Ideas Competition: Offices of the Fundación Arquitectura Contemporánea and the San Pablo Block in Cordoba.Sponsors: Fundación Arquitectura Contemporánea Type: International ideas, 2-phase Language: Spanish, English Awards: The Jury shall choose the competition winner from among the Phase II finalists. The Fundación Arquitectura Contemporánea shall commission the winning architect or team to draw up the basic design and execution project for the headquarters at the time when the Fundación decides to execute the project. Timeline:
27 November 2009 – Submission of questions
11 December 2009 – Answers to questions
1 February 2010 – Submission deadline
26 February 2010 – Jury’s decision Jury: The jury, which will act in both phases of the competition, shall be made up of the following members: – Chairman; the Chairman of the Fundación Arquitectura Contemporánea.
– Three architects Trustees of the Fundación Arquitectura Contemporánea.
– Three architects of recognized prestige chosen by the Fundación.
– One architect of recognized prestige appointed by the Colegio Oficial de Arquitectos de Cordoba (Official Association of Architects, Cordoba).
– One architect chosen by the entrants.
– The Mayor of Cordoba
– The Director-General of Heritage of the Andalusian Regional Government.
– The Secretary of Culture of the Andalusian Regional Government.
– An expert of recognized prestige in Cultural Management.
– Secretary: the Competition secretary. The secretary shall have voice but no vote.
Design Challenge: The Fundación Arquitectura Contemporánea is holding a Competition for Ideas for the construction of its future head offices on the site located at Calle Capitulares nºs 2 and 4 in the San Pablo block in Cordoba. The new building is envisaged as a public forum for interaction, debate, exhibitions and for the promotion of architecture. It will also constitute a public platform from which the cultural debate pertaining to Contemporary Architecture can be broadened and intensified, through the Fundación’s activities and their projection into public space. This expansive quality of the proposal, which may have different states of use or activities, permanent or ephemeral, as the present and future needs of the Foundation, requires the response to the imperfections of the urban environment of the San Pablo block, where they are located other institutions related to culture, such as the Department of Culture of City Hall, the Chapter House and the Office of Culture of the Andalusian. The definitive conversion of the interior of the Huerta into a public space actively accessible by citizens involves respecting its relationship with the archaeological remains on the site, integrating the Huerta as a key space in the centre of the city and addressing the transit routes accessing the different public cultural institutions located there, especially the Provincial Office of the Culture Department of the Andalusian Regional Government. Submission Requirements:
PHASE I
Graphic documentation:
– A maximum of THREE DIN A1 FORMAT HORIZONTAL PANELS shall be submitted; strong, flat, light and rigid.
– DIN A3 format, which content shall coincide exactly with the information contained in the panels.
– A CD shall be submitted containing an editable PDF files with a minimum resolution of 300 dpi of each of the panels in their original size (A1) and in reduced size (A3) JPG files with a minimum resolution of 150 dpi. For more information, go to: http://www.arquitecturacontemporanea.org/concursoeng/ |
Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/
Night view of the memorial tapestry from Independence Avenue, with Gehry’s sketch of the Normandy cliffs.
Explaining the contributions of a World War II hero and later President of the United States on a very modest site on Independence Avenue just off the Washington Mall is tantamount to asking an author to describe the life of this person in no more than one paragraph. But on September 17th, after a long and bumpy journey, lasting almost 20 years and navigating a warren of the DC approval processes and public scrutiny, the Eisenhower Memorial finally was dedicated and opened to the public. Designed by Frank Gehry, it has received mixed reviews, the majority being more positive. But most have pointed out that the memorial is more impressive at night than in full daylight. This is due primarily to the illumination of an almost block-long metallic tapestry—featuring a sketch by Gehry, which depicts his interpretation of the cliffs of the Normandy coastline where the Americans landed on D-Day. Read more…
Professional winner: Brooklyn Bridge Forest (image © Pilot Projects Design Collective)
While looking for new adventures on a visit to New York City, friends suggested that I take time to walk across the Brooklyn Bridge—certainly a New York icon. For those intending to undertake this trek across the bridge for the first time, the bridge consists of layers, with a large platform for pedestrians on top of a lower level for cars and the metro system. Traversing this connection for the first time between Manhattan and Brooklyn is not just about getting from one place to another, but experiencing a great scenic view of both boroughs and occasionally interacting with other bridge crossers. As for the latter, they provide a flavor of the city’s demographics, as opposed to similar experiences one might have of the city’s inhabitants when riding the city’s subway system. Read more… Another Competition for Moscow’s Expanding Subway Network
Image © Zaha Hadid Architects
Even under Stalin, Moscow subway stations represented the crown jewels of the city’s projects when it came to design. In more recent years, the emphasis placed on modern design in the city’s expanding metro rail network has resulted in some major new projects, and this year’s competitions for two stations was no exception: the Klenoviy Boulevard Station 2 won by Zaha Hadid Architects (London), and the Prospect Marshala Zhukova station, won by the ASADOV Architectural Bureau (Moscow). Read More… Hangang District Urban Design International Master Competition
1st place entry by Dominique Perrault Architecture (image ©Dominique Perrault Architect)
China’s planning priorities for their urban areas experienced a sharp turn after the post-Mao reforms took place. During the early post-WWII period, when Soviet influence in the early urbanization of China dominated, industrial development took precedence over all other issues, with heritage, conservation, residential planning, and the amenities associated with it, being almost entirely neglected. Read more…
Winning design by ©Moreau Kusunoki /Genton
Although one might normally assume that local firms participating in a competition might have a clear advantage over foreign competitors, this has seldom been the case: just see Sydney’s Opera House, won by a Danish architect, and Toronto’s City Hall, won by a Finn—as evidence that well devised competition briefs as adequate documentation can create a level playing field for potential competitors, regardless of their location.
Read more… |
