldwide. Two students (maximum) who meet the eligibility requirements above may collaborate as authors. An architecture student may team up with another undergraduate in architecture, landscape architecture, urban studies, arts and humanities, the social sciences, or engineering. If two students collaborate, then both names must appear on their essay and if awarded a prize, the prize is to be equally shared.
Language:Â English
Awards:Â There is a total prize of 20,000USD, minimum 5,500USDÂ first prize. Â The remaining purse is to be allocated at the discretion of the Jury.
Timetable: 1 November, 2015 – Stage One, 500-word essay proposal due. December 2015 – Essay Semifinalists announced 1 February 2016 – (Stage Two) Essay Semifinalists’ 2,500-word essays due Process: The Berkeley Undergraduate Prize for Design Excellence endowment was established in the Department of Architecture at the University of California, Berkeley College of Environmental Design to promote the investigation of architecture as a social art. Each year  the PRIZE Committee selects a topic important to the understanding of the interaction of people and the built world that becomes the focus of the Essay Competition. This year the topic is: Sheltering Those in Need: Architects Confront Homelessness.
The Committee poses a Question on this website related to the topic. Students enrolled in any accredited undergraduate architecture program or diploma in architecture program throughout the world are invited to submit a 500-word essay proposal in English responding to the Question.  Undergraduate architecture students may team up with undergraduates from allied arts and social sciences programs.
From the pool of essay proposals received, approximately 25 are selected by the PRIZE Committee as particularly promising. The 25 selected individual students, or student teams, become Semifinalists.
These Semifinalists are invited to submit a 2,500-word essay, again in English, expanding on their proposals. A group of readers, composed of Committee members and invited colleagues, selects five-to-eight of the best essays and sends these Finalist essays to a jury of international academics and architects to select the winners.
At the conclusion of the Essay Competition submittals, all Semifinalists are also invited to submit for one of several BERKELEY PRIZE Travel Fellowships. Details for the Fellowships will be announced in the spring 2017.
2016 Essay Question: Who is doing what in your community to confront the issue of the men, women, young people, and children without any shelter?Â
As both an individual and as a professional, how do you see yourself assisting in providing shelter to those in need?
Following are some guidelines to keep in mind as you write your proposal:
- Be sure that you can personally visit those in your community whom you identify.
- You must be able to visit at least one of their projects if it is built or being built.
- If the project is not yet built or theoretical, you must talk directly with them about it.
For more information, got to:Â http://www.berkeleyprize.org/competition/essay/2016 |
Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Hangang District Urban Design International Master Competition
1st place entry by Dominique Perrault Architecture (image ©Dominique Perrault Architect)
China’s planning priorities for their urban areas experienced a sharp turn after the post-Mao reforms took place. During the early post-WWII period, when Soviet influence in the early urbanization of China dominated, industrial development took precedence over all other issues, with heritage, conservation, residential planning, and the amenities associated with it, being almost entirely neglected. Read more…
Winning design by ©Moreau Kusunoki /Genton
Although one might normally assume that local firms participating in a competition might have a clear advantage over foreign competitors, this has seldom been the case: just see Sydney’s Opera House, won by a Danish architect, and Toronto’s City Hall, won by a Finn—as evidence that well devised competition briefs as adequate documentation can create a level playing field for potential competitors, regardless of their location.
Read more…
Jensen Architects – Winning entry (Honor Award) Beginning in 2011, Architecture at Zero, a collaboration between the Pacific Gas and Electric Company (PG&E) and the California chapter of the American Institute of Architects (AIACA), was established to investigate the role architecture might play in reducing energy consumption in the built environment. Since then, every year has seen a new site and building type selected as a design challenge in what has become one of the world’s most interesting international competitions.
As a sign of its mounting popularity, the competition received 237 registrations from 49 countries and, according to the professional adviser, about 150 entries— all this during the Covid-19 virus pandemic, when all were compelled to work from home. Read more… An Ideas Competition in Opposition to a Concrete Design
Entry by TheeAe (Image © TheeAe)
In early 2020, a group advocating a new approach to the design of the Los Angeles Museum of Art (LACMA)—The Citizens’ Brigade to Save LACMA—organized a competition to counter an existing design by the Swiss Architect Peter Zumthor. Already commissioned by the LACMA administration, the project is slated to begin almost immediately with the demolition of four LACMA buildings—three existing and one new. Moreover, the existing plan to incorporate all of the existing collections under one roof isn’t covered by the Zumthor plan. This obvious lack of exhibit space was the focus of a query by the Ahmanson Foundation, a major donor of artworks to LACMA in the past. Upon not receiving assurances from LACMA that those donated works would be exhibited, but possibly held in storage and hidden from public view, the Foundation cut all ties with LACMA. Finally, the plan by Zumthor foresees the new structure not only occupying much of the new space created by demolition, but extends part of the new building over Wiltshire Boulevard. As one might anticipate from Zumthor, the construction of the structure is also primarily of concrete, thereby raising the cost per SF. So no matter how highly finished this material turns out to be, it does in essence represent a brutalist structure replacing an eclectic ensemble. Read more… National Railway Museum Central Hall (U.K.)
Winning entry by Feilden Fowles (image © Fielden Fowles)
If one were to search for a railway museum in the U.K., London would seem to be an obvious choice. But, as it happens, its location is in the northeastern city of York, far from the major cultural and economic centers of the country. But despite its distance from the major metropolitan areas to the south and west, York has managed to become the focal point of research into the history of rail in the U.K., supplemented by a major museum. Here we are not just talking about some posters, but sheds replete with a large collection of vintage trains. Read more… |
