“Balancing Pavilion”Sponsors: • Schusev State Museum of Architecture, Moscow
• National Center of Contemporary Art (NCCA)
• Project Russia magazine Type: open, international Languages: English, Russian Eligibility: Architects, artists, engineers, interdisciplinary groups Fee: None Location: Vyksa (Nizhny Novgorod area), Russia Timetable: Registration deadline – 22 March 2013
Project submission deadline – 30 March 2013 Budget: Approximately 20,000 Euros for realization of the project Awards: 1st prize: 60,000 roubles (approximately 1,500 Euros) Jury: Odile Decq – architect, winner of the “Golden Lion” for the contribution to world architecture (Architectural Biennale in Venice, 1996).
Dmitry Alexeev – architect, artist, founder and director of architectural bureau «SSSR», curator of «Art-Ovrag» festival.
Evgeny Asse – architect, artist, founder and rector of architectural school MARCH.
Daniel Dendra – architect and urbanist, founder of anOtherArchitect, Berlin.
Lorenzo Fernandez-Ordonez – architect, professor at the Higher School of art and architecture of European university (Madrid).
Anna Gor – director of Volga department of the National Center of contemporary art.
Konstantin Grouss – choreographer, director and art director of the Art Project “ZERO Dance Gallery” and International Cultural Project «Art-Residence», curator of «Art-Ovrag» festival.
Irina Korobyina – director of State Museum of Architecture named after Schusev, Moscow.
Alexei Kozyr’ – architect, founder of «Alexei Kozyr’ Architectual studio».
Alexei Muratov – architect, chief editor of the «Project Russia» magazine.
Irina Sedykh – chairman of the Board of Trustees of the Charity Foundation «OMK-Uchastie». Design Challenge: “Under BALANCING PAVILION we understand the transformative, possibly mobile object which has one or several points of support, which can be installed in different locations throughout the city. This object can stand on the ground, but not on the base or the ribbon foundation; its part should be separated from the ground. In this case, we are giving maximum of freedom. The more original is the project, the better. Function of the object – pavilion for exhibitions of contemporary art and holding the workshops. It has to be possible to use throughout the year, with period of service no less than 5 years.” For more information and to enter, go to: http://street-art-ovrag.ru/?p=3669&lang=en#more-3669 |
Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor) With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C. Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… 
Courtesy Malcolm Reading Consultants, ©Kengo Kuma & Associates
A UNESCO World Heritage Site Again on the World Stage How does one approach a challenge when creating a design worthy of a park with a history dating back to antiquity? This was what four design teams faced when shortlisted for the design of a Visitor Center for the Butrint National Park in Albania. The park’s history is illuminating in this regard.
Read more…
Chungji National Heritage Museum Competition
Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
Read more… University of Florida’s College of Design Construction and Planning’s New Addition 
Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
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