SHIFTBoston: Glow CompetitionSponsor: SHIFTBoston, LightBoston, Friends of Copley Square
Type of competition: Open, International
Language: English
Location: Boston, MA
Eligibility: Open internationally to all artists, architects, urban planners, sculptors, lighting designers, and landscape architects.
Registration Fee: None
Jury: Ana Bassat – Architect, Principal of b720 Helmut Bien – Director of Luminale and Luminapolis.com Bill Kenney – General Manager of Copley Place Simon Property Group Mark Loeffler – Lighting Designer, Director of Atelier Ten Otto Piene – Painter, Artist, Lighting Sculptor Nader Tehrani – Principal of NADAAA Paul Zaferiou – Lighting Designer, Principal of Lam Partners Awards: Three teams will be selected as winners of the first round. The winning teams will present their proposals at the GLOW Forum event in
March 2012 to members of the jury, fellow designers, lighting manufacturers, government, academic, community and business leaders. The three proposals will become part of a postcard series in the Boston Metropolitan area during March and April of 2012. Winning teams will be given two months to work with a professional from Boston Light Source to develop lighting specifications for their proposal. In April of 2012, the jury will review the three final proposals and select the one that is most technically feasible and suitable to the overall program goal. The winning proposal will be featured as part of the upcoming Copley Square Hotel Anniversary celebration and planned for installation in 2013. All eligible entries will be promoted on the SHIFTboston blog and website and will become part of the SHIFTboston GLOW book in 2012. Timeline: 3 February 2012 – Submissions Deadline Design challenge:
Entrants are challanged to create a new approach for lighting Copley Square. SHIFTBoston is seeking proposals which will capture the beauty of the existing fabric in this unique urbanscape. Lighting design concepts should highlight existing monuments, fountains and landscaping features in the square. Proposals should demonstrate coordinated structural and pedestrian lighting of the entire space, rather than focusing exclusively on the architecture.
For more information, go to: http://shiftboston.org/competitions/2012glow.php
Contact Information: competitions@shiftboston.org |
Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ 
View from Congress Square of Lever Architecture entry showing new wing on left
A New Wing to Accommodate a Museum’s Burgeoning Holdings, New Programs, and Rise in Attendance The passage of time has seen most art museums adding on new wings, or even deciding on a brand new building. The Portland Museum of Art (PMA) has followed this pattern, having commissioned the new Charles Shipman Payson Building by Harry Cobb of I.M. Pei and Partners in 1981. This building served the community well for decades; but numerous gifts to the museum have necessitated the expansion of exhibition spaces well beyond the limited capacity to be found in the existing building. Adding to this is an evolving mission of the PMA in its interaction with the community. Read more… 
Courtesy Malcolm Reading Consultants, ©Kengo Kuma & Associates
A UNESCO World Heritage Site Again on the World Stage How does one approach a challenge when creating a design worthy of a park with a history dating back to antiquity? This was what four design teams faced when shortlisted for the design of a Visitor Center for the Butrint National Park in Albania. The park’s history is illuminating in this regard.
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Chungji National Heritage Museum Competition
Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
Read more… University of Florida’s College of Design Construction and Planning’s New Addition 
Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
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