Re-imagine PlayType: Open, RfP Eligibility: The competition is open to design professionals from around the country. Teams exhibiting professionally diverse expertise are encouraged. All entries must include a licensed Landscape Architect in the State of Colorado and must meet a 15% participation goal for Denver Minority or Women owned businesses (M/WBE). Design Challenge Denver Parks and Recreation (DPR) is challenging currently accepted definitions of play and is looking to re-think play as a unique, multi-faceted experience in an urban, multi-generational space in Denver’s Historic City Park. Highly motivated, qualified and experienced design teams are asked to submit their qualifications and ideas for this challenge. The new space will be unique and will include community context and advocacy. Click here for complete RFP The proposed project area is located in the western part of the park in the general vicinity of the existing Dustin Redd playground, a large, incredibly popular, wooden structure, built in 1996 by community volunteers, that is fast approaching the end of its useful lifespan. The need to remove this beloved but unsustainable structure opens up the opportunity to create a new space and experience surpassing our imagination, unique yet well suited to City Park. This new space will be innovative and dynamic in its design, invite all park visitors and neighbors while underscoring how play in all of its forms is an essential characteristic of healthy living for all citizens. Finding a location, selecting the appropriate size and scale of the project, determining any and all of its elements is part of the challenge for this competition. Selection Process The competition consists of the following steps: - Submittal of team/firm qualifications
- Selection of 10 to 15 teams to submit design concepts
- Public display and jury selection of 3 to 5 finalists;
An honorarium of $1,500 will be available to selected firms for preparation for the final round. - Public presentation and Q&A of finalists’ concepts and ideas
- Selection of successful team/design concept
- Contract execution with the City to develop a final design, cost estimate, CDs for a Phase 1, and oversee construction of Phase 1. There will be a project hold between design development and CDs/construction for phase 1 to allow for fundraising.
Timetable 22 March 2012 – Questions deadline 13 April 2012 – 1st Submittal Deadline (submitted digitally 13 April 2012 – Notify Short Listed Firms 1 May 2012 – 2nd Submittal Deadline (submitted digitally
Submittals
All submittals are made electronically to: City and County of Denver
Department of Parks and Recreation (DPR)
reimagineplay@denvergov.org |
Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Another Competition for Moscow’s Expanding Subway Network
Image © Zaha Hadid Architects
Even under Stalin, Moscow subway stations represented the crown jewels of the city’s projects when it came to design. In more recent years, the emphasis placed on modern design in the city’s expanding metro rail network has resulted in some major new projects, and this year’s competitions for two stations was no exception: the Klenoviy Boulevard Station 2 won by Zaha Hadid Architects (London), and the Prospect Marshala Zhukova station, won by the ASADOV Architectural Bureau (Moscow). Read More… Hangang District Urban Design International Master Competition
1st place entry by Dominique Perrault Architecture (image ©Dominique Perrault Architect)
China’s planning priorities for their urban areas experienced a sharp turn after the post-Mao reforms took place. During the early post-WWII period, when Soviet influence in the early urbanization of China dominated, industrial development took precedence over all other issues, with heritage, conservation, residential planning, and the amenities associated with it, being almost entirely neglected. Read more…
Winning design by ©Moreau Kusunoki /Genton
Although one might normally assume that local firms participating in a competition might have a clear advantage over foreign competitors, this has seldom been the case: just see Sydney’s Opera House, won by a Danish architect, and Toronto’s City Hall, won by a Finn—as evidence that well devised competition briefs as adequate documentation can create a level playing field for potential competitors, regardless of their location.
Read more…
Jensen Architects – Winning entry (Honor Award) Beginning in 2011, Architecture at Zero, a collaboration between the Pacific Gas and Electric Company (PG&E) and the California chapter of the American Institute of Architects (AIACA), was established to investigate the role architecture might play in reducing energy consumption in the built environment. Since then, every year has seen a new site and building type selected as a design challenge in what has become one of the world’s most interesting international competitions.
As a sign of its mounting popularity, the competition received 237 registrations from 49 countries and, according to the professional adviser, about 150 entries— all this during the Covid-19 virus pandemic, when all were compelled to work from home. Read more… An Ideas Competition in Opposition to a Concrete Design
Entry by TheeAe (Image © TheeAe)
In early 2020, a group advocating a new approach to the design of the Los Angeles Museum of Art (LACMA)—The Citizens’ Brigade to Save LACMA—organized a competition to counter an existing design by the Swiss Architect Peter Zumthor. Already commissioned by the LACMA administration, the project is slated to begin almost immediately with the demolition of four LACMA buildings—three existing and one new. Moreover, the existing plan to incorporate all of the existing collections under one roof isn’t covered by the Zumthor plan. This obvious lack of exhibit space was the focus of a query by the Ahmanson Foundation, a major donor of artworks to LACMA in the past. Upon not receiving assurances from LACMA that those donated works would be exhibited, but possibly held in storage and hidden from public view, the Foundation cut all ties with LACMA. Finally, the plan by Zumthor foresees the new structure not only occupying much of the new space created by demolition, but extends part of the new building over Wiltshire Boulevard. As one might anticipate from Zumthor, the construction of the structure is also primarily of concrete, thereby raising the cost per SF. So no matter how highly finished this material turns out to be, it does in essence represent a brutalist structure replacing an eclectic ensemble. Read more… |
