Intersections: Grand Concourse Beyond 100Intersections: Grand Concourse Beyond 100
Type: Open, International
Entry Fee: None
Timetable: Registration Deadline: April 24, 2009
Submission Deadline: May 1, 2009
Finalists Contacted: July 2009 Design Challenge: The Grand Concourse was conceived during the height of the City Beautiful Movement as the residential Champs Elysees of the Bronx, a broad promenade intended to inspire harmonious social order through grand design. Designed as a wide, tree-lined thoroughfare with carriage drives, bridle paths and sunken cross-streets, it was conceived in 1870 by engineer Louis Risse as a means to connect Manhattan to the parks of the Northern Bronx. Built in 1909, the Concourse stretches 4 miles in length and measures 180 feet across, with tree-lined dividers separating it into three distinct roadways. Today, the Grand Concourse hosts the largest collection of Art Deco and Art Moderne style buildings in America. The buildings were—and still are—grand, with elaborate ornamentation, large lobbies, landscaped courtyards, elevators, large windows and many amenities that older Manhattan apartments lacked. Mirroring the tumultuous history of the Bronx itself, the Concourse has survived the ravages of arson, dramatic shifts in population, and an overall decline in the quality of life since the 1970s. Today, however, the Bronx is improving with increased development and investment. Bronx communities are thriving, alive with the art, music, and cultural and social vibrancy that has defied decades of depression. This competition challenges entrants to answer these questions: - What does the Bronx of the future need its grandest boulevard to be?
- How can the Grand Concourse help inspire harmony and community through design?
- Is the Grand Concourse of today obsolete? Can the Grand Concourse of tomorrow be a force that catalyzes the Bronx’s positive evolution?
Successful submissions could address these questions at any scale – from the individual human body to city block to neighborhood to entire borough. Entrants are encouraged to address not only the area’s built environment, but the natural, cultural, and social environments as well. The best ideas, designs, descriptions and images will be selected by some of the world’s most distinguished designers, architects, artists and critics, and will be exhibited at The Bronx Museum in November and December 2009 as part of the Intersections: Grand Concourse at 100 — Future exhibition. Contact Information: |
Art Gallery of Nova Scotia Competition 
Image: ©KPMB Architects
Not to be outdone by other Canadian provincial capitals, Halifax has chosen to make its own ambitious museum statement on the city’s waterfront. New museums in Vancouver, BC, Calgary and Fredericton, New Brunswick, the latter two by KPMB Architects, are either in development or already under construction. Saskatoon’s Remai Modern by KPMB and OMA’s Musée national des beaux-arts du Québec in Montréal were more recently completed, and Vancouver’s new Art Museum by Herzog & de Meuron is still under development. Read more… Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Urban Adaptation Competition
Image ©Francesco Allaixand Julio Orduña
Recently we are beginning to see a resurgence of wood as a primary building material, not only for detached residential housing, but also for multi-family and commercial urban structures. Masonry, steel, and composite materials are still the bread and butter of the construction industry; but wood may be making serious inroads into the future of commercial buildings. Yes, we have seen the use of wood in interiors of large buildings: one of the more impressive projects being that of the Christ the Light Cathedral by SOM in Oakland, California. Read more…
Aerial view of site – Courtesy National Finnish Museum
When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries. Read more…
The Opening of Taichung’s Central Park by Catherine Mosbach/Philippe Rahm
View from the south with downtown Taichung in the distance image: ©Mosbach/Rahm
The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
Read more…
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