Drylands Design

Sponsor: California Architectural Foundation

Type: Open Ideas

Location: California

Language: English

Fee:

Students

$25 for California residents

$50 for out of state residents

Professionals

$50 for California residents

$75 for out of state residents

Eligibility: Students and professionals

Timetable:

September 15, 2011 – Web briefing for competitors

November 15 – Registration deadline

December 15 – Submission deadline

January 17, 2012 – Awards announced

Awards:

Student category (for architectural and community design proposals)

Honor award – $2,500

Merit award – $1,250

Professional category

Research grants ($10,000 each) for five projects

Jury:

Tom Anglewicz, FAIA, President California Architectural Foundation

Teddy Cruz, AIA

Mary Griffin, FAIA, Turnbull Griffin Haseloop Architects

Enrique Norten, Hon. FAIA, TEN_Arquitectos

Michael Rotondi, FAIA, Roto Architecture

Greg Otto, Principal, Buro Happold, Engineers

Design Challenge:

The California Architectural Foundation, in partnership with the Arid Lands Institute at Woodbury University and the AIACC Academy for Emerging Professionals, announces a call for entries for the 2011-2012 William Turnbull Competition: Drylands Design: An Open Ideas Competition for Retrofitting the American West. Design teams are invited to generate progressive proposals that suggest to policy makers and the public creative alternatives for the American west, ideas that may be replicated throughout the world.

Submission Requirements:

Digital submission of up to two 24×36 sheets and project narrative

For more information, go to: http://drylandscompetition.org/

Berlin’s Kaiser Wilhelm Memorial Church Competition

A Church Ruin as Reconciliation Memorial

View of winning design from south ©Heninghan Peng Architects

For those tourists visiting Berlin today, the sudden approach to the ruins of a 1895 church building located on the city’s downtown Breitscheidplatz would certainly arouse their curiosity. One of the few remaining relics of World War II in the city, the church has now been the subject of a competition: Redesign and renovation of the Old Tower of the Friedrich Wilhelm Memorial Church (Umgestaltung des Alten Turms der Kaiser-Wilhelm-Gedächnis-Kirche).

Young Architects in Competitions

When Competitions and a New Generation of Ideas Elevate Architectural Quality

by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047

What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?

This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.

Download Young Architects in Competitions for free at the following link:

https://crc.umontreal.ca/en/publications-libre-acces/

Düsseldorf “New Heart” Tower Competition

Architecture as a Unifying Concept

1st Place – UNStudio Image: ©Aerial image: ©die developer Projektentwicklung GmbH

As attractive as some of our most famous towers might appear, they do have a serious downside according to some observers: ‘they suck the life out of the street.’ This has not gone unnoticed, as some cities have required setbacks as partial solutions. Two Mies Van Der Rohe projects, New York’s Seagram Building and the Toronto-Dominion Centre are prime examples of this concept. More recently the recognition that landscaping can provide some breathing space has become quite the fashion. Competitions are now replete with competitors who insist that the surrounding green environment does not stop at the front door. One of the most obvious in recent history is Elizabeth de Portzamparc’s competition winning entry for the Taichung Tower 2 competition in Taiwan.

Take Back the City Competition

Belfast Looks Toward an Equitable and Sustainable Housing Model

Birdseye view of Mackie site ©Matthew Lloyd Architects

If one were to look for a theme that is common to most affordable housing models, public access has been based primarily on income, or to be more precise, the very lack of it. Here it is no different, with Belfast’s homeless problem posing a major concern. But the competition also hopes to address another of Belfast’s decades-long issues—its religious divide. There is an underlying assumption here that religion will play no part in a selection process. The competition’s local sponsor was “Take Back the City,” its membership consisting mainly of social advocates. In setting priorities for the housing model, the group interviewed potential future dwellers as well as stakeholders to determine the nature of this model. Among those actions taken was the “photo- mapping of available land in Belfast, which could be used to tackle the housing crisis. Since 2020, (the group) hosted seminars that brought together international experts and homeless people with the goal of finding solutions. Surveys and workshops involving local people, housing associations and council duty-bearers have explored the potential of the Mackie’s site.” This research was the basis for the competition launched in 2022.

National Museum of the U.S. Navy

Perkins & Will

Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor)

With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C.

Dallas Tabs Nieto Sobejano as Choice For Museum Redesign

Six Firms Competed to Rethink the Future of a Major Museum

Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)

The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant.

Copyright © 2023 Competitions

All Rights Reserved Competitions-Archive LLC,
1731 Fernwood Avenue, Louisville, Ky 40250 U.S.A

Ph: (502) 451-3623; Fax: (502) 451-3623

Website: https://competitions.org

E: scollyer@competitions.org

Privacy Policy: CP-Privacy-Policy.pdf

IMPORTANT NOTICE : Unless otherwise indicated, photographs of buildings and projects are from professional or institutional archives. All reproduction is prohibited unless authorized by the architects, designers, office managers, consortia or archives centers concerned. The Competitions-Archive LLC is not held responsible for any omissions or inaccuracies, but appreciate all comments and pertinent information that will permit necessary modifications during future updates.

Powered by WordPress & Atahualpa