2009 McKinley House CompetitionSponsor: Buffalo Emerging Professionals (BEP), a committee of AIA Buffalo/WNY, and AIA Buffalo/WNY Type: Open to architects licensed 10 years or less, intern architects, students
Fees:
Professional and licensed architects 35 USD AIA & AIAS members / 50 USD Non-members
Intern architects 30 USD AIA & AIAS members / 40 USD Non-members
Students 25 USD AIA & AIAS members / 30 USD Non-members
Awards:
1st Prize – 2,000 USD
2nd Prize – 1,000 USD
Timetable:
23 April 2009 Release of competition brief
8 June 2009 Last day of registration
11 June 2009 Submission date of competition entries
June 30 2009 Announcement of winning entry
July & August 2009 Production of construction documents
Jury:
Richard Baer – Baer & Associates / Construction Industry Education Foundation
Brian Carter, RIBA – Dean, University at Buffalo School of Architecture and Planning
Simon Faber, Assoc. AIA – BEP
Kelly Hayes-McAlonie, AIA – AIANYS / AIA Buffalo/WNY Immediate Past President
David Jameson, FAIA – David Jameson Architect, Inc
Shanntina Moore, Assoc AIA, LEED ® AP – BEP Chair / AIA Buffalo/WNY / AIANYS Assoc. Director
Jim Staebell – McKinley High School Carpentry Program
Pat Sullivan – Scranton’s Thruway Builders Division of United Materials / Construction Industry Education Foundation
Design Challenge:
Entrants are required to design a modular home to be built by junior and senior high school students in the McKinley High School carpentry shop in Buffalo, NY and later transported to an urban site via a flatbed trailer. Entrants must consider NYS Department of Transportation guidelines for transporting the modular units to its final site. Construction documents will be produced post-competition by a licensed New York State architect and submitted for September construction.
Submission Requirements:
– Maximum modular element area: 12’ (W) x 50’(L)
– Maximum building height 1 -1/2 story building. Please note: four (4) – 12’ x 50’ x 10’ units are not permitted due to limited storage space
– Provide 2 – 3 bedrooms
– Provide at least 1 ADA accessible bathroom; 1 -1/2 baths minimum
– Integrate locally sourced materials including sustainable and recycled materials
– Use standard material sizes and increments (i.e. 4’ or 8’ drywall) and conventional detailing methods while challenging the general aesthetic appearance of the building
– Designs must provide flexibility regarding site orientation, entrance to the building and allowance for optional design elements (i.e. mudroom, porch, etc.)
– All drawings must be 24” (H) x 36” (W) in “landscape” format; 10 drawings maximum, including specifications (please see the Appendix for an example of the minimum level of drawing detail required).
– Submit competition materials and registration fee via e-mail
For more information, go to: http://aiabuffalowny.org/BEP/mckinley
Email: mckinley.competition@gmail.com
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Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Another Competition for Moscow’s Expanding Subway Network
Image © Zaha Hadid Architects
Even under Stalin, Moscow subway stations represented the crown jewels of the city’s projects when it came to design. In more recent years, the emphasis placed on modern design in the city’s expanding metro rail network has resulted in some major new projects, and this year’s competitions for two stations was no exception: the Klenoviy Boulevard Station 2 won by Zaha Hadid Architects (London), and the Prospect Marshala Zhukova station, won by the ASADOV Architectural Bureau (Moscow). Read More… Hangang District Urban Design International Master Competition
1st place entry by Dominique Perrault Architecture (image ©Dominique Perrault Architect)
China’s planning priorities for their urban areas experienced a sharp turn after the post-Mao reforms took place. During the early post-WWII period, when Soviet influence in the early urbanization of China dominated, industrial development took precedence over all other issues, with heritage, conservation, residential planning, and the amenities associated with it, being almost entirely neglected. Read more…
Winning design by ©Moreau Kusunoki /Genton
Although one might normally assume that local firms participating in a competition might have a clear advantage over foreign competitors, this has seldom been the case: just see Sydney’s Opera House, won by a Danish architect, and Toronto’s City Hall, won by a Finn—as evidence that well devised competition briefs as adequate documentation can create a level playing field for potential competitors, regardless of their location.
Read more…
Jensen Architects – Winning entry (Honor Award) Beginning in 2011, Architecture at Zero, a collaboration between the Pacific Gas and Electric Company (PG&E) and the California chapter of the American Institute of Architects (AIACA), was established to investigate the role architecture might play in reducing energy consumption in the built environment. Since then, every year has seen a new site and building type selected as a design challenge in what has become one of the world’s most interesting international competitions.
As a sign of its mounting popularity, the competition received 237 registrations from 49 countries and, according to the professional adviser, about 150 entries— all this during the Covid-19 virus pandemic, when all were compelled to work from home. Read more… An Ideas Competition in Opposition to a Concrete Design
Entry by TheeAe (Image © TheeAe)
In early 2020, a group advocating a new approach to the design of the Los Angeles Museum of Art (LACMA)—The Citizens’ Brigade to Save LACMA—organized a competition to counter an existing design by the Swiss Architect Peter Zumthor. Already commissioned by the LACMA administration, the project is slated to begin almost immediately with the demolition of four LACMA buildings—three existing and one new. Moreover, the existing plan to incorporate all of the existing collections under one roof isn’t covered by the Zumthor plan. This obvious lack of exhibit space was the focus of a query by the Ahmanson Foundation, a major donor of artworks to LACMA in the past. Upon not receiving assurances from LACMA that those donated works would be exhibited, but possibly held in storage and hidden from public view, the Foundation cut all ties with LACMA. Finally, the plan by Zumthor foresees the new structure not only occupying much of the new space created by demolition, but extends part of the new building over Wiltshire Boulevard. As one might anticipate from Zumthor, the construction of the structure is also primarily of concrete, thereby raising the cost per SF. So no matter how highly finished this material turns out to be, it does in essence represent a brutalist structure replacing an eclectic ensemble. Read more… |
